The Collection began with the foundation of the Royal Academy in 1768, with works of art often being given by the artists themselves. They were intended to show the talents of the British School and provide inspiration for new generations of British artists.
It now contains about 935 paintings, 350 sculptures, 700 plaster casts, 25,000 prints and drawings and 5,000 historic photographs. The Collection’s central focus is on British art and artists from the 18th century to the present day.
You will find some of these works on display around the building; ranging from the Michelangelo Tondo and a 16th-century copy of Leonardo Da Vinci’s Last Supper to the most recent additions to the Collection by Royal Academicians. Many of our Collection works are on display in the Collection Gallery, which is open and free to all.
Key features of the Collection are outlined below. Individual objects can be explored through our online search feature.
Established at the time of the Academy’s foundation in 1768 to serve the needs of the Members of the Royal Academy and students in its Schools, the Royal Academy of Arts Library is the oldest institutional fine arts library in the United Kingdom. It has built up significant collections of books and other material relating to British art and the history of the Royal Academy, its Members, Schools, exhibitions and collections since the mid-18th century. The Research Library and Archive is open to the public by appointment, Tuesdays and Thursdays.
At the core of the Library is the British Art Reference Collection comprising around 30,000 monographs, exhibition catalogues and standard reference books on British art and artists, with particular concentration on the life and work of Members of the Royal Academy. The library holds a complete set of the Academy’s annual (summer) exhibition catalogues from its inception in 1769 and of the loan exhibition catalogues which began in 1870.
The Historic Book Collection contains some 12,000 volumes published before 1920, which reflect the teaching philosophy of the Academy Schools from their foundation to the end of the 19th century. It includes many rare titles reproducing the masterpieces of medieval and post-Renaissance European art and architecture; detailed archaeological surveys of the civilisations of ancient Greece, Rome and Egypt; volumes of engravings recording civil, military and religious festivals, ceremonies and costume; and original editions of virtually all the early treatises on painting, drawing, sculpture, architecture, printmaking, anatomy, perspective, colour theory, art collecting and connoisseurship.
A great many British artists, including numerous Members of the Royal Academy, have worked at some point in their careers as book illustrators and/or designers. To highlight their contribution to this genre, a special collection of illustrated books is currently being formed which presently numbers around 1,500 volumes.
The Archive forms one of the world’s most significant resources for the historical study of British art since 1760. It documents the activities of an institution that became a national arbiter of taste throughout the 19th century, acting as the primary venue for the exhibition of contemporary art and continuing to this day to run the oldest school of fine art in the country. The archive forms the recorded memory of the Academy’s membership and activities. In addition to the official archive it includes the personal papers of deceased artists and the institutional archives of other organisations such as the Society of Artists.
This collection consists of 19th & 20th century photographs of Academicians, landscapes, architecture and works of art. Holdings include early portraits by William Lake Price dating from the 1850s, portraits by David Wilkie Wynfield and Eadweard Muybridge’s Animal Locomotion: An Electrophotographic investigation of Consecutive Phases of Animal Movement 1872-1885.
The Picture Library can supply reproduction-quality, high-resolution files or colour transparencies of works in the Royal Academy’s Collections, together with reproduction licenses.
How to contact us
Telephone +44 20 7300 5915
Email picturelibrary@royalacademy.org.uk
Write to:
The Picture Library
Royal Academy of Arts
Burlington House, Piccadilly
London W1J 0BD
Please note that we are unable to supply images of works in our temporary exhibitions as we do not own the rights to these images. A selection of exhibition merchandise is available in our shop.
High-quality prints of images from the Royal Academy’s Collections are available to order online, framed or unframed, on a choice of papers or canvas. Go to www.royalacademyprints.com
Highlights include Frederick Gore’s vivid Spanish landscapes, John William Waterhouse’s famous Mermaid and John Constable’s lively seascape oil sketches, as well as charming illustrations from the Library’s book collections.
The research library is a specialist resource, open by appointment only on Tuesdays and Thursdays, to researchers wishing to consult material not easily available elsewhere.
Thomas Stothard RA, Diagrams of the arrangement of the books in the Royal Academy of Arts Library: Shelf A-3 and A-4, 1814-15, 1814-15.
The Library Information Service can answer enquiries over the telephone, by post or email relating to the RA and its Collections. We have also provided a guide (below) to other organisations that might be able to help with your enquiry where we cannot.
How to contact us
Telephone +44 20 7300 5737 (Tuesday to Friday, 10am to 1pm and 2pm to 5pm)
Email library@royalacademy.org.uk
Write to:
Library Information Service
Royal Academy of Arts
Burlington House, Piccadilly
London W1J 0BD
The Royal Academy Collection of paintings, sculptures, drawings, prints, historic books, archives, historic photographs and plaster casts can be searched online. Currently, only works of art which have been digitised are available on the website. More images are added each month, and in due course all records will be made available.