Contemporary art summer school at the Royal Academy
Summer school
Short course
- 12 July 2022, 10am — 5pm
- 13 July 2022, 10am — 5pm
- 14 July 2022, 10am — 5pm
- 15 July 2022, 10am — 5pm
- 16 July 2022, 10am — 5pm
Contemporary art summer school at the Royal Academy
Using the Summer Exhibition as a starting point, immerse yourself in contemporary art through engagement with the artists, curators and business insiders at the heart of the industry.
This week-long summer school will give a comprehensive overview of contemporary art. We will learn about the art being created today through the art and artists of the Summer Exhibition, as well as a host of exciting artists and curators working in London.
You’ll be taught through a series of lectures and workshops, including talks, artist’s studio visits, in-conversations, gallery visits and seminars. The course will include introductions to key players in the contemporary art market, both from within the RA and from further afield.
The course will cover:
• What is contemporary art
• How to think and write about art with a critical eye
• How the London art market works and its place on a global stage
• The key institutions and players
• The spaces, venues and arenas engaging with art
• The future of art and the art market
Over five days this course is designed to produce well-rounded arts professionals with a global perspective, who not only understand the language and ideas of contemporary art theory but can also apply those ideas in a variety of real-world contexts.
Course tutor Dr Tim Smith-Laing is a writer and critic based in London. With a PhD from Oxford, Tim taught there extensively, focusing on cultural history and the history and theory of criticism. He is now a regular speaker at the Royal Academy, a book critic at The Daily Telegraph, and writes on art for Apollo, Frieze, and the Literary Review. Since 2013, he has published on subjects ranging from Hieronymus Bosch and Pieter Breugel to Two-Tone and The Monkees, as well as teaching for The Latin Programme. He is currently researching the cultural history of luck, and a novel based on the life of eighteenth-century sculptor Franz Xaver Messerschmidt.
Covid-19 update: We are looking forward to welcoming you back in a way that ensures everyone’s safety. Numbers will be limited to allow for social distancing, and we will be following the latest government guidelines. In the event of another national lockdown or enforced closure, we reserve the right to move this event online or to a future date.
Please note this course will include some site visits, and as such some walking. If you have any questions or concerns, or would like to discuss any accessibility needs, please contact academic.programmes@royalacademy.org.uk.
Minimum age 18.
● Fully booked
● Cancelled
- 12 July 2022, 10am — 5pm
- 13 July 2022, 10am — 5pm
- 14 July 2022, 10am — 5pm
- 15 July 2022, 10am — 5pm
- 16 July 2022, 10am — 5pm
Wolfson British Academy Room, Burlington Gardens, Royal Academy of Arts
£1,800. Includes all materials, light refreshments each day and drinks receptions throughout the week.
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About the guest speakers
Tanya Barson is Senior Director (Curator-at-Large) at Hauser & Wirth. She was Chief Curator, MACBA, Barcelona 2016-2021; Curator of International Art, Tate Modern 2007-2016; Exhibitions and Collections Curator, Tate Liverpool 2004-2007; and Assistant Curator, Tate, Millbank, 1997-2004. She has curated important exhibitions of Felix Gonzalez-Torres (2021), Georgia O’Keeffe (2016) and Frida Kahlo (2005) among others, as well as the major thematic exhibition Afro Modern: Journeys Through the Black Atlantic (2010).
Rob and Nick Carter are a husband and wife artistic duo who have been collaborating for over 20 years. The Carter’s work is centered on the boundaries between the analogue and the digital. Their acclaimed Transforming series has been 10 years in the making, and creates a unique intersection between the art of the past and cutting-edge computer-generated imagery. They are the only living artist who have shown work at the Frick, New York, and their work is held in collections including the Mauritshuis, The Hague, Victoria & Albert Museum, London and the Fondation Custodia, Paris.
Jennifer Higgie is an Australian writer who lives in London. Formerly the editor of Frieze magazine, her latest book, The Mirror & The Palette: Rebellion, Resilience and Resistance: 500 Years of Women’s Self Portraits is published by Weidenfeld & Nicolson. She is currently working on a book about women, art and the spirit world. She also writes screenplays.
Thomas Marks is a writer and art critic. He is currently an Associate Fellow at the Warburg Institute, London, where he is researching Elizabeth David’s collection of historical cookery books, and was Editor of Apollo art magazine from 2013–21. He has contributed to numerous publications, among them Prospect, Literary Review and the TLS, and continues to write a monthly column for Apollo about the relationship between art and food. He is a trustee of Art UK, the cultural education charity that exists to democratise the UK’s public art through digitisation and storytelling.
Hammad Nasar is a curator, researcher, and strategic advisor. His most recent curated/co-curated exhibitions include Turner Prize (2021) and British Art Show 9 (2021-22). He is presently Senior Research Fellow, Paul Mellon Centre and Lead Curator, Herbert Art Gallery & Museum (Coventry). Earlier, he was Executive Director of the Stuart Hall Foundation, London; Head of Research & Programmes at Asia Art Archive, Hong Kong; and, co-founder of Green Cardamom, London.
Dr. Zoé Whitley is Director of Chisenhale Gallery. A leading non-profit space founded by artists in London’s East End, Chisenhale produces and commissions acclaimed new works of art by contemporary artists. Exhibitions to her credit include co-curating Elijah Pierce’s America (Barnes Foundation, 2020); curating the British Pavilion (La Biennale di Venezia, 2019) and co-curating the award-winning international touring exhibition Soul of a Nation: Art in the Age of Black Power. Zoé also serves on the Mayor’s Commission on Diversity in the Public Realm as well as the boards of the Teiger Foundation and Decolonising Arts Institute, University of the Arts London, having just finished her term on the Arts Council Collection Committee (2020-2022).
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Our courses and classes programme
Our varied programme of short courses and classes provides an opportunity to explore subjects ranging from life drawing to the history of exhibitions and arts management, led by expert tutors and practising artists. These courses introduce traditional art-making processes, as well as perspectives on art history, theory and business.
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Give this course as a gift
All of our courses can be purchased as a gift for a friend or family member – giving the gift of education and a remarkable experience. To arrange a personalised Gift Voucher, please contact the Academic Programmes Team by emailing academicprogrammes@royalacademy.org.uk
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