Augusta Thackeray
Augusta Thackeray
RA Collection: People and Organisations
Miss Augusta Yenn, daughter of architect John Yenn R.A.; in 1834 married Martin Thackeray (uncle of novelist William Makepeace Thackeray)
Profile
Died: 1869
Gender: Female
Works associated with Augusta Thackeray in the RA Collection
195 results
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Robert Smirke RA
Protection Offered to the Metropolis, c.1798
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The Grütlin Matte
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Georg Heinrich Ludwig Nicolovius
A View in the Island of Ischia; and of the Mountain Epomeo, 1797
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Georg Heinrich Ludwig Nicolovius
A View in Trapani, and of the Monte di Trapani: the ancient Eryx., 1797
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Jean Francois Colson
The Tree called Dei cento Cavalli, 1797
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Wenceslaus Hollar
O30701, 1644
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Wenceslaus Hollar
O30700, c.1645
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Wenceslaus Hollar
O30702, 1645
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John Andre
John André, 1781
Stipple engraved
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Formerly attributed to Raphael
Mars in his Chariot, 1645-69
Etching
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Formerly attributed to Raphael and Perino del Vaga and Giovanni da Udine
Diana in her Chariot, 1645-69
Etching
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Formerly attributed to Raphael and Perino del Vaga and Giovanni da Udine
Mercury in his Chariot, 1645-69
Etching
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Formerly attributed to Raphael and Perino del Vaga and Giovanni da Udine
Jupiter in his Chariot, 1645-69
Etching
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Heinrich Sintzenich
Concert ticket: 'For the benefit of Mr. Cramer', 1788
Printed in red
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Francesco Bartolozzi RA
Allegory of History's victory over Time
Etching and engraving
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Attributed to Francesco Bartolozzi RA
Woodland nymph dancing with festoon of flowers, c. 1783
Stipple engraving
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Jan Visscher
The Young Archer, c.1670
Engraving
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Friedrich Rehberg
Grotta di Matrimonio: in the Island of Capri, 1797
Engraving
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Wilhelm Friedrich Gmelin
Winter Huts, on the Shores of the Adriatic, 1797
Engraving
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Wilhelm Friedrich Gmelin
Winter Huts, on the Shores of the Adriatic., 1797
Engraving
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Jacob Philipp Hackert
View of a Rocky Valley near Sorento, 1797
Engraving
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Giovanni Battista Cipriani RA
Alcander & Nerina, 1784
Stipple engraving
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Angelica Kauffman RA
Diana Preparing for Hunting, 1780
Stipple engraving
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James Wyatt PRA
Design for mausoleum, Brocklesby Park, Lincolnshire: perspective, c.1795
Pen with red-brown ink, brown and grey washes with a red-brown line border
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Sir William Chambers RA
Design of a capital illustrating the supposed origin of the Corinthian order: elevation, c.1757-70
Pen with black ink and grey, brown and red washes with a border of black and brown washes
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John Yenn RA
Design for a Doric temple portico: elevation, c.1770
Pen with brown ink and brown wash
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John Yenn RA
Design for a Pantheon-style temple: front elevation, c.1780
Pen with black ink and black, green, blue and brown washes with a black ink border
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John Yenn RA
Design for a Pantheon-style temple: longitudinal section, c.1770
Pen with black ink and black, green, blue and brown washes with a black ink border
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John Yenn RA
Design for a nobleman's villa: elevation, 1769
Pen with black ink and black, brown, blue and pink washes with a black and grey wash border
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John Yenn RA
Design for a garden pavilion with octagonal dome: elevation, 1770
Pen with black ink and black, brown, blue and red washes with a black and grey wash border
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John Yenn RA
Design for a bath or mansion: elevation, c.1777
Pen with brown and black ink and brown, black, green and blue washes with a black, red and grey wash border
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Sir William Chambers RA
Copy design of Temple for Henry Willoughby: elevation, c.1780
Pen with black ink and black, brown and blue washes with a black, brown and grey wash border
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John Yenn RA
Design for a villa with Gibbs surrounds: elevation, c.1790
Pencil, pen with black ink and black, grey and blue washes with a black and brown wash border
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John Yenn RA
Design for a country house with extension: elevation, c. 1790
Pencil, pen with black ink and black, brown, green and blue washes with a pink and black wash border
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John Yenn RA
Design for unidentified house: ground floor plan and front elevation, c.1780
Pencil, pen with black ink and coloured washes
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John Yenn RA
Design for unidentified house: front elevation, c.1780
Pen with black ink and black, green, blue and brown washes with black wash border
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Sir William Chambers RA
Design, unexecuted, for alterations and additions to the facade of Coleby Hall, Lincolnshire: elevation, c.1775
Pen with black ink and black, green and blue coloured washes with a grey wash border
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John Yenn RA
Design for a country house with six central bays: elevation, c.1785
Pen with black and brown ink, black, brown, blue and green washes with a black and grey wash border
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John Yenn RA
Design for a country house with five central bays: elevation, c.1785
Pen with black and brown ink, black, brown, blue and green washes with a black wash border
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John Yenn RA
Design for a country house: elevation, 1782
Pen with black and brown ink and coloured washes with pink and black wash border
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John Yenn RA
Design for a country house: elevation, 1780
Pen with black and brown ink and coloured washes with black, pink and brown wash border
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John Yenn RA
Design for alterations and additions to a country house: elevation, c.1780
Pen with black ink and coloured washes with black and brown wash border
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John Yenn RA
Design for a town mansion: elevation, 1773
Pen with black and brown ink and coloured washes with a pink and black wash border
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John Yenn RA
Design for a domed villa or casine: elevation, 1777
Pen with black and coloured washes with black wash border
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John Yenn RA
Design for a villa with Doric portico: elevation, 1777
Pen with brown and black ink and grey, black, blue and green washes in a black wash border
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John Yenn RA
Design for a villa or casine: elevation, 1775
Pen with black and brown ink, coloured washes, gouache with a border of gouache and red, brown and black washes
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John Yenn RA
Design for a town hall: elevation, 1774
Pen with black and brown ink and coloured washes in a red, black and purple wash border
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John Yenn RA
Design for a greenhouse: elevation, 1775
Pen with brown and black ink, coloured washes and gouache with border of coloured washes
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John Yenn RA
Design for a garden casino with Corinthian portico: elevation, 1782
Pen with black ink and coloured washes with a black and brown wash border
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John Yenn RA
Design for a garden casino with central portico: elevation, 1782
Pen with black ink and coloured washes with a black and pink wash border
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John Yenn RA
Design for a lakeside pavilion: elevation, 1774
Pen with black, brown and blue ink and coloured washes in a border of black and pink wash
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John Yenn RA
Topographical or design drawing for a gothic ruin: perspective, 1770
Pen with black ink and coloured washes in a grey wash border
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John Yenn RA
Design for a Palladian bridge: elevation, 1775
Pencil, pen with brown ink, coloured washes in a ruled and gouache border
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John Yenn RA
Design for a garden obelisk: elevation, c. 1795
Pen with black and brown inks and coloured washes in a double light brown and black border
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John Yenn RA
Design for pedimented Doric entrance gate with lodges and urns: elevation, 1770
Pen with black ink, coloured washes and gouache with double border of grey and black washes
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John Yenn RA
Design for Doric entrance gate with balustrade and urns and with lodges: elevation, c.1785
Pen with brown ink and brown, green, blue and grey washes in a double border of brown and black washes
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John Yenn RA
Design for painted pavement in mosaic design, Guard Chamber, Windsor Castle, Berkshire: plan, 5 August 1792
Pen with black and brown ink and brown wash
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Sir William Chambers RA
Design, as built, for southwest wall, with central door, of the Saloon, Buckingham House, London: elevation, c.1788
Pen with black and brown ink and coloured washes with black line border
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John Yenn RA
Design for a Doric garden seat pavilion in Surrey: elevation, 1775
Pen with black ink, guoache and coloured washes in black and red borders
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Sir William Chambers RA
Design for window wall, Queen Charlotte's Music Room, Windsor Castle, Berkshire: elevation, 1794
Pen with black and green ink and coloured washes in a grey wash and black ink border
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Sir William Chambers RA
Design for wall with two doors, Queen Charlotte's Drawing Room, Windsor Castle, Berkshire: elevation, 1795
Pen with black and brown ink and coloured washes in a grey wash border
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Attributed to Giovanni Battista Cipriani RA
Design for a ceiling
Pen and ink with watercolour wash on wove paper
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John Yenn RA
Design for a painted panel above a chimney piece, entitled 'History instructed by Time Publishes the Truth to the World', c.1780
Pen and ink with watercolour on laid paper
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John Yenn RA
Design for a wall panel decoration entitled 'Earth', c.1780
Pen and ink with watercolour wash on laid paper
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John Yenn RA
Design for a wall panel decoration entitled 'Water', c.1780
Pen with black and red ink with grey, blue and purple washes in a ruled and wash border
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Sir William Chambers RA
Design, almost as executed, for the Temple of Diana, Blenheim Palace, Oxfordshire: detail elevation of urn, c.1791
Pen with black and brown ink and coloured washes within ruled and wash border
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Sir William Chambers RA
Design, almost as executed, for the Temple of Diana, Blenheim Palace, Oxfordshire: elevation, c.1791
Pen with black and brown ink and coloured washes within ruled and wash border
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John Yenn RA
Design for greenhouse, Blenheim Palace, Oxfordshire: plan, 1787
Pencil, pen with black ink and coloured washes within ruled and wash border
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John Yenn RA
Design for greenhouse, Blenheim Palace, Oxfordshire: front elevation, 1787
Pencil, pen with black and brown ink and coloured washes within ruled and wash border
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Attributed to Paul Sandby RA
A Rider Watering his Horse by a Lake, c. 1790s
Pencil, pen and ink and grey wash on laid paper
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John Yenn RA
Design for a town house: section, c.1775
Pen with black ink, coloured washes and gouache
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After Sir Joshua Reynolds PRA
Self-portrait, 1 December 1780
Mezzotint
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Thomas Hearne
A Village Church, 4 April 1774
Etching and engraving
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Jean-Marie Delatre
A scene from the story of Rhodope and King Psammetichus of Egypt, 1 May 1780
Etching and engraving
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Thomas Stothard RA
Trade-card of Richard Collins, Enamel and Miniature Painter to George III, between 1798 and 1811
Engraving
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Wenceslaus Hollar
Self-portrait of Wenceslaus Hollar, ca. 1735-39
Etching
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Jean Bernard Toro
Five grotesque masks and ornamental armour
Etching and engraving
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Jean Bernard Toro
Five grotesque masks
Etching and engraving
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Jean Bernard Toro
Five grotesque masks
Etching and engraving
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Jean Bernard Toro
Four grotesque masks, a shield and a griffin
Etching and engraving
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Jean Bernard Toro
Fantastic helmeted head, half vase, attenuated herm, eagle and rainceau ornament
Etching and engraving
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Jean Bernard Toro
Fantastic helmeted head, monk's hood, putto with Roman legion's standard and scrawny griffin
Etching and engraving
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Jean Bernard Toro
Fantastic helmeted head, auricular escutcheon, eagle and sphinx
Etching and engraving
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Jean Bernard Toro
Fantastic turbanned head with two putti and a griffin
Etching and engraving
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Wenceslaus Hollar
Portrait of a young woman, 1648
Etching
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Wenceslaus Hollar
Woman with a scarf over her head, 1648
Etching
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Francesco Bartolozzi RA
Charles Brandon, 3rd Duke of Suffolk, 10 March 1541?
Etching and stipple-engraving
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Francesco Bartolozzi RA
Henry Brandon, 2nd Duke of Suffolk, 10 March 1541?
Etching and stipple-engraving
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Francesco Bartolozzi RA
Ruins, 1766
Etching and engraving
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Francesco Bartolozzi RA
Orlando and Oberto meet and embrace, 1773
Etching and engraving
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Francesco Bartolozzi RA
Olympia abandoned by her husband Bireno, 1773
Etching and engraving
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Francesco Bartolozzi RA
Satyr playing Pan's pipes beneath a bust of the poet Martial
Etching and engraving
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Francesco Bartolozzi RA
Giardini concert ticket, 1780
Etching and engraving
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Attributed to Francesco Bartolozzi RA
Ticket for Theatre Royal, Haymarket, [1780]
Etching and engraving
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Francesco Bartolozzi RA
The Madonna della Sedia, 1778
Etching and stipple-engraving
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Francesco Bartolozzi RA
Ticket for Masqued Ball, New Club, Soho, 24 February 1775, 1775
Etching and engraving
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Francesco Bartolozzi RA
Ticket for a Ball at Mansion House, 17 April 1775, 1775
Etching and engraving
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Francesco Bartolozzi RA
Ticket for a Regatta Ball at Ranelagh Gardens, 23 June 1775, 1775
Etching and engraving
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Francesco Bartolozzi RA
A Muse, 1776
Etching and engraving
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Francesco Bartolozzi RA
Vertumnus and Pomona masquerade ticket, 1777
Etching and engraving
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Francesco Bartolozzi RA
Hanover Square masquerade ticket for 31 May 1782, 1782
Etching and engraving
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Ranelagh Gardens masquerade ticket for 14 June 1776
Etching and engraving
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Francesco Bartolozzi RA
Dragonetti concert ticket, [1792]
Etching and engraving
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After Angelica Kauffman RA
Mourners at a Tomb, 1 February 1781
Stipple-engraving
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Francesco Bartolozzi RA
Cupid and Psyche, 30 May 1792
Line engraving
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Jean-Marie Delatre
Dido invoking the Gods, 15 March 1784
Stipple-engraving and etching
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Jean-Marie Delatre
Penelope weeping over the bow of Ulysses, 15 March 1784
Stipple-engraving and etching
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W.C. Wilson
'Protection offered to the Metropolis', 1798
Line-engraving and etching
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John Yenn RA
Design copy of Bernini's 'Fountain of the Four Rivers', c.1780
Pen with black ink, pale grey, brown and blue washes
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John Yenn RA
Design for Rosamund's Well, Blenheim Palace, Oxfordshire: elevation, c.1786
Pen with black and brown ink and coloured washes within ruled and wash border
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Sir William Chambers RA and John Yenn RA
Design, almost as executed, for the Temple of Health, Blenheim Palace, Oxfordshire: elevation, c.1789
Pen with black, brown and red ink and coloured washes within ruled and wash border
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Solomon Alexander Hart RA
A recollection of Sir Thomas Lawrence, ca. 1828
Watercolour (and black ink?) on wove paper
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J.M.W. Turner RA
Durham Cathedral, 1798-99
Pencil, watercolour and scratching out on wove paper
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Unidentified (British?) artist
Old St. Leonard's Church, Streatham, ca. 1795-1805?
Pencil, pen and brown ink on laid paper
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Unidentified (British?) artist
Caricature of a naval officer, late 18th century
Pen and brown ink on laid paper
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Unidentified (British?) artist
Portrait of an unknown man, mid 18th century
Pencil
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Unidentified (British?) artist
Portrait of an unknown woman, mid 18th century
Pencil, and grey wash on a wove paper
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Edward Edwards ARA
View of Henry VII's Chapel, Westminster Abbey from Old Palace Yard, 1780s?
Pencil and watercolour on laid paper
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Thomas Richard Underwood
The Gatehouse of Battle Abbey, Sussex, 1793
Pencil and watercolour on wove paper
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Samuel Shelley
A Vestal Virgin Attending a Sacred Flame, by 1808
Pencil and watercolour on laid paper
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Francis Wheatley RA
Figures and cattle by a lake, 1795
Pencil and watercolour on wove paper
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Francis Wheatley RA
Woodgatherers and a shepherd by a river, 1795
Pencil and watercolour on wove paper
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Francis Wheatley RA
A group of figures by a roadside cottage, 1780s?
Pencil, watercolour and pen and ink on laid paper
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Francis Wheatley RA
Figures outside a country inn, 1780s?
Pencil, watercolour and pen and ink on laid paper
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Henry Tresham RA
'Music' Receiving Inspiration, Attended and Crowned by the 'Loves'
Pencil and watercolour on wove paper
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Paul Sandby RA
Wenlock Abbey, Shropshire, The South Transept and Converted Prior's Lodge Seen from the North Transept, by 1779
Pencil and watercolour on laid paper
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Paul Sandby RA
Roche Abbey, Yorkshire, probably 1770s
Pencil and watercolour on laid paper
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Jean Baptiste Claude Chatelain
North View of Old St. Mary's Church, Battersea, ca. 1750
Pen and brown ink and grey wash on laid paper
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Jean Baptiste Claude Chatelain
South East View of Old St. John's Church, Hackney, ca. 1750
Pen and brown ink on and grey wash on laid paper
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Jean Baptiste Claude Chatelain
South East View of Brook House, Hackney, ca. 1750
Pen and brown ink and grey wash on laid paper
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Jean Baptiste Claude Chatelain
Old St. Mary's Church, Islington, ca. 1750
Pen and brown ink and grey wash on laid paper
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Jean Baptiste Claude Chatelain
North West view of old St. Mary's Church, Hornsey, ca. 1750
Pen and brown ink with grey wash on laid paper
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Willem van de Velde the younger
Coastal vessels at anchor, by 1707
Pen and brown ink and grey wash on laid paper
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Willem van de Velde the younger
Three Dutch ships at anchor, by 1707
Pen and grey ink and wash on laid paper
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Willem van de Velde the younger
English shipping at anchor, by 1707
Pen and brown ink and grey wash on laid paper
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Dominic Serres the Elder RA
English Frigates in the Channel, 1789
Pen and grey ink and watercolour on a laid paper
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Dominic Serres the Elder RA
English Frigates in the Channel, ca. 1790
Pen and grey ink and watercolour on wove paper
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Attributed to Paul Sandby RA
Hilly landscape with waterfall
Pen and brown ink, grey and brown wash, white body colour, and black chalk (?) on laid paper
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Attributed to Paul Sandby RA
A cottage in a wooded landscape
Pen and brown ink, grey wash and black chalk (?) on laid paper
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Attributed to Paul Sandby RA
The Ponte Molle or Ponte Milvio
Pencil, blue and grey wash on laid paper
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Attributed to Paul Sandby RA
The Ponte Salario or Ponte Salaro
Pencil, blue and grey wash on laid paper
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Attributed to Paul Sandby RA
Buildings by a road
Pencil, watercolour, pen and ink on thick laid paper
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Attributed to Paul Sandby RA
A Lime Kiln Near Hammersmith
Pencil and watercolour on thick laid paper
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Paul Sandby RA
A thatched cottage
Pencil on thick laid paper
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Attributed to Paul Sandby RA
Cowbridge Town Wall and Church Tower, Glamorganshire
Pencil, black chalk and grey wash on laid paper (card)
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Paul Sandby RA
Ruins in a landscape
Pencil and watercolour on laid paper (card)
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Attributed to Paul Sandby RA
View at Rochester
Pencil and watercolour on laid card
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Attributed to Paul Sandby RA
The Ponte Lucano, Rome
Pencil, blue, pink and grey wash on laid paper
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Attributed to Paul Sandby RA
The Plautian family tomb in Rome, partially based on a print of the Ponte Lucano, Rome
Pencil and blue and grey wash on laid paper
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Attributed to Paul Sandby RA
A ruined castle
Pencil, blue and grey wash, pen and ink on wove paper
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Edward Edwards ARA
The Church of St. Nicholas, Newcastle upon Tyne, 1787- 1788
Pencil, watercolour, pen and grey ink on wove paper
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John Alexander Gresse
Valle Crucis Abbey, North Wales, 1792
Watercolour and black pen and ink on wove paper
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John Inigo Richards RA
The Bridge at Ivybridge, Devon, 1760s?
Pencil and watercolour on laid paper
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John Inigo Richards RA
Farm buildings, by 1810
Pencil, watercolour and bodycolour on laid paper
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Michael Angelo Rooker ARA
Caesar's Tower, Warwick Castle, 1794?
Pencil and grey wash on wove paper
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Michael Angelo Rooker ARA
Winchelsea Churchyard, by 1801
Pencil and watercolour on wove paper
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Michael Angelo Rooker ARA
The Gatehouse of Battle Abbey viewed from the side, by 1801
Pencil and watercolour on wove paper
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Michael Angelo Rooker ARA
A horseman riding in a wooded landscape, by 1801
Pencil and watercolour on wove paper
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Michael Angelo Rooker ARA
Figures and cattle in a wooded landscape, by 1801
Pencil and watercolour on laid paper
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Michael Angelo Rooker ARA
A wooded landscape, by 1801
Pencil and watercolour on laid paper
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Michael Angelo Rooker ARA
Figures and horses in a wooded landscape, by 1801
Pencil and watercolour on laid paper
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Michael Angelo Rooker ARA
The Hall of Kenilworth Castle, Warwickshire, 1794?
Pencil and grey wash on wove paper
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Michael Angelo Rooker ARA
The North Foreland Lighthouse, Kent, 1780
Pencil and watercolour on laid paper
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Michael Angelo Rooker ARA
Valle Crucis Abbey, North Wales, 1794
Watercolour on wove paper
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Michael Angelo Rooker ARA
The Gatehouse of Battle Abbey, Sussex, 1792
Pencil and watercolour on wove paper
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Attributed to Paul Sandby RA
A ruined archway with a round building
Pencil, watercolour and pen and ink on laid paper (card)
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Paul Sandby RA
A wooded landscape with figures and cattle, late 1790s
Pen and ink and grey wash on laid paper
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Unidentified (British?) artist
Portrait of a young man, 18th century
Pencil on smooth wove paper
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John Francis Rigaud RA
Portrait of John Yenn, R.A., Before 1785
Oil on canvas
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John Flaxman RA
Design for the obverse of a commemorative medal for the Royal Academy of Arts, 1819
Pencil, pen and grey ink and grey wash on wove paper
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John Flaxman RA
Design for the obverse of a commemorative medal for the Royal Academy of Arts, 1819
Pencil and grey wash on wove paper
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John Flaxman RA
Design for the reverse of a commemorative medal for the Royal Academy of Arts, 1819
Pencil and grey wash on cream wove paper
-
Attributed to John Flaxman RA
Design with a quiver and arrows, by 1826
Red chalk on cream laid paper
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John Flaxman RA
Design for a Royal Academy medal or insignia with three figures representing the arts, ca. 1819
Pencil, pen and ink on light beige wove paper
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After Leonardo da Vinci
Holy Family, 1 November 1798
Line-engraving
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John Yenn RA
Student design for a villa with two domes: elevation, 1769
Pen with black ink, coloured washes in border of black, brown and pink washes
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Sir William Chambers RA
Alternative design for window wall with thin piers, Queen Charlotte's Drawing Room, Windsor Castle, Berkshire: elevation, c.1795
Pen with black and green ink and coloured washes in a grey wash border
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John Yenn RA
Alternative design for a Doric gateway, Blenheim Palace, Oxfordshire: elevation in landscape, c.1780
Pencil, pen with black ink and coloured washes within ruled and wash border
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John Yenn RA
Design for greenhouse, Blenheim Palace, Oxfordshire: end elevation, 1787
Pen and black and brown ink and coloured washes within ruled and wash border
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Attributed to Giovanni Battista Cipriani RA
Poetry, 18th century
Pen and ink on laid paper
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Attributed to Giovanni Battista Cipriani RA
Sacrifice, 18th century
Pen and ink with wash on laid paper
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Attributed to Giovanni Battista Cipriani RA
Navigation, 18th century
Pen and ink with wash on laid paper
-
Attributed to Giovanni Battista Cipriani RA
Naval Architecture, 18th century
Pen and ink with wash on laid paper
-
Attributed to Giovanni Battista Cipriani RA
History, 18th century
Pen and ink with wash on laid paper
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Attributed to Giovanni Battista Cipriani RA
Industry, 18th century
Pen and ink with wash on laid paper
-
Attributed to Giovanni Battista Cipriani RA
Sculpture, 18th century
Pen and ink with wash on laid paper
-
Attributed to Giovanni Battista Cipriani RA
Astronomy, 18th century
Pen and ink with wash on laid paper
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Attributed to Giovanni Battista Cipriani RA
Geography, 18th century
Pen and wash on laid paper
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Attributed to Giovanni Battista Cipriani RA
Military Architecture, 18th century
Pen and ink with wash on laid paper
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Attributed to Giovanni Battista Cipriani RA
Musick, 18th century
Pen and ink with wash on laid paper
-
Attributed to John Yenn RA
Sketch of a two-handled urn, ?18th century
Wash over pencil on laid paper
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Unidentified artist
Reclining female model viewed from the back, late 18th century?
Chalk over pencil on laid paper
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Attributed to Giovanni Battista Cipriani RA
Civil Architecture, 18th century
-
Attributed to Giovanni Battista Cipriani RA
Painting, 18th century
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Attributed to Giovanni Battista Cipriani RA
Marriage, 18th century