Mrs. Augusta Thackeray

Robert Smirke RA

Protection Offered to the Metropolis, c.1798

The Grütlin Matte

Georg Heinrich Ludwig Nicolovius

A View in the Island of Ischia; and of the Mountain Epomeo, 1797

Georg Heinrich Ludwig Nicolovius

A View in Trapani, and of the Monte di Trapani: the ancient Eryx., 1797

Jean Francois Colson

The Tree called Dei cento Cavalli, 1797

Wenceslaus Hollar

O30701, 1644

Wenceslaus Hollar

O30700, c.1645

Wenceslaus Hollar

O30702, 1645

John Andre

John André, 1781

Stipple engraved

Formerly attributed to Raphael

Mars in his Chariot, 1645-69

Etching

Formerly attributed to Raphael and Perino del Vaga and Giovanni da Udine

Diana in her Chariot, 1645-69

Etching

Formerly attributed to Raphael and Perino del Vaga and Giovanni da Udine

Mercury in his Chariot, 1645-69

Etching

Formerly attributed to Raphael and Perino del Vaga and Giovanni da Udine

Jupiter in his Chariot, 1645-69

Etching

Heinrich Sintzenich

Concert ticket: 'For the benefit of Mr. Cramer', 1788

Printed in red

Francesco Bartolozzi RA

Allegory of History's victory over Time

Etching and engraving

James Wyatt PRA

Design for mausoleum, Brocklesby Park, Lincolnshire: perspective, c.1795

Pen with red-brown ink, brown and grey washes with a red-brown line border

Sir William Chambers RA

Design of a capital illustrating the supposed origin of the Corinthian order: elevation, c.1757-70

Pen with black ink and grey, brown and red washes with a border of black and brown washes

John Yenn RA

Design for a Doric temple portico: elevation, c.1770

Pen with brown ink and brown wash

John Yenn RA

Design for a Pantheon-style temple: front elevation, c.1780

Pen with black ink and black, green, blue and brown washes with a black ink border

John Yenn RA

Design for a Pantheon-style temple: longitudinal section, c.1770

Pen with black ink and black, green, blue and brown washes with a black ink border

John Yenn RA

Design for a nobleman's villa: elevation, 1769

Pen with black ink and black, brown, blue and pink washes with a black and grey wash border

John Yenn RA

Design for a garden pavilion with octagonal dome: elevation, 1770

Pen with black ink and black, brown, blue and red washes with a black and grey wash border

John Yenn RA

Design for a bath or mansion: elevation, c.1777

Pen with brown and black ink and brown, black, green and blue washes with a black, red and grey wash border

Sir William Chambers RA

Copy design of Temple for Henry Willoughby: elevation, c.1780

Pen with black ink and black, brown and blue washes with a black, brown and grey wash border

John Yenn RA

Design for a villa with Gibbs surrounds: elevation, c.1790

Pencil, pen with black ink and black, grey and blue washes with a black and brown wash border

John Yenn RA

Design for a country house with extension: elevation, c. 1790

Pencil, pen with black ink and black, brown, green and blue washes with a pink and black wash border

John Yenn RA

Design for unidentified house: ground floor plan and front elevation, c.1780

Pencil, pen with black ink and coloured washes

John Yenn RA

Design for unidentified house: front elevation, c.1780

Pen with black ink and black, green, blue and brown washes with black wash border

Sir William Chambers RA

Design, unexecuted, for alterations and additions to the facade of Coleby Hall, Lincolnshire: elevation, c.1775

Pen with black ink and black, green and blue coloured washes with a grey wash border

John Yenn RA

Design for a country house with six central bays: elevation, c.1785

Pen with black and brown ink, black, brown, blue and green washes with a black and grey wash border

John Yenn RA

Design for a country house with five central bays: elevation, c.1785

Pen with black and brown ink, black, brown, blue and green washes with a black wash border

John Yenn RA

Design for a country house: elevation, 1782

Pen with black and brown ink and coloured washes with pink and black wash border

John Yenn RA

Design for a country house: elevation, 1780

Pen with black and brown ink and coloured washes with black, pink and brown wash border

John Yenn RA

Design for alterations and additions to a country house: elevation, c.1780

Pen with black ink and coloured washes with black and brown wash border

John Yenn RA

Design for a town mansion: elevation, 1773

Pen with black and brown ink and coloured washes with a pink and black wash border

John Yenn RA

Design for a domed villa or casine: elevation, 1777

Pen with black and coloured washes with black wash border

John Yenn RA

Design for a villa with Doric portico: elevation, 1777

Pen with brown and black ink and grey, black, blue and green washes in a black wash border

John Yenn RA

Design for a villa or casine: elevation, 1775

Pen with black and brown ink, coloured washes, gouache with a border of gouache and red, brown and black washes

John Yenn RA

Design for a town hall: elevation, 1774

Pen with black and brown ink and coloured washes in a red, black and purple wash border

John Yenn RA

Design for a greenhouse: elevation, 1775

Pen with brown and black ink, coloured washes and gouache with border of coloured washes

John Yenn RA

Design for a garden casino with Corinthian portico: elevation, 1782

Pen with black ink and coloured washes with a black and brown wash border

John Yenn RA

Design for a garden casino with central portico: elevation, 1782

Pen with black ink and coloured washes with a black and pink wash border

John Yenn RA

Design for a lakeside pavilion: elevation, 1774

Pen with black, brown and blue ink and coloured washes in a border of black and pink wash

John Yenn RA

Topographical or design drawing for a gothic ruin: perspective, 1770

Pen with black ink and coloured washes in a grey wash border

John Yenn RA

Design for a Palladian bridge: elevation, 1775

Pencil, pen with brown ink, coloured washes in a ruled and gouache border

John Yenn RA

Design for a garden obelisk: elevation, c. 1795

Pen with black and brown inks and coloured washes in a double light brown and black border

John Yenn RA

Design for pedimented Doric entrance gate with lodges and urns: elevation, 1770

Pen with black ink, coloured washes and gouache with double border of grey and black washes

John Yenn RA

Design for Doric entrance gate with balustrade and urns and with lodges: elevation, c.1785

Pen with brown ink and brown, green, blue and grey washes in a double border of brown and black washes

John Yenn RA

Design for painted pavement in mosaic design, Guard Chamber, Windsor Castle, Berkshire: plan, 5 August 1792

Pen with black and brown ink and brown wash

Sir William Chambers RA

Design, as built, for southwest wall, with central door, of the Saloon, Buckingham House, London: elevation, c.1788

Pen with black and brown ink and coloured washes with black line border

John Yenn RA

Design for a Doric garden seat pavilion in Surrey: elevation, 1775

Pen with black ink, guoache and coloured washes in black and red borders

Sir William Chambers RA

Alternative design for window wall with thin piers, Queen Charlotte's Drawing Room, Windsor Castle, Berkshire: elevation, c.1795

Pen with black and green ink and coloured washes in a grey wash border

Sir William Chambers RA

Design for window wall, Queen Charlotte's Music Room, Windsor Castle, Berkshire: elevation, 1794

Pen with black and green ink and coloured washes in a grey wash and black ink border

Sir William Chambers RA

Design for wall with two doors, Queen Charlotte's Drawing Room, Windsor Castle, Berkshire: elevation, 1795

Pen with black and brown ink and coloured washes in a grey wash border

Attributed to Giovanni Battista Cipriani RA

Design for a ceiling

Pen and ink with watercolour wash on wove paper

John Yenn RA

Design for a painted panel above a chimney piece, entitled 'History instructed by Time Publishes the Truth to the World', c.1780

Pen and ink with watercolour on laid paper

John Yenn RA

Design for a wall panel decoration entitled 'Earth', c.1780

Pen and ink with watercolour wash on laid paper

John Yenn RA

Design for a wall panel decoration entitled 'Water', c.1780

Pen with black and red ink with grey, blue and purple washes in a ruled and wash border

Sir William Chambers RA

Design, almost as executed, for the Temple of Diana, Blenheim Palace, Oxfordshire: detail elevation of urn, c.1791

Pen with black and brown ink and coloured washes within ruled and wash border

Sir William Chambers RA

Design, almost as executed, for the Temple of Diana, Blenheim Palace, Oxfordshire: elevation, c.1791

Pen with black and brown ink and coloured washes within ruled and wash border

John Yenn RA

Design for greenhouse, Blenheim Palace, Oxfordshire: plan, 1787

Pencil, pen with black ink and coloured washes within ruled and wash border

John Yenn RA

Design for greenhouse, Blenheim Palace, Oxfordshire: front elevation, 1787

Pencil, pen with black and brown ink and coloured washes within ruled and wash border

Attributed to Paul Sandby RA

A Rider Watering his Horse by a Lake, c. 1790s

Pencil, pen and ink and grey wash on laid paper

John Yenn RA

Design for a town house: section, c.1775

Pen with black ink, coloured washes and gouache

After Sir Joshua Reynolds PRA

Self-portrait, 1 December 1780

Mezzotint

Thomas Hearne

A Village Church, 4 April 1774

Etching and engraving

Jean-Marie Delatre

A scene from the story of Rhodope and King Psammetichus of Egypt, 1 May 1780

Etching and engraving

Thomas Stothard RA

Trade-card of Richard Collins, Enamel and Miniature Painter to George III, between 1798 and 1811

Engraving

Wenceslaus Hollar

Self-portrait of Wenceslaus Hollar, ca. 1735-39

Etching

Jean Bernard Toro

Five grotesque masks and ornamental armour

Etching and engraving

Jean Bernard Toro

Five grotesque masks

Etching and engraving

Jean Bernard Toro

Five grotesque masks

Etching and engraving

Jean Bernard Toro

Four grotesque masks, a shield and a griffin

Etching and engraving

Jean Bernard Toro

Fantastic helmeted head, half vase, attenuated herm, eagle and rainceau ornament

Etching and engraving

Jean Bernard Toro

Fantastic helmeted head, monk's hood, putto with Roman legion's standard and scrawny griffin

Etching and engraving

Jean Bernard Toro

Fantastic helmeted head, auricular escutcheon, eagle and sphinx

Etching and engraving

Jean Bernard Toro

Fantastic turbanned head with two putti and a griffin

Etching and engraving

Wenceslaus Hollar

Portrait of a young woman, 1648

Etching

Wenceslaus Hollar

Woman with a scarf over her head, 1648

Etching

Francesco Bartolozzi RA

Charles Brandon, 3rd Duke of Suffolk, 10 March 1541?

Etching and stipple-engraving

Francesco Bartolozzi RA

Henry Brandon, 2nd Duke of Suffolk, 10 March 1541?

Etching and stipple-engraving

Francesco Bartolozzi RA

Ruins, 1766

Etching and engraving

Francesco Bartolozzi RA

Orlando and Oberto meet and embrace, 1773

Etching and engraving

Francesco Bartolozzi RA

Olympia abandoned by her husband Bireno, 1773

Etching and engraving

Francesco Bartolozzi RA

Satyr playing Pan's pipes beneath a bust of the poet Martial

Etching and engraving

Francesco Bartolozzi RA

Giardini concert ticket, 1780

Etching and engraving

Attributed to Francesco Bartolozzi RA

Ticket for Theatre Royal, Haymarket, [1780]

Etching and engraving

Francesco Bartolozzi RA

The Madonna della Sedia, 1778

Etching and stipple-engraving

Francesco Bartolozzi RA

Ticket for Masqued Ball, New Club, Soho, 24 February 1775, 1775

Etching and engraving

Francesco Bartolozzi RA

Ticket for a Ball at Mansion House, 17 April 1775, 1775

Etching and engraving

Francesco Bartolozzi RA

Ticket for a Regatta Ball at Ranelagh Gardens, 23 June 1775, 1775

Etching and engraving

Francesco Bartolozzi RA

A Muse, 1776

Etching and engraving

Francesco Bartolozzi RA

Vertumnus and Pomona masquerade ticket, 1777

Etching and engraving

Francesco Bartolozzi RA

Hanover Square masquerade ticket for 31 May 1782, 1782

Etching and engraving

Ranelagh Gardens masquerade ticket for 14 June 1776

Etching and engraving

Francesco Bartolozzi RA

Dragonetti concert ticket, [1792]

Etching and engraving

After Angelica Kauffman RA

Mourners at a Tomb, 1 February 1781

Stipple-engraving

Francesco Bartolozzi RA

Cupid and Psyche, 30 May 1792

Line engraving

Jean-Marie Delatre

Dido invoking the Gods, 15 March 1784

Stipple-engraving and etching

Jean-Marie Delatre

Penelope weeping over the bow of Ulysses, 15 March 1784

Stipple-engraving and etching

W.C. Wilson

'Protection offered to the Metropolis', 1798

Line-engraving and etching

John Yenn RA

Design copy of Bernini's 'Fountain of the Four Rivers', c.1780

Pen with black ink, pale grey, brown and blue washes

John Yenn RA

Design for Rosamund's Well, Blenheim Palace, Oxfordshire: elevation, c.1786

Pen with black and brown ink and coloured washes within ruled and wash border

Sir William Chambers RA and John Yenn RA

Design, almost as executed, for the Temple of Health, Blenheim Palace, Oxfordshire: elevation, c.1789

Pen with black, brown and red ink and coloured washes within ruled and wash border

John Yenn RA

Alternative design for a Doric gateway, Blenheim Palace, Oxfordshire: elevation in landscape, c.1780

Pencil, pen with black ink and coloured washes within ruled and wash border

John Yenn RA

Design for greenhouse, Blenheim Palace, Oxfordshire: end elevation, 1787

Pen and black and brown ink and coloured washes within ruled and wash border

Solomon Alexander Hart RA

A recollection of Sir Thomas Lawrence, ca. 1828

Watercolour (and black ink?) on wove paper

J.M.W. Turner RA

Durham Cathedral, 1798-99

Pencil, watercolour and scratching out on wove paper

Unidentified (British?) artist

Old St. Leonard's Church, Streatham, ca. 1795-1805?

Pencil, pen and brown ink on laid paper

Unidentified (British?) artist

Caricature of a naval officer, late 18th century

Pen and brown ink on laid paper

Unidentified (British?) artist

Portrait of an unknown man, mid 18th century

Pencil

Unidentified (British?) artist

Portrait of an unknown woman, mid 18th century

Pencil, and grey wash on a wove paper

Edward Edwards ARA

View of Henry VII's Chapel, Westminster Abbey from Old Palace Yard, 1780s?

Pencil and watercolour on laid paper

Thomas Richard Underwood

The Gatehouse of Battle Abbey, Sussex, 1793

Pencil and watercolour on wove paper

Samuel Shelley

A Vestal Virgin Attending a Sacred Flame, by 1808

Pencil and watercolour on laid paper

Francis Wheatley RA

Figures and cattle by a lake, 1795

Pencil and watercolour on wove paper

Francis Wheatley RA

Woodgatherers and a shepherd by a river, 1795

Pencil and watercolour on wove paper

Francis Wheatley RA

A group of figures by a roadside cottage, 1780s?

Pencil, watercolour and pen and ink on laid paper

Francis Wheatley RA

Figures outside a country inn, 1780s?

Pencil, watercolour and pen and ink on laid paper

Henry Tresham RA

'Music' Receiving Inspiration, Attended and Crowned by the 'Loves'

Pencil and watercolour on wove paper

Paul Sandby RA

Wenlock Abbey, Shropshire, The South Transept and Converted Prior's Lodge Seen from the North Transept, by 1779

Pencil and watercolour on laid paper

Paul Sandby RA

Roche Abbey, Yorkshire, probably 1770s

Pencil and watercolour on laid paper

Jean Baptiste Claude Chatelain

North View of Old St. Mary's Church, Battersea, ca. 1750

Pen and brown ink and grey wash on laid paper

Jean Baptiste Claude Chatelain

South East View of Old St. John's Church, Hackney, ca. 1750

Pen and brown ink on and grey wash on laid paper

Jean Baptiste Claude Chatelain

South East View of Brook House, Hackney, ca. 1750

Pen and brown ink and grey wash on laid paper

Jean Baptiste Claude Chatelain

Old St. Mary's Church, Islington, ca. 1750

Pen and brown ink and grey wash on laid paper

Jean Baptiste Claude Chatelain

North West view of old St. Mary's Church, Hornsey, ca. 1750

Pen and brown ink with grey wash on laid paper

Willem van de Velde the younger

Coastal vessels at anchor, by 1707

Pen and brown ink and grey wash on laid paper

Willem van de Velde the younger

Three Dutch ships at anchor, by 1707

Pen and grey ink and wash on laid paper

Willem van de Velde the younger

English shipping at anchor, by 1707

Pen and brown ink and grey wash on laid paper

Dominic Serres the Elder RA

English Frigates in the Channel, 1789

Pen and grey ink and watercolour on a laid paper

Dominic Serres the Elder RA

English Frigates in the Channel, ca. 1790

Pen and grey ink and watercolour on wove paper

Attributed to Paul Sandby RA

Hilly landscape with waterfall

Pen and brown ink, grey and brown wash, white body colour, and black chalk (?) on laid paper

Attributed to Paul Sandby RA

A cottage in a wooded landscape

Pen and brown ink, grey wash and black chalk (?) on laid paper

Attributed to Paul Sandby RA

The Ponte Molle or Ponte Milvio

Pencil, blue and grey wash on laid paper

Attributed to Paul Sandby RA

The Ponte Salario or Ponte Salaro

Pencil, blue and grey wash on laid paper

Attributed to Paul Sandby RA

Buildings by a road

Pencil, watercolour, pen and ink on thick laid paper

Attributed to Paul Sandby RA

A Lime Kiln Near Hammersmith

Pencil and watercolour on thick laid paper

Paul Sandby RA

A thatched cottage

Pencil on thick laid paper

Attributed to Paul Sandby RA

Cowbridge Town Wall and Church Tower, Glamorganshire

Pencil, black chalk and grey wash on laid paper (card)

Paul Sandby RA

Ruins in a landscape

Pencil and watercolour on laid paper (card)

Attributed to Paul Sandby RA

View at Rochester

Pencil and watercolour on laid card

Attributed to Paul Sandby RA

The Ponte Lucano, Rome

Pencil, blue, pink and grey wash on laid paper

Attributed to Paul Sandby RA

The Plautian family tomb in Rome, partially based on a print of the Ponte Lucano, Rome

Pencil and blue and grey wash on laid paper

Attributed to Paul Sandby RA

A ruined castle

Pencil, blue and grey wash, pen and ink on wove paper

Edward Edwards ARA

The Church of St. Nicholas, Newcastle upon Tyne, 1787- 1788

Pencil, watercolour, pen and grey ink on wove paper

John Alexander Gresse

Valle Crucis Abbey, North Wales, 1792

Watercolour and black pen and ink on wove paper

John Inigo Richards RA

The Bridge at Ivybridge, Devon, 1760s?

Pencil and watercolour on laid paper

John Inigo Richards RA

Farm buildings, by 1810

Pencil, watercolour and bodycolour on laid paper

Michael Angelo Rooker ARA

Caesar's Tower, Warwick Castle, 1794?

Pencil and grey wash on wove paper

Michael Angelo Rooker ARA

Winchelsea Churchyard, by 1801

Pencil and watercolour on wove paper

Michael Angelo Rooker ARA

The Gatehouse of Battle Abbey viewed from the side, by 1801

Pencil and watercolour on wove paper

Michael Angelo Rooker ARA

A horseman riding in a wooded landscape, by 1801

Pencil and watercolour on wove paper

Michael Angelo Rooker ARA

Figures and cattle in a wooded landscape, by 1801

Pencil and watercolour on laid paper

Michael Angelo Rooker ARA

A wooded landscape, by 1801

Pencil and watercolour on laid paper

Michael Angelo Rooker ARA

Figures and horses in a wooded landscape, by 1801

Pencil and watercolour on laid paper

Michael Angelo Rooker ARA

The Hall of Kenilworth Castle, Warwickshire, 1794?

Pencil and grey wash on wove paper

Michael Angelo Rooker ARA

The North Foreland Lighthouse, Kent, 1780

Pencil and watercolour on laid paper

Michael Angelo Rooker ARA

Valle Crucis Abbey, North Wales, 1794

Watercolour on wove paper

Michael Angelo Rooker ARA

The Gatehouse of Battle Abbey, Sussex, 1792

Pencil and watercolour on wove paper

Attributed to Paul Sandby RA

A ruined archway with a round building

Pencil, watercolour and pen and ink on laid paper (card)

Paul Sandby RA

A wooded landscape with figures and cattle, late 1790s

Pen and ink and grey wash on laid paper

Unidentified (British?) artist

Portrait of a young man, 18th century

Pencil on smooth wove paper

John Francis Rigaud RA

Portrait of John Yenn, R.A., Before 1785

Oil on canvas

John Flaxman RA

Design for the obverse of a commemorative medal for the Royal Academy of Arts, 1819

Pencil, pen and grey ink and grey wash on wove paper

John Flaxman RA

Design for the obverse of a commemorative medal for the Royal Academy of Arts, 1819

Pencil and grey wash on wove paper

John Flaxman RA

Design for the reverse of a commemorative medal for the Royal Academy of Arts, 1819

Pencil and grey wash on cream wove paper

Attributed to John Flaxman RA

Design with a quiver and arrows, by 1826

Red chalk on cream laid paper

John Flaxman RA

Design for a Royal Academy medal or insignia with three figures representing the arts, ca. 1819

Pencil, pen and ink on light beige wove paper

After Leonardo da Vinci

Holy Family, 1 November 1798

Line-engraving

John Yenn RA

Student design for a villa with two domes: elevation, 1769

Pen with black ink, coloured washes in border of black, brown and pink washes