Articles
RA Magazine Autumn 2017
Artists
> 1 year ago
In the studio with David Adjaye RA
The international architect talks art collections, local communities and working for the disempowered at his London studio.
RA Exhibitions
> 1 year ago
Dalí and Duchamp: a curious camaraderie
The pair may seem like opposites, but our exhibition this autumn shows they shared surprising artistic interests. Here, curator Dawn Ades explores four aspects of their enduring affinity for each other’s work.
RA Recommends
> 1 year ago
10 computers, 2000 hours, one photograph: making pictures with Thomas Ruff
With four decades of his photographs currently showing at Whitechapel Gallery, the artist divulges the hidden world of his virtual darkroom.
Artists
> 1 year ago
The text art of Jenny Holzer: “crummy signs, my speciality?”
As the pioneering American artist covers Blenheim Palace with her provocative text-based work this autumn, she discusses a career of making art with words.
Artists
> 1 year ago
My art agenda: Emma Stibbon RA
With a solo show at London’s Alan Cristea Gallery this month, the printmaker shares the projects, exhibitions and places currently on her radar.
RA Recommends
> 1 year ago
Feminist, socialist, embroiderer: the untold story of May Morris
The pioneering artist and designer has been overshadowed by her father for over a century, but a new show at William Morris Gallery is stitching together the threads of her own remarkable career.
RA Recommends
< 2 years ago
Jean-Michel Basquiat: downtown stray to international star
As a retrospective of the 1980s icon opens at the Barbican, art historian Morgan Falconer traces how the artist cracked the New York art scene and chased his wildest dreams.
RA Recommends
< 2 years ago
Four art biographies to read this autumn
Art critic Michael Prodger recommends the best new biographies of artists and art lovers – from Renoir to Peggy Guggenheim.
RA Exhibitions
< 2 years ago
Jasper Johns: “Take an object. Do something to it. Do something else to it.”
This month the RA celebrates Jasper Johns as one of America’s greatest living artists – here art historian Barbara Rose explores the complex transformations of objects and images throughout his work.