Henry Hugh Armstead RA, Two studies of craftsmen for the pedestal of a bust of Edward III, ca. 1884.
Pen and ink over pencil on cream laid paper. 177 mm x 227 mm.
This image is not available to download. To licence this image for commercial purposes, contact our Picture Library at picturelibrary@royalacademy.org.uk
Henry Hugh Armstead RA, Two studies of craftsmen for the pedestal of a bust of Edward III, ca. 1884.
Pen and ink over pencil on cream laid paper. 177 mm x 227 mm.
This image is not available to download. To licence this image for commercial purposes, contact our Picture Library at picturelibrary@royalacademy.org.uk
Two studies of craftsmen for the pedestal of a bust of Edward III, ca. 1884
Henry Hugh Armstead RA (1828 - 1905)
RA Collection: Art
177 mm x 227 mm
Start exploring the RA Collection
- Explore art works, paint-smeared palettes, scribbled letters and more...
- Artists and architects have run the RA for 250 years.
Our Collection is a record of them.
Related articles
-
![Nitin Sawhney]()
Our Collection
> 1 year ago
Top picks from the Collection: Nitin Sawhney
The award-winning composer Nitin Sawhney offers an audio tour of favourite works from the RA Collection – from John Constable to Antony Gormley.
-
![Stephen Farthing RA at Ham House]()
Our Collection
> 1 year ago
Top picks from the Collection: Stephen Farthing RA
“I’ve set out a little curriculum from which you could teach someone to draw,” says artist and teacher Stephen Farthing, as he gives an audio tour of the online collection.
-
![Gabriella Boyd, Sunhead]()
Our Collection
4 days ago
How to read it: Gabriella Boyd’s ‘Sunhead’
In Gabriella Boyd’s “Sunhead”, familiar shapes are given a surreal twist. The painting floats on the edge of reality where nothing is certain. But what does it mean? Where did the head go? And why is this painting in the RA’s Collection anyway?
-
![Sir Frank Brangwyn RA, Sunflowers]()
Our Collection
2 months ago
How to read it: Frank Brangwyn’s ‘Sunflowers’
Frank Brangwyn’s ‘Sunflowers’ is an explosion of colour that captures the vibrancy of a much-loved plant. But did Brangwyn copy Van Gogh? And why sunflowers, anyway?
