Dr. Hugh Wells Armstead (1865 - fl. 1932)
Dr. Hugh Wells Armstead (1865 - fl. 1932)
RA Collection: People and Organisations
Son of H. H. Armstead, R.A.
Profile
Born: 1865 in London
Died: fl. 1932
Gender: Male
Works associated with Dr. Hugh Wells Armstead in the RA Collection
388 results
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Henry Hugh Armstead RA
Design for the 1856 Goodwood Cup, 1856
Pen and ink and brown wash over pencil on cream wove paper
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Henry Hugh Armstead RA
Two drawings of a male figure wearing a crown and carrying a book
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Standing male figure wearing a crown and carrying a book
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Three studies of a seated male figure for Llandaff Cathedral carvings
Pen and dark brown ink over pencil on cream wove paper
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Henry Hugh Armstead RA
A seated male figure, for carvings at Llandaff Cathedral
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
A seated male figure, for carvings at Llandaff Cathedral
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Studies of seated male figures for Llandaff Cathedral carvings
Pen and dark brown ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Studies of a seated male figure for carvings at Llandaff Cathedral
Pen and dark brown ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a kneeling male figure for the cornice of the Westminster Abbey reredos, ca. 1867
Pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a standing male figurefor the cornice of the Westminster Abbey reredos, ca. 1867
Pencil on cream wove paper
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Henry Hugh Armstead RA
Studies of a cat's paws and face for 'Playmates', ca. 1897
Pencil on white wove paper
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Henry Hugh Armstead RA
Figure studies for the carving on the Bishop's Throne, Llandaff Cathedral, probably 1863
Pen and brown ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Four figures in niches, a design for part of the Westminster Abbey reredos, 1860s
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
A standing male figure, possibly Watt, for the Albert Hall frieze, by 1871
Pen and ink with pencil on cream wove paper
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Henry Hugh Armstead RA
Two male figures, for the Albert Hall frieze, by 1871
Pen and ink with pencil on cream wove paper
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Henry Hugh Armstead RA
Standing male nudes, for the Albert Hall frieze, by 1871
Pen and ink with pencil on cream wove paper
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Henry Hugh Armstead RA
Two standing male figures carrying mallets, for the Albert Hall frieze, by 1871
Pen and ink with pencil on cream wove paper
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Henry Hugh Armstead RA
Drawings of standing male figures, for the Albert Hall frieze, by 1871
Pen and ink with pencil on cream wove paper
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Henry Hugh Armstead RA
Nude studies of male figures for the external frieze on the Royal Albert Hall, by 1871
Pen and black ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a standing man, for the Albert Hall frieze, by 1871
Pen and black ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a man standing next to a machine with a wheel, for the Albert Hall frieze, by 1871
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Studies of cherubs, probably for the Webb monument, After 1885
Pencil on cream laid paper
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Henry Hugh Armstead RA
Compositional sketch for 'Sea-Weeds', by 1862
Pencil on cream wove paper
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Henry Hugh Armstead RA
Studies of female nudes, probably for 'Sea-Weeds', by 1862
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a woman holding an orb and sceptre, for the carving on the Bishop's Throne, Llandaff Cathedral, probably 1863
Pen and brown ink over pencil on cream wove paper
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Henry Hugh Armstead RA
A reclining female figure
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Seated female nude
Pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a recumbent male figure for 'The Sun and Moon Stand Still', 1860s?
Pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a stooping male figure for 'The Sun and Moon Stand Still', 1860s?
Pencil and white gouache on cream wove paper
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Henry Hugh Armstead RA
Study of an archer for 'The Sun and Moon Stand Still', 1860s?
Pencil and white gouache on cream wove paper
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Henry Hugh Armstead RA
Four figure studies for 'The Sun and Moon Stand Still', 1860s?
Pencil with white gouache on cream wove paper
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Henry Hugh Armstead RA
Three figure studies for 'The Sun and Moon Stand Still', 1860s?
Pencil with white gouache on cream wove paper
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Henry Hugh Armstead RA
Four figure studies for 'The Sun and Moon Stand Still', 1860s?
Pencil on cream wove paper
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Henry Hugh Armstead RA
Compositional sketch for 'The Sun and Moon Stand Still', 1860s?
Pencil on cream wove paper
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Henry Hugh Armstead RA
Studies for 'The Sun and Moon Stand Still', 1860s?
Pencil with white gouache on cream wove paper
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Henry Hugh Armstead RA
Study of a scene with a figure in bed and another kneeling beside it
Pencil on cream wove paper
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Henry Hugh Armstead RA
Kneeling female nude in profile, holding a piece of drapery
Pencil on cream wove paper
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Henry Hugh Armstead RA
Kneeling female nude holding a piece of drapery
Pencil on cream wove paper
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Henry Hugh Armstead RA
Profile of Benjamin West, P.R.A., after Francis Chantrey, 1818
Pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a cavalryman for the 'Outram Shield', probably 1860
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a cavalryman for the 'Outram Shield', probably 1860
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a cavalryman for the 'Outram Shield', 1860
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Studies for 'Hero and Leander', ca. 1875
Pen and brown ink with white gouache over pencil on brown laid paper
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Henry Hugh Armstead RA
Study of a female figure for 'Remorse', ca. 1903
Pen and ink with wash and white gouache over pencil on blue/green wove paper
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Henry Hugh Armstead RA
Draped studies of a female figure for 'Remorse', ca. 1903
Pen and black ink with wash and white gouache over pencil on blue/green wove paper
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Henry Hugh Armstead RA
Study of a draped female figure for 'Remorse', ca. 1903
Pen and black ink with wash and white gouache over pencil on blue/green wove paper
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Henry Hugh Armstead RA
Two studies of a female nude for 'Remorse', ca. 1903
Pen and ink over pencil on blue/grey wove paper
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Henry Hugh Armstead RA
Two studies of a female nude for 'Remorse', ca. 1903
Pencil on blue/grey wove paper
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Henry Hugh Armstead RA
Study of a pair of spectacles on top of a book, for a memorial to the Revd. Hatchard
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Studies of children for a memorial to the Revd. Hatchard
Pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a recumbent figure for a memorial to Revd. Hatchard
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a kneeling man for a memorial to the Reverend Hatchard
Pen and black ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a woman spinning and a kneeling child
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Two studies of floating female figures
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Two studies of a kneeling woman
Pencil and pen and ink on cream wove paper
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Henry Hugh Armstead RA
Three studies of a kneeling woman
Pencil and pen and ink on cream wove paper
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Henry Hugh Armstead RA
Design for a silver cup decorated with a scene from the life of Christ, c. 1850s
Pen and ink on tracing paper
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Henry Hugh Armstead RA
Design for a silver cup with depictions of Adam and Eve
Pen and ink on tracing paper
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Henry Hugh Armstead RA
Design for a silver cup, c. 1850s
Pen and ink over pencil on tracing paper
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Henry Hugh Armstead RA
Three studies of an embroidered hat or headdress
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Studies of an embroidered band
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Studies of an ornate, embroidered waistcoat
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Design for the 'Memory tazza'
Pen and ink over pencil on pale blue laid paper
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Henry Hugh Armstead RA
Studies of hands for the Webb Monument, St. Paul's Cathedral, After 1885
Pencil on cream wove paper
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Henry Hugh Armstead RA
Studies for the effigy of Archdeacon Moore, for Lichfield Cathedral, ca. 1879
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Figure studies for carvings on the Bishop's Throne, Llandaff Cathedral, 1863
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a male nude for a "medal for Engineers"
Pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a male nude for a "medal for Engineers", February 1870
Pencil on cream wove paper
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Henry Hugh Armstead RA
Study for the effigy of Archdeacon Moore, for Lichfield Cathedral, ca. 1879
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Studies of a child for the relief sculpture in the mausoleum of Julius Beer, ca. 1880s
Pencil with red-orange chalk on cream wove paper
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Henry Hugh Armstead RA
Studies of a woman and child for the relief sculpture in the Julius Beer mausoleum, ca. 1880s
Pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a woman and child for the relief sculpture in the Julius Beer mausoleum, ca. 1880s
Pencil with touches of red chalk on cream wove paper
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Henry Hugh Armstead RA
Preparatory sketch for 'The Sun and Moon Stand Still', 1860s?
Wove paper
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Henry Hugh Armstead RA
Study of four figures in an interior, for 'Samuel and his Mother', 1860s?
Pencil with monochrome watercolour on cream wove paper
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Henry Hugh Armstead RA
Studies of a child for the relief sculpture in the Julius Beer Mausoleum, ca. 1880s
Red chalk over pencil on thick wove paper
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Henry Hugh Armstead RA
Study of a praying woman for the relief sculpture in the Julius Beer Mausoleum, ca. 1880s
Pencil and red chalk on cream wove paper
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Henry Hugh Armstead RA
Study of a praying woman for the relief sculpture in the Julius Beer Mausoleum, ca. 1880s
Pencil and red chalk on cream wove paper
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Henry Hugh Armstead RA
Design for the base of a bust of Edward III, ca. 1884 ?
Pencil on cream laid paper
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Henry Hugh Armstead RA
Design for an inkstand ('Dante inkstand')
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Studies of a child for the relief sculpture in the Julius Beer Mausoleum, ca. 1880s
Red chalk over pencil on thick wove paper
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Henry Hugh Armstead RA
Design for a silver two-handled vase
Pen and ink over pencil on grey wove paper
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Henry Hugh Armstead RA
Head and shoulders of an old man sleeping
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Design for a silver presentation piece in the form of a tazza
Pen and ink over pencil on blue wove paper
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Henry Hugh Armstead RA
A figure standing next to a horse
Pen and ink with wash over pencil on cream wove paper
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Henry Hugh Armstead RA
Study of the torso of a male figure and a detail of the right hand
Pen and ink on cream wove paper
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Henry Hugh Armstead RA
Studies of a waterlily flower
Pencil on beige wove paper
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Henry Hugh Armstead RA
Study of a standing female figure for an illustration to Tennyson's Dora
Pen and ink with some wash over pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a woman leaning on another figure's shoulder for an illustration to Tennyson's Dora
Pen and ink with wash over pencil on cream wove paper
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Henry Hugh Armstead RA
Two studies of a seated male figure for an illustration to Tennyson's Dora
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Study for an illustration to Tennyson's Dora
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Compositional study for an illustration to Tennyson's Godiva
Pen and ink with wash over pencil on cream wove paper
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Henry Hugh Armstead RA
Study for an illustration to Tennyson's poem 'Godiva'
Pen and ink on cream wove paper
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Henry Hugh Armstead RA
Studies of an old man
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Two studies of figures for an illustration to Tennyson's Dora
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Drapery and figure study for an illustration to Tennyson's Dora
Pen and black ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a man's face for an illustration to Tennyson's Dora
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Male nude stooping to pick up a stone
Pen and ink and wash on cream wove paper
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Henry Hugh Armstead RA
A woman leaning to the right with her head in her hands
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
A seated woman with her head bowed
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
A bare-chested old man, in profile
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Design for the 'Ariel inkstand'
Pen and ink over pencil on cream laid paper
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Henry Hugh Armstead RA
Sketch for a silver cup design
Pen and ink on grey wove paper
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Henry Hugh Armstead RA
A seated female figure
Pen and ink on cream wove paper
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Henry Hugh Armstead RA
A seated female nude
Pen and ink with some wash, over pencil on cream wove paper
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Henry Hugh Armstead RA
A male nude pulling ropes
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Studies of a standing female figure for an illustration to Tennyson's Dora, 1860s?
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Studies of a cat for 'Playmates', ca. 1897
Pencil on cream wove paper
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Henry Hugh Armstead RA
Pencil study of a figure for a tomb effigy
Pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a female nude for the 'Adam and Eve' silver vase, 1850s
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a male nude for the 'Adam and Eve' silver vase
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Two studies of a fish for the 'Wisbech fountain'
Pen and ink over pencil on green wove paper
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Henry Hugh Armstead RA
Two studies of a fish for the 'Wisbech fountain'
Pen and ink over pencil on green wove paper
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Henry Hugh Armstead RA
Studies of a kneeling female figure for the reredos of Great St. Mary's, Cambridge, after 1862
Pencil with pen and ink on cream wove paper
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Henry Hugh Armstead RA
Studies for the effigy of Lord Winmarleigh for Warrington Church, ca. 1893-4
Pencil and watercolour on grey/blue wove paper
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Henry Hugh Armstead RA
Design for a memorial to Mrs. Craik, Tewkesbury, c. 1889
Pencil on cream wove paper
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Henry Hugh Armstead RA
Two studies of a female head for a mosaic design for "St. Michael's Church, Torquay", ca. 1877
Pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a standing female figure for a mosaic design for "St. Michael's Church, Torquay", ca. 1877
Pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a female figure for a mosaic design for "St. Michael's Church, Torquay", ca. 1877
Pencil on cream wove paper
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Henry Hugh Armstead RA
Half-length study of a female figure for a mosaic design for "St. Michael's Church, Torquay", ca. 1877
Pencil on cream wove paper
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Henry Hugh Armstead RA
Two studies of a woman for a mosaic design for "St. Michael's Church, Torquay", ca. 1877
Pencil on cream wove paper
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Henry Hugh Armstead RA
Three studies of a woman's head for a mosaic design for "St. Michael's Church, Torquay", ca. 1877
Pencil on cream wove paper
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Henry Hugh Armstead RA
Studies of a woman's head for a mosaic design for "St. Michael's Church, Torquay", ca. 1877
Pencil on cream wove paper
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Henry Hugh Armstead RA
Figure studies for a mosaic design for St. Michael's Church, Torquay, ca. 1877
Pencil on cream wove paper
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Henry Hugh Armstead RA
Nude study of a seated female figure for the memorial to Mrs. Craik, Tewkesbury, ca. 1889
Pencil and white gouache on blue/grey wove paper
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Henry Hugh Armstead RA
Nude study of a seated female figure for the memorial to Mrs. Craik, Tewkesbury, ca. 1889
Pencil and white gouache on blue/green wove paper
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Henry Hugh Armstead RA
Profile portrait of Bishop Ollivant for monuments in Llandaff Cathedral
Pencil on cream wove paper
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Henry Hugh Armstead RA
Pencil portrait of Bishop Ollivant for monuments in Llandaff Cathedral
Pencil on cream wove paper
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Henry Hugh Armstead RA
Profile portrait of Bishop Ollivant for monuments in Llandaff Cathedral
Pencil on cream wove paper
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Henry Hugh Armstead RA
Study for the tomb effigy of Bishop Ollivant
Pencil with white gouache on blue/green wove paper
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Henry Hugh Armstead RA
Study of a clergyman in profile, for a statue of Bishop Ollivant
Pen and ink over pencil on buff wove paper
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Henry Hugh Armstead RA
Study of a clergyman for a statue of Bishop Ollivant
Pen and ink over pencil on buff wove paper
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Henry Hugh Armstead RA
A study of a clergyman in profile, for a stone figure of Bishop Ollivant, ca. 1887?
Pen and ink over pencil on buff wove paper
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Henry Hugh Armstead RA
Male nude lying on the ground
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Two studies of male nudes for the "Milton Fountain"
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Two studies of a male nude for the "Milton Fountain"
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Studies of female figures for the 'Milton Fountain'
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a figure drawing a curtain to one side
Pen and ink with wash and white highlights over pencil on green wove paper
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Henry Hugh Armstead RA
Study of a figure drawing a curtain to one side
Pen and ink with wash and white highlights over pencil on green wove paper
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Henry Hugh Armstead RA
Study of a man, for the reredos of Hythe Church, Kent
Pen and ink with wash and white highlights over pencil on green wove paper
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Henry Hugh Armstead RA
Study of a man supporting the head of another figure, for the reredos of Hythe Church, Kent
Pen and ink with wash and white highlights over pencil on green wove paper
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Henry Hugh Armstead RA
Study of a man in a shroud for the reredos of Hythe Church, Kent
Pen and ink with white highlights over pencil on green wove paper
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Henry Hugh Armstead RA
Studies of a woman for the reredos of Hythe Church, Kent
Pen and ink with wash and white highlights over pencil on green wove paper
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Henry Hugh Armstead RA
Design for a monument to Frances Buss, foundress of the North London Collegiate School for Ladies, 1879
Pen and ink with white highlights over pencil on green wove paper
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Henry Hugh Armstead RA
Study of two standing girls holding shields for Llandaff Cathedral carvings
Pen and ink with white highlights over pencil on green wove paper
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Henry Hugh Armstead RA
Study of a standing girl holding a shield for Llandaff Cathedral carvings
Pen and ink with white highlights over pencil on green wove paper
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Henry Hugh Armstead RA
Three studies of girls playing musical instruments, for Llandaff Cathedral carvings
Pen and ink with white gouache over pencil on green wove paper
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Henry Hugh Armstead RA
Two studies of girls playing musical instruments, for Llandaff Cathedral carvings
Pen and ink with white gouache over pencil on green wove paper
-
Henry Hugh Armstead RA
A standing girl holding a shield
Pen and ink with white gouache over pencil on green wove paper
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Henry Hugh Armstead RA
A standing girl holding a shield
Pen and ink with white gouache over pencil on green wove paper
-
Henry Hugh Armstead RA
A standing girl holding a shield
Pen and ink with white gouache over pencil on green wove paper
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Henry Hugh Armstead RA
Studies of girls playing musical instruments for Llandaff Cathedral carvings
Pen and ink with white gouache over pencil on green wove paper
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Henry Hugh Armstead RA
Studies of the Doctors of the Church, for carving designs at Llandaff Cathedral
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a standing male figure for the reredos of St. Mary's, Cambridge, after 1862
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a standing figure for the reredos of St. Mary's, Cambridge, after 1862
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
A kneeling figure seen from the side
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Two drawings of a standing male figure
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
A kneeling figure seen from the back
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Study of an embroidered waistcoat
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Studies of arms and hands for the Webb monument in St. Paul's Cathedral, After 1885
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Study of a standing figure of the Virgin Mary for a reredos design
Pen and ink with white highlights over pencil on green wove paper
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Henry Hugh Armstead RA
Study of an angel for a reredos design
Pen and ink with white highlights over pencil on green wove paper
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Henry Hugh Armstead RA
Study for 'Hero and Leander'
Pencil with white highlights on brown wove paper
-
Henry Hugh Armstead RA
Draped study of a seated female figure for the "Metropole" doorway, c. 1883
Pencil with white highlights on blue/green wove paper
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Henry Hugh Armstead RA
Sheet with drawings of a seated woman with two children
Pencil with pen and ink on cream wove paper
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Henry Hugh Armstead RA
Study of a kneeling female figure holding a scroll for the 'Engineers Vase', ca. 1862
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a kneeling female figure holding a scroll for the 'Engineers Vase', ca. 1862
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a female figure holding a scroll for the 'Engineers Vase', ca. 1862
Pen and ink over pencil on cream wove paper
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Henry Hugh Armstead RA
Study of a female figure holding a scroll for the 'Engineers Vase', ca. 1862
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Studies of a male and a female nude for the 'Fall of Adam' or 'Adam and Eve' vase, c. 1856?
Pencil on cream wove paper
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Henry Hugh Armstead RA
Nude study of a seated female figure for the "Metropole" doorway design
Pencil and white paint on blue/green wove paper
-
Henry Hugh Armstead RA
Nude study of an old man for a doorway design, c. 1883
Pencil and white gouache on blue/green wove paper
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Henry Hugh Armstead RA
Drawing for an effigy of Richard Walmesley, c. 1893 - 1896
Pencil and white gouache on blue/green wove paper
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Henry Hugh Armstead RA
Study of a kneeling figure
Pencil and white chalk on brown wove paper
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Henry Hugh Armstead RA
Study of a kneeling figure
Pencil and white chalk on brown wove paper
-
Henry Hugh Armstead RA
Half-length study of a figure holding a chalice for a reredos design
Pencil and white chalk on brown wove paper
-
Henry Hugh Armstead RA
Study of a kneeling figure for a reredos design
Pencil and white chalk (could be paint?) on brown wove paper
-
Henry Hugh Armstead RA
Two studies of craftsmen for the pedestal of a bust of Edward III, ca. 1884
Pen and ink over pencil on cream laid paper
-
Henry Hugh Armstead RA
A "Turcoman" horse
Pen and ink over pencil on cream wove (?) paper
-
Henry Hugh Armstead RA
Studies of male figures for the unexecuted "Vauxhall Bridge Church" project
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Studies of children for 'The Ever Reigning Queen', by November 1880
Pencil with pen and ink and white highlights on green wove paper
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Henry Hugh Armstead RA
Study of a female nude for 'The Ever Reigning Queen', by November 1880
Pencil on cream wove paper
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Henry Hugh Armstead RA
Sketch for a lectern design
Pen and ink on cream laid paper
-
Henry Hugh Armstead RA
Three sketches of a male figure and an eagle for a silver centrepiece designed by Armstead for presentation to the Royal Academy, c. 1872
Pencil on cream laid paper
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Henry Hugh Armstead RA
Study of a man on horseback for the unexecuted Blackfriars' Bridge project, ca. 1881
Pen and brown ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Studies for 'The Obedience of Joshua', 1879
Green wove paper
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Henry Hugh Armstead RA
Study for 'The Obedience of Joshua' for the "Guards Chapel" reliefs, 1879
Pen and ink with white highlights over pencil on green wove paper
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Henry Hugh Armstead RA
Design for 'The Obedience of Joshua' for the "Guards Chapel" reliefs, 1879
Pen and ink with white highlights over pencil on green wove paper
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Henry Hugh Armstead RA
Study for 'The Courage of David', 1879
Pen and ink with white highlights over pencil on green wove paper
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Henry Hugh Armstead RA
Design for 'The Courage of David', a relief for the "Guards' Chapel", 1879
Pen and ink with white highlights over pencil on green wove paper
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Henry Hugh Armstead RA
Study of a male nude for a silver centrepiece designed by Armstead for presentation to the Royal Academy, c. 1872
Pencil with white highlights on green wove paper
-
Henry Hugh Armstead RA
Study of a male nude, in profile, for a silver centrepiece designed by Armstead for presentation to the Royal Academy, c. 1872
Pencil with white highlights on green wove paper
-
Henry Hugh Armstead RA
Study of a male nude, in profile, for a silver centrepiece designed by Armstead for presentation to the Royal Academy, c. 1872
Pencil with white highlights on green wove paper
-
Henry Hugh Armstead RA
Study of a male nude for a silver centrepiece designed by Armstead for presentation to the Royal Academy, c. 1872
Pencil with white highlights on green wove paper
-
Henry Hugh Armstead RA
Study of a male nude for a silver centrepiece designed by Armstead for presentation to the Royal Academy, c. 1872
Pencil with white highlights on green wove paper
-
Henry Hugh Armstead RA
Two seated figures for the King's College Fountain, Cambridge (not used), ca. 1874
Pen and ink over pencil on light brown wove paper
-
Henry Hugh Armstead RA
An Egyptian horse
Pen and ink over pencil on light brown wove paper
-
Henry Hugh Armstead RA
Humorous sketches of crocodiles and bats
Pen and ink on blue/grey wove paper
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Henry Hugh Armstead RA
Designs for coins, for a competition, ca. 1891
Pencil on cream wove paper
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Henry Hugh Armstead RA
Nude study of a male figure for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue/grey wove paper
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Henry Hugh Armstead RA
A female figure holding a ball, for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue/grey wove paper
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Henry Hugh Armstead RA
Nude study of a male figure with a sword for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue/grey wove paper
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Henry Hugh Armstead RA
Nude study of a male figure on horseback for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue/grey wove paper
-
Henry Hugh Armstead RA
Two drawings of a seated male figure for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue/grey wove paper
-
Henry Hugh Armstead RA
Study of a seated female figure for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue/grey wove paper
-
Henry Hugh Armstead RA
Two studies of male nudes for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue/grey wove paper
-
Henry Hugh Armstead RA
Nude study of a male figure for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue/grey wove paper
-
Henry Hugh Armstead RA
Draped study of a female figure for a "Coinage competition", ca. 1891
Pencil, pen and black ink with white highlights over pen and blue ink (?) on blue/grey wove paper
-
Henry Hugh Armstead RA
Nude study of a female figure for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue/grey wove paper
-
Henry Hugh Armstead RA
Study of a draped female figure for a "Coinage competition", ca. 1891
Pencil, pen and ink (?) with white highlights on blue/grey wove paper
-
Henry Hugh Armstead RA
Nude study of a female figure for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue/grey wove paper
-
Henry Hugh Armstead RA
Study of a male nude for a "Coinage competition"
Pen and ink with white highlights over pencil on blue/grey wove paper
-
Henry Hugh Armstead RA
Study of two female figures for a "Coinage competition", ca. 1891?
Pen and ink with white highlights over pencil on blue/grey wove paper
-
Henry Hugh Armstead RA
Two studies of a seated female figure for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil and blue chalk on blue/grey wove paper
-
Henry Hugh Armstead RA
Study of a seated female nude for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue/grey wove paper
-
Henry Hugh Armstead RA
Two studies of a male nude for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue wove paper
-
Henry Hugh Armstead RA
Study of a seated female nude for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue-grey wove paper
-
Henry Hugh Armstead RA
A floating female figure
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
A floating figure
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Male nude lying on the ground
Pen and ink on cream wove paper
-
Henry Hugh Armstead RA
Nude studies of male figures possibly for the 'Doncaster Cup', 1850s?
Pen and ink over pencil on white laid paper
-
Henry Hugh Armstead RA
Seated male figure, for the 'History of the Shirleys' reliefs, ca. 1858-62
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Nude study of a male figure for the 'History of the Shirleys' reliefs, ca.1858-62
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Two nude studies of male figures, for the 'History of the Shirleys' reliefs, ca.1858-62
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Figure studies for a monument to Henry Thomas in Llandaff Cathedral, ca. 1863
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Study of a standing figure for the Westminster Reredos, by 1867
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Reclining male nude
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Two figure studies for the 'History of the Shirleys' reliefs, ca.1858-62
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
An outline drawing of a half-length female nude
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Design for 'The Origin of Music in Greece', 1853 or before
Pen and brown ink on light brown wove paper
-
Henry Hugh Armstead RA
Studies for 'The Dead Man of Bethany', 1862 or before
Pen and black and brown ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Two outline drawings of female nudes
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Figure study and a compositional sketch for the 'History of the Shirleys' reliefs, ca. 1858-62
Pen and ink and pencil on cream wove paper
-
Henry Hugh Armstead RA
Nude study of a standing male figure, for the 'History of the Shirleys' reliefs, ca. 1858-62
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Nude study of an archer, for the 'History of the Shirleys' reliefs, ca. 1858-62
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Study of a standing man, for the 'History of the Shirleys' reliefs, ca. 1858-1862
Cream wove paper
-
Henry Hugh Armstead RA
Two studies of a male figure on horseback, for the 'History of the Shirleys' reliefs, ca. 1858 - 1862
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Study of a floating female figure
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Study of a floating figure
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Study of a kneeling male figure
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Half-length drawing of a woman
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Study of a female figure at prayer, 1860s ?
Pencil on wove paper
-
Henry Hugh Armstead RA
Study of a standing figure holding a staff
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Sketches of an infant
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Nude studies of a male and a female figure, 1860 or before
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Study of a fallen figure for the Outram Shield, 1862 or before
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Study of a figure holding a cross, for the 'History of the Shirleys' reliefs, 1862
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Study of a standing male figure, for the 'History of the Shirleys' reliefs, 1862
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Study of a figure lying on the ground, for the Outram Shield, 1862 or before
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Study of a standing figure for the 'History of the Shirleys' reliefs, 1862
Pen and ink on cream wove paper
-
Henry Hugh Armstead RA
Study of a standing figure, for the 'History of the Shirleys' reliefs, 1862
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Figure studies for 'Evening Hymn', 1862 or before
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Study of a man on horseback
Pencil on cream wove paper
-
Henry Hugh Armstead RA
A standing woman
Pencil on light blue wove paper
-
Henry Hugh Armstead RA
Standing male figure in profile, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Five standing figures in long robes, for Llandaff Cathedral carvings
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Nude study of a standing male figure, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Study of a standing male figure, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Nude study of a standing male figure, for the 'History of the Shirleys' reliefs
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Study of a standing male figure, for the reredos at St. Mary's, Cambridge, after 1862
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Study for 'A Dream', 1862 or before
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Drapery and figure studies for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Studies of a male figure playing a trumpet, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Study of a kneeling figure, for the Packington Shield, 1860 or before
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Two studies of a male figure, for the Packington Shield, 1860 or before
Pencil on cream wove paper
-
Henry Hugh Armstead RA
A standing woman holding an infant, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Study of a reclining female figure
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Two sketches of a woman and child
Pencil on white laid paper
-
Henry Hugh Armstead RA
Study of a seated woman, for the Packington Shield, by 1860
Pencil on cream wove paper
-
Henry Hugh Armstead RA
A woman carrying a baby
Pen and ink over pencil on white laid paper
-
Henry Hugh Armstead RA
Studies for a sculpture of a standing male figure, possibly for "Vauxhall Bridge Church"
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Nude study of a standing male figure
Pen and ink and pencil on cream wove paper
-
Henry Hugh Armstead RA
Compositional sketch for a scene with a seated woman and an angel
Pencil on wove paper
-
Henry Hugh Armstead RA
Study for the figure representing 'Applied Mechanics' for the Albert Hall Frieze, by 1871
Pen and ink on thick wove paper
-
Henry Hugh Armstead RA
Studies of a standing figure, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
A compositional sketch for three sections of the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Outline drawing of a seated female nude
Pen and ink on cream wove paper
-
Henry Hugh Armstead RA
Design for a silver figure of Egypt, by 1884
Pen and ink and wash on wove paper
-
Henry Hugh Armstead RA
Studies of one nude and one draped male figure, for the 'History of the Shirleys' reliefs, ca. 1858 - 1862
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Sketch of a seated man supporting a kneeling child
Pencil, pen and ink on cream wove paper
-
Henry Hugh Armstead RA
Nude study of a seated male figure, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Nude study of a male figure on horseback, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Study of a standing male nude
Pen and ink over pencil on wove paper
-
Henry Hugh Armstead RA
Six studies of standing male figures
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Five studies of nude and partially draped female figures, after 1850
Pen and ink over pencil on wove paper
-
Henry Hugh Armstead RA
A seated female nude
Pen and ink with pencil on cream wove paper
-
Henry Hugh Armstead RA
Design for a coin
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Design for a coin
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Male nude in a frontal pose, for the 'History of the Shirleys' reliefs
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Two studies of male nudes, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Head of a bearded man
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Study for 'The Dead Man of Bethany', 1862 or before
Pen and ink and wash, over pencil on cream wove paper
-
Henry Hugh Armstead RA
A scene with three figures and horse by a cloister
Pen and ink and wash over pencil on light blue laid paper
-
Henry Hugh Armstead RA
Study for 'Evening Hymn', 1862 or before
Pencil on cream wove paper
-
Henry Hugh Armstead RA
A standing woman with a child at her side, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pencil and pen and ink on cream wove paper
-
Henry Hugh Armstead RA
Two nude studies of a male figure, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Nude study of a standing male figure, probably for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pencil on cream wove paper
-
Henry Hugh Armstead RA
A seated man wearing a headdress, for 'Samuel and his Mother', 1860s
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Half-length drawing of a woman leaning forwards
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Study of a male figure in Eastern dress, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pen and ink over pencil on wove paper
-
Henry Hugh Armstead RA
St. George and the Dragon
Pencil with pen and ink on cream wove paper
-
Henry Hugh Armstead RA
Nude study of a male figure on horseback
Pencil on wove paper
-
Henry Hugh Armstead RA
Half-length study of a reclining male nude
Pencil on wove paper
-
Henry Hugh Armstead RA
Nude studies of a male figure
Pencil on cream wove paper
-
Henry Hugh Armstead RA
A seated man with a book, for the Packington Shield, 1860 or before
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Half-length study of a man with his head bowed, for the 'History of the Shirleys' reliefs
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Sketches of children at play
Pen and ink on cream wove paper
-
Henry Hugh Armstead RA
A seated girl
Pencil over pen and ink on white laid paper
-
Henry Hugh Armstead RA
Study for 'The Dead Man of Bethany', 1862 or before
Pencil on wove paper
-
Henry Hugh Armstead RA
Study for 'In Prison!', 1862 or before
Pen and ink on white laid paper
-
Henry Hugh Armstead RA
Study of a partially draped, twisting male figure
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
A standing male figure for the 'Vauxhall Bridge Church' designs
Pen and ink over pencil on wove paper
-
Henry Hugh Armstead RA
Study for an illustration, 1860s ?
Pen and ink on white laid paper (check - the paper has a printed black border, is it mourning paper?)
-
Henry Hugh Armstead RA
Study of a kneeling female figure, for an illustration, 1860s ?
Pen and ink over pencil on wove paper
-
Henry Hugh Armstead RA
Figure studies for 'The Fall of the Walls of Jericho', ca. 1862
Pen and ink over pencil on white laid paper
-
Henry Hugh Armstead RA
Study of a kneeling woman, for an illustration, 1860s ?
Pen and ink on laid paper
-
Henry Hugh Armstead RA
Study for 'In Prison!', 1862 or before
Pen and ink on white laid paper
-
Henry Hugh Armstead RA
Two nude studies of a standing male figure for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pencil on wove paper
-
Henry Hugh Armstead RA
Two nude studies of a male figure for the 'History of the Shirleys' reliefs, ca. 1858 - 1862
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Studies of children and a standing woman, for an illustration, 1860s ?
Pen and ink with white paint and wash over pencil on cream wove paper
-
Henry Hugh Armstead RA
Scene with knights on horseback followed by a crowd, 1860s
Pencil on wove paper
-
Henry Hugh Armstead RA
Study of a mirror, 1860s ?
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Study of the head and shoulders of a woman with her head bowed, by 1862
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Study of an open book, 1862 or before
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Fragment of a drawing of a standing man with a child
Pencil on wove paper
-
Henry Hugh Armstead RA
Standing male figure with his hands clasped, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Two scenes with figures on horseback, 1860s?
Pen and ink on white laid paper
-
Henry Hugh Armstead RA
Studies of a boy and a man for 'Samuel and Eli', 1860s
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
An angel holding drapery
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
An angel holding drapery
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Studies of standing female figures for the 'History of the Shirleys' reliefs, ca. 1858-1862
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Study for 'Evening Hymn', 1862 or before
Pen and ink over pencil on white laid paper
-
Henry Hugh Armstead RA
Head of a man
Pen and ink on cream wove paper
-
Henry Hugh Armstead RA
Design for a standing figure for Vauxhall Bridge Church
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Two studies of a crouching figure and other details, 1860s?
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Two half-length studies of a male figure, 1860s?
Pencil on wove paper
-
Henry Hugh Armstead RA
Studies of male figures for an illustration, 1860s?
Pen and ink over pencil on wove paper
-
Henry Hugh Armstead RA
Studies of a standing man wearing a turban, 1860s?
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Figure studies for 'Samuel and his Mother', 1860s
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Nude study of a male figure for an illustration, 1860s?
Pen and ink over pencil on wove paper
-
Henry Hugh Armstead RA
Three studies of male figures, possibly for the Doncaster Cup, 1850s?
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Two sketches of a standing child reading a book
Pencil on blue, lined writing paper (wove)
-
Henry Hugh Armstead RA
Sketches of a standing child
Pencil on blue, lined writing paper (wove )
-
Henry Hugh Armstead RA
Studies of men fighting for the 'History of the Shirleys' reliefs, ca. 1858 - 1862
Pencil on wove paper
-
Henry Hugh Armstead RA
Study of a kneeling woman for an illustration, 1860s?
Pen and ink and wash over pencil on cream wove paper
-
Henry Hugh Armstead RA
A standing woman with a young child, for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pen and ink over pencil on wove paper
-
Henry Hugh Armstead RA
Queen Elizabeth I on horseback
Pen and ink on tracing paper
-
Henry Hugh Armstead RA
A seated figure reading a scroll with a group of figures around him, after 1862
Pen and ink on tracing paper
-
Henry Hugh Armstead RA
A saint preaching to a crowd, after 1862
Pen and ink on tracing paper
-
Henry Hugh Armstead RA
Crucifixion scene flanked by two saints, after 1862
Pen and ink on tracing paper
-
Henry Hugh Armstead RA
Crucifixion scene flanked by 'Science and 'Literature', after 1862
Pen and ink on tracing paper
-
Henry Hugh Armstead RA
Study of a kneeling figure, 1860 or before
Pencil on wove paper
-
Henry Hugh Armstead RA
Study of a kneeling figure for 'Evening Hymn', by 1862
Pencil on wove paper
-
Henry Hugh Armstead RA
A standing male nude holding a cross
Pen and ink over pencil on white laid paper
-
Henry Hugh Armstead RA
Studies of a child for the 'History of the Shirleys' reliefs, ca. 1858 - 1862
Pencil on wove paper
-
Henry Hugh Armstead RA
Studies of kneeling figures for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pencil on wove paper
-
Henry Hugh Armstead RA
Nude study of a male figure for the Pakington Shield, 1859
Pencil on wove paper
-
Henry Hugh Armstead RA
Nude study of a seated female figure for the Pakington Shield design, 1859 or before
Pencil on wove paper
-
Henry Hugh Armstead RA
Studies for 'The Dead Man of Bethany', 1862
Pencil, pen and ink and wash on wove paper
-
Henry Hugh Armstead RA
Sheet of figure studies
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Nude study of a standing male, for the 'History of the Shirleys' relief, ca. 1858 - 62
Pencil, with pen and ink, on cream wove paper
-
Henry Hugh Armstead RA
Studies of a kneeling figure seen from the back
Pencil and pen and ink on wove paper
-
Henry Hugh Armstead RA
Three nude studies of a female figure
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
A monk holding a scroll, for the 'History of the Shirleys' reliefs, ca. 1858 -1862
Pencil on wove paper
-
Henry Hugh Armstead RA
Nude studies of a standing child for the 'History of the Shirleys' reliefs
Pencil on cream wove paper
-
Henry Hugh Armstead RA
A seated man with his arm around a child, 1850s?
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Nude study of a figure group for the 'History of the Shirleys' reliefs, ca. 1858-1862
Pencil on cream wove paper
-
Henry Hugh Armstead RA
A kneeling man and other studies, 1860s?
Pencil, pen and ink on thick wove paper
-
Henry Hugh Armstead RA
Nude studies of two male figures, for the 'History of the Shirleys' reliefs, ca. 1858-62
Pen and ink over pencil on wove paper
-
Henry Hugh Armstead RA
Study for 'Evening Hymn', 1862
Pencil on wove paper
-
Henry Hugh Armstead RA
A woman lying in a bed, 1860s?
Pencil on wove paper
-
Henry Hugh Armstead RA
Head and shoulders portrait of a woman with long hair
Pencil on thick wove paper
-
Henry Hugh Armstead RA
Study of a man wearing ecclesiastical vestments
Pen and ink over pencil on wove paper
-
Henry Hugh Armstead RA
Study of the head of a man wearing a turban for 'The Dead Man of Bethany', 1860s?
Pen and ink on thick wove paper
-
Henry Hugh Armstead RA
Design for the Sampson Vase
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
A seated man embracing a child
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
A standing man holding a trowel, possibly for the 'History of the Shirleys' reliefs
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Nude studies of two male figures on horseback for the 'History of the Shirleys' reliefs, ca. 1858-62
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Studies of a standing figure, probably for the 'History of the Shirleys' reliefs, ca. 1858-62
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Sketch of the upper torso of a nude female figure, ca. 1863
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Study of a male figure seated at a desk
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Study of a male nude, 1855
Pen and ink over pencil on cream wove paper
-
Henry Hugh Armstead RA
Studies for 'The Fall of the Walls of Jericho', ca. 1862
Pencil, pen and ink, on cream wove paper
-
Henry Hugh Armstead RA
Study of a male saint for the cornice of the Westminster Abbey reredos, ca. 1867
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Studies of figures for the 'Webb Monument' in St. Paul's Cathedral, After 1885
Pencil on cream laid paper
-
Henry Hugh Armstead RA
A standing male figure for the 'History of the Shirleys' reliefs, ca. 1858 - 62
Pen and ink over pencil on wove paper
-
W. Robert Colton RA
Bust of Henry Hugh Armstead, R.A., 1902
Bronze
-
Henry Hugh Armstead RA
A seated male figure in profile, for carvings at Llandaff Cathedral
Pencil on cream wove paper
-
Henry Hugh Armstead RA
Drawing of carved acanthus leaf ornament, February 17 1842
Black chalk on wove paper