Dr. Hugh Wells Armstead (1865 - fl. 1932)

Henry Hugh Armstead RA

Design for the 1856 Goodwood Cup, 1856

Pen and ink and brown wash over pencil on cream wove paper

Henry Hugh Armstead RA

Two drawings of a male figure wearing a crown and carrying a book

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Standing male figure wearing a crown and carrying a book

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Three studies of a seated male figure for Llandaff Cathedral carvings

Pen and dark brown ink over pencil on cream wove paper

Henry Hugh Armstead RA

A seated male figure, for carvings at Llandaff Cathedral

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

A seated male figure, for carvings at Llandaff Cathedral

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Studies of seated male figures for Llandaff Cathedral carvings

Pen and dark brown ink over pencil on cream wove paper

Henry Hugh Armstead RA

Studies of a seated male figure for carvings at Llandaff Cathedral

Pen and dark brown ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a kneeling male figure for the cornice of the Westminster Abbey reredos, ca. 1867

Pencil on cream wove paper

Henry Hugh Armstead RA

Study of a standing male figurefor the cornice of the Westminster Abbey reredos, ca. 1867

Pencil on cream wove paper

Henry Hugh Armstead RA

Studies of a cat's paws and face for 'Playmates', ca. 1897

Pencil on white wove paper

Henry Hugh Armstead RA

Figure studies for the carving on the Bishop's Throne, Llandaff Cathedral, probably 1863

Pen and brown ink over pencil on cream wove paper

Henry Hugh Armstead RA

Four figures in niches, a design for part of the Westminster Abbey reredos, 1860s

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

A standing male figure, possibly Watt, for the Albert Hall frieze, by 1871

Pen and ink with pencil on cream wove paper

Henry Hugh Armstead RA

Two male figures, for the Albert Hall frieze, by 1871

Pen and ink with pencil on cream wove paper

Henry Hugh Armstead RA

Standing male nudes, for the Albert Hall frieze, by 1871

Pen and ink with pencil on cream wove paper

Henry Hugh Armstead RA

Two standing male figures carrying mallets, for the Albert Hall frieze, by 1871

Pen and ink with pencil on cream wove paper

Henry Hugh Armstead RA

Drawings of standing male figures, for the Albert Hall frieze, by 1871

Pen and ink with pencil on cream wove paper

Henry Hugh Armstead RA

Nude studies of male figures for the external frieze on the Royal Albert Hall, by 1871

Pen and black ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a standing man, for the Albert Hall frieze, by 1871

Pen and black ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a man standing next to a machine with a wheel, for the Albert Hall frieze, by 1871

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Studies of cherubs, probably for the Webb monument, After 1885

Pencil on cream laid paper

Henry Hugh Armstead RA

Compositional sketch for 'Sea-Weeds', by 1862

Pencil on cream wove paper

Henry Hugh Armstead RA

Studies of female nudes, probably for 'Sea-Weeds', by 1862

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a woman holding an orb and sceptre, for the carving on the Bishop's Throne, Llandaff Cathedral, probably 1863

Pen and brown ink over pencil on cream wove paper

Henry Hugh Armstead RA

A reclining female figure

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Seated female nude

Pencil on cream wove paper

Henry Hugh Armstead RA

Study of a recumbent male figure for 'The Sun and Moon Stand Still', 1860s?

Pencil on cream wove paper

Henry Hugh Armstead RA

Study of a stooping male figure for 'The Sun and Moon Stand Still', 1860s?

Pencil and white gouache on cream wove paper

Henry Hugh Armstead RA

Study of an archer for 'The Sun and Moon Stand Still', 1860s?

Pencil and white gouache on cream wove paper

Henry Hugh Armstead RA

Four figure studies for 'The Sun and Moon Stand Still', 1860s?

Pencil with white gouache on cream wove paper

Henry Hugh Armstead RA

Three figure studies for 'The Sun and Moon Stand Still', 1860s?

Pencil with white gouache on cream wove paper

Henry Hugh Armstead RA

Four figure studies for 'The Sun and Moon Stand Still', 1860s?

Pencil on cream wove paper

Henry Hugh Armstead RA

Compositional sketch for 'The Sun and Moon Stand Still', 1860s?

Pencil on cream wove paper

Henry Hugh Armstead RA

Studies for 'The Sun and Moon Stand Still', 1860s?

Pencil with white gouache on cream wove paper

Henry Hugh Armstead RA

Study of a scene with a figure in bed and another kneeling beside it

Pencil on cream wove paper

Henry Hugh Armstead RA

Kneeling female nude in profile, holding a piece of drapery

Pencil on cream wove paper

Henry Hugh Armstead RA

Kneeling female nude holding a piece of drapery

Pencil on cream wove paper

Henry Hugh Armstead RA

Profile of Benjamin West, P.R.A., after Francis Chantrey, 1818

Pencil on cream wove paper

Henry Hugh Armstead RA

Study of a cavalryman for the 'Outram Shield', probably 1860

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a cavalryman for the 'Outram Shield', probably 1860

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a cavalryman for the 'Outram Shield', 1860

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Studies for 'Hero and Leander', ca. 1875

Pen and brown ink with white gouache over pencil on brown laid paper

Henry Hugh Armstead RA

Study of a female figure for 'Remorse', ca. 1903

Pen and ink with wash and white gouache over pencil on blue/green wove paper

Henry Hugh Armstead RA

Draped studies of a female figure for 'Remorse', ca. 1903

Pen and black ink with wash and white gouache over pencil on blue/green wove paper

Henry Hugh Armstead RA

Study of a draped female figure for 'Remorse', ca. 1903

Pen and black ink with wash and white gouache over pencil on blue/green wove paper

Henry Hugh Armstead RA

Two studies of a female nude for 'Remorse', ca. 1903

Pen and ink over pencil on blue/grey wove paper

Henry Hugh Armstead RA

Two studies of a female nude for 'Remorse', ca. 1903

Pencil on blue/grey wove paper

Henry Hugh Armstead RA

Study of a pair of spectacles on top of a book, for a memorial to the Revd. Hatchard

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Studies of children for a memorial to the Revd. Hatchard

Pencil on cream wove paper

Henry Hugh Armstead RA

Study of a recumbent figure for a memorial to Revd. Hatchard

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a kneeling man for a memorial to the Reverend Hatchard

Pen and black ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a woman spinning and a kneeling child

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Two studies of floating female figures

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Two studies of a kneeling woman

Pencil and pen and ink on cream wove paper

Henry Hugh Armstead RA

Three studies of a kneeling woman

Pencil and pen and ink on cream wove paper

Henry Hugh Armstead RA

Design for a silver cup decorated with a scene from the life of Christ, c. 1850s

Pen and ink on tracing paper

Henry Hugh Armstead RA

Design for a silver cup with depictions of Adam and Eve

Pen and ink on tracing paper

Henry Hugh Armstead RA

Design for a silver cup, c. 1850s

Pen and ink over pencil on tracing paper

Henry Hugh Armstead RA

Three studies of an embroidered hat or headdress

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Studies of an embroidered band

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Studies of an ornate, embroidered waistcoat

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Design for the 'Memory tazza'

Pen and ink over pencil on pale blue laid paper

Henry Hugh Armstead RA

Studies of hands for the Webb Monument, St. Paul's Cathedral, After 1885

Pencil on cream wove paper

Henry Hugh Armstead RA

Studies for the effigy of Archdeacon Moore, for Lichfield Cathedral, ca. 1879

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Figure studies for carvings on the Bishop's Throne, Llandaff Cathedral, 1863

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a male nude for a "medal for Engineers"

Pencil on cream wove paper

Henry Hugh Armstead RA

Study of a male nude for a "medal for Engineers", February 1870

Pencil on cream wove paper

Henry Hugh Armstead RA

Study for the effigy of Archdeacon Moore, for Lichfield Cathedral, ca. 1879

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Studies of a child for the relief sculpture in the mausoleum of Julius Beer, ca. 1880s

Pencil with red-orange chalk on cream wove paper

Henry Hugh Armstead RA

Studies of a woman and child for the relief sculpture in the Julius Beer mausoleum, ca. 1880s

Pencil on cream wove paper

Henry Hugh Armstead RA

Study of a woman and child for the relief sculpture in the Julius Beer mausoleum, ca. 1880s

Pencil with touches of red chalk on cream wove paper

Henry Hugh Armstead RA

Preparatory sketch for 'The Sun and Moon Stand Still', 1860s?

Wove paper

Henry Hugh Armstead RA

Study of four figures in an interior, for 'Samuel and his Mother', 1860s?

Pencil with monochrome watercolour on cream wove paper

Henry Hugh Armstead RA

Studies of a child for the relief sculpture in the Julius Beer Mausoleum, ca. 1880s

Red chalk over pencil on thick wove paper

Henry Hugh Armstead RA

Study of a praying woman for the relief sculpture in the Julius Beer Mausoleum, ca. 1880s

Pencil and red chalk on cream wove paper

Henry Hugh Armstead RA

Study of a praying woman for the relief sculpture in the Julius Beer Mausoleum, ca. 1880s

Pencil and red chalk on cream wove paper

Henry Hugh Armstead RA

Design for the base of a bust of Edward III, ca. 1884 ?

Pencil on cream laid paper

Henry Hugh Armstead RA

Design for an inkstand ('Dante inkstand')

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Studies of a child for the relief sculpture in the Julius Beer Mausoleum, ca. 1880s

Red chalk over pencil on thick wove paper

Henry Hugh Armstead RA

Design for a silver two-handled vase

Pen and ink over pencil on grey wove paper

Henry Hugh Armstead RA

Head and shoulders of an old man sleeping

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Design for a silver presentation piece in the form of a tazza

Pen and ink over pencil on blue wove paper

Henry Hugh Armstead RA

A figure standing next to a horse

Pen and ink with wash over pencil on cream wove paper

Henry Hugh Armstead RA

Study of the torso of a male figure and a detail of the right hand

Pen and ink on cream wove paper

Henry Hugh Armstead RA

Studies of a waterlily flower

Pencil on beige wove paper

Henry Hugh Armstead RA

Study of a standing female figure for an illustration to Tennyson's Dora

Pen and ink with some wash over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a woman leaning on another figure's shoulder for an illustration to Tennyson's Dora

Pen and ink with wash over pencil on cream wove paper

Henry Hugh Armstead RA

Two studies of a seated male figure for an illustration to Tennyson's Dora

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study for an illustration to Tennyson's Dora

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Compositional study for an illustration to Tennyson's Godiva

Pen and ink with wash over pencil on cream wove paper

Henry Hugh Armstead RA

Study for an illustration to Tennyson's poem 'Godiva'

Pen and ink on cream wove paper

Henry Hugh Armstead RA

Studies of an old man

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Two studies of figures for an illustration to Tennyson's Dora

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Drapery and figure study for an illustration to Tennyson's Dora

Pen and black ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a man's face for an illustration to Tennyson's Dora

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Male nude stooping to pick up a stone

Pen and ink and wash on cream wove paper

Henry Hugh Armstead RA

A woman leaning to the right with her head in her hands

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

A seated woman with her head bowed

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

A bare-chested old man, in profile

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Design for the 'Ariel inkstand'

Pen and ink over pencil on cream laid paper

Henry Hugh Armstead RA

Sketch for a silver cup design

Pen and ink on grey wove paper

Henry Hugh Armstead RA

A seated female figure

Pen and ink on cream wove paper

Henry Hugh Armstead RA

A seated female nude

Pen and ink with some wash, over pencil on cream wove paper

Henry Hugh Armstead RA

A male nude pulling ropes

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Studies of a standing female figure for an illustration to Tennyson's Dora, 1860s?

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Studies of a cat for 'Playmates', ca. 1897

Pencil on cream wove paper

Henry Hugh Armstead RA

Pencil study of a figure for a tomb effigy

Pencil on cream wove paper

Henry Hugh Armstead RA

Study of a female nude for the 'Adam and Eve' silver vase, 1850s

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a male nude for the 'Adam and Eve' silver vase

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Two studies of a fish for the 'Wisbech fountain'

Pen and ink over pencil on green wove paper

Henry Hugh Armstead RA

Two studies of a fish for the 'Wisbech fountain'

Pen and ink over pencil on green wove paper

Henry Hugh Armstead RA

Studies of a kneeling female figure for the reredos of Great St. Mary's, Cambridge, after 1862

Pencil with pen and ink on cream wove paper

Henry Hugh Armstead RA

Studies for the effigy of Lord Winmarleigh for Warrington Church, ca. 1893-4

Pencil and watercolour on grey/blue wove paper

Henry Hugh Armstead RA

Design for a memorial to Mrs. Craik, Tewkesbury, c. 1889

Pencil on cream wove paper

Henry Hugh Armstead RA

Two studies of a female head for a mosaic design for "St. Michael's Church, Torquay", ca. 1877

Pencil on cream wove paper

Henry Hugh Armstead RA

Study of a standing female figure for a mosaic design for "St. Michael's Church, Torquay", ca. 1877

Pencil on cream wove paper

Henry Hugh Armstead RA

Study of a female figure for a mosaic design for "St. Michael's Church, Torquay", ca. 1877

Pencil on cream wove paper

Henry Hugh Armstead RA

Half-length study of a female figure for a mosaic design for "St. Michael's Church, Torquay", ca. 1877

Pencil on cream wove paper

Henry Hugh Armstead RA

Two studies of a woman for a mosaic design for "St. Michael's Church, Torquay", ca. 1877

Pencil on cream wove paper

Henry Hugh Armstead RA

Three studies of a woman's head for a mosaic design for "St. Michael's Church, Torquay", ca. 1877

Pencil on cream wove paper

Henry Hugh Armstead RA

Studies of a woman's head for a mosaic design for "St. Michael's Church, Torquay", ca. 1877

Pencil on cream wove paper

Henry Hugh Armstead RA

Figure studies for a mosaic design for St. Michael's Church, Torquay, ca. 1877

Pencil on cream wove paper

Henry Hugh Armstead RA

Nude study of a seated female figure for the memorial to Mrs. Craik, Tewkesbury, ca. 1889

Pencil and white gouache on blue/grey wove paper

Henry Hugh Armstead RA

Nude study of a seated female figure for the memorial to Mrs. Craik, Tewkesbury, ca. 1889

Pencil and white gouache on blue/green wove paper

Henry Hugh Armstead RA

Profile portrait of Bishop Ollivant for monuments in Llandaff Cathedral

Pencil on cream wove paper

Henry Hugh Armstead RA

Pencil portrait of Bishop Ollivant for monuments in Llandaff Cathedral

Pencil on cream wove paper

Henry Hugh Armstead RA

Profile portrait of Bishop Ollivant for monuments in Llandaff Cathedral

Pencil on cream wove paper

Henry Hugh Armstead RA

Study for the tomb effigy of Bishop Ollivant

Pencil with white gouache on blue/green wove paper

Henry Hugh Armstead RA

Study of a clergyman in profile, for a statue of Bishop Ollivant

Pen and ink over pencil on buff wove paper

Henry Hugh Armstead RA

Study of a clergyman for a statue of Bishop Ollivant

Pen and ink over pencil on buff wove paper

Henry Hugh Armstead RA

A study of a clergyman in profile, for a stone figure of Bishop Ollivant, ca. 1887?

Pen and ink over pencil on buff wove paper

Henry Hugh Armstead RA

Male nude lying on the ground

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Two studies of male nudes for the "Milton Fountain"

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Two studies of a male nude for the "Milton Fountain"

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Studies of female figures for the 'Milton Fountain'

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a figure drawing a curtain to one side

Pen and ink with wash and white highlights over pencil on green wove paper

Henry Hugh Armstead RA

Study of a figure drawing a curtain to one side

Pen and ink with wash and white highlights over pencil on green wove paper

Henry Hugh Armstead RA

Study of a man, for the reredos of Hythe Church, Kent

Pen and ink with wash and white highlights over pencil on green wove paper

Henry Hugh Armstead RA

Study of a man supporting the head of another figure, for the reredos of Hythe Church, Kent

Pen and ink with wash and white highlights over pencil on green wove paper

Henry Hugh Armstead RA

Study of a man in a shroud for the reredos of Hythe Church, Kent

Pen and ink with white highlights over pencil on green wove paper

Henry Hugh Armstead RA

Studies of a woman for the reredos of Hythe Church, Kent

Pen and ink with wash and white highlights over pencil on green wove paper

Henry Hugh Armstead RA

Design for a monument to Frances Buss, foundress of the North London Collegiate School for Ladies, 1879

Pen and ink with white highlights over pencil on green wove paper

Henry Hugh Armstead RA

Study of two standing girls holding shields for Llandaff Cathedral carvings

Pen and ink with white highlights over pencil on green wove paper

Henry Hugh Armstead RA

Study of a standing girl holding a shield for Llandaff Cathedral carvings

Pen and ink with white highlights over pencil on green wove paper

Henry Hugh Armstead RA

Three studies of girls playing musical instruments, for Llandaff Cathedral carvings

Pen and ink with white gouache over pencil on green wove paper

Henry Hugh Armstead RA

Two studies of girls playing musical instruments, for Llandaff Cathedral carvings

Pen and ink with white gouache over pencil on green wove paper

Henry Hugh Armstead RA

A standing girl holding a shield

Pen and ink with white gouache over pencil on green wove paper

Henry Hugh Armstead RA

A standing girl holding a shield

Pen and ink with white gouache over pencil on green wove paper

Henry Hugh Armstead RA

A standing girl holding a shield

Pen and ink with white gouache over pencil on green wove paper

Henry Hugh Armstead RA

Studies of girls playing musical instruments for Llandaff Cathedral carvings

Pen and ink with white gouache over pencil on green wove paper

Henry Hugh Armstead RA

Studies of the Doctors of the Church, for carving designs at Llandaff Cathedral

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a standing male figure for the reredos of St. Mary's, Cambridge, after 1862

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a standing figure for the reredos of St. Mary's, Cambridge, after 1862

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

A kneeling figure seen from the side

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Two drawings of a standing male figure

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

A kneeling figure seen from the back

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of an embroidered waistcoat

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Studies of arms and hands for the Webb monument in St. Paul's Cathedral, After 1885

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a standing figure of the Virgin Mary for a reredos design

Pen and ink with white highlights over pencil on green wove paper

Henry Hugh Armstead RA

Study of an angel for a reredos design

Pen and ink with white highlights over pencil on green wove paper

Henry Hugh Armstead RA

Study for 'Hero and Leander'

Pencil with white highlights on brown wove paper

Henry Hugh Armstead RA

Draped study of a seated female figure for the "Metropole" doorway, c. 1883

Pencil with white highlights on blue/green wove paper

Henry Hugh Armstead RA

Sheet with drawings of a seated woman with two children

Pencil with pen and ink on cream wove paper

Henry Hugh Armstead RA

Study of a kneeling female figure holding a scroll for the 'Engineers Vase', ca. 1862

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a kneeling female figure holding a scroll for the 'Engineers Vase', ca. 1862

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a female figure holding a scroll for the 'Engineers Vase', ca. 1862

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a female figure holding a scroll for the 'Engineers Vase', ca. 1862

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Studies of a male and a female nude for the 'Fall of Adam' or 'Adam and Eve' vase, c. 1856?

Pencil on cream wove paper

Henry Hugh Armstead RA

Nude study of a seated female figure for the "Metropole" doorway design

Pencil and white paint on blue/green wove paper

Henry Hugh Armstead RA

Nude study of an old man for a doorway design, c. 1883

Pencil and white gouache on blue/green wove paper

Henry Hugh Armstead RA

Drawing for an effigy of Richard Walmesley, c. 1893 - 1896

Pencil and white gouache on blue/green wove paper

Henry Hugh Armstead RA

Study of a kneeling figure

Pencil and white chalk on brown wove paper

Henry Hugh Armstead RA

Study of a kneeling figure

Pencil and white chalk on brown wove paper

Henry Hugh Armstead RA

Half-length study of a figure holding a chalice for a reredos design

Pencil and white chalk on brown wove paper

Henry Hugh Armstead RA

Study of a kneeling figure for a reredos design

Pencil and white chalk (could be paint?) on brown wove paper

Henry Hugh Armstead RA

Two studies of craftsmen for the pedestal of a bust of Edward III, ca. 1884

Pen and ink over pencil on cream laid paper

Henry Hugh Armstead RA

A "Turcoman" horse

Pen and ink over pencil on cream wove (?) paper

Henry Hugh Armstead RA

Studies of male figures for the unexecuted "Vauxhall Bridge Church" project

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Studies of children for 'The Ever Reigning Queen', by November 1880

Pencil with pen and ink and white highlights on green wove paper

Henry Hugh Armstead RA

Study of a female nude for 'The Ever Reigning Queen', by November 1880

Pencil on cream wove paper

Henry Hugh Armstead RA

Sketch for a lectern design

Pen and ink on cream laid paper

Henry Hugh Armstead RA

Three sketches of a male figure and an eagle for a silver centrepiece designed by Armstead for presentation to the Royal Academy, c. 1872

Pencil on cream laid paper

Henry Hugh Armstead RA

Study of a man on horseback for the unexecuted Blackfriars' Bridge project, ca. 1881

Pen and brown ink over pencil on cream wove paper

Henry Hugh Armstead RA

Studies for 'The Obedience of Joshua', 1879

Green wove paper

Henry Hugh Armstead RA

Study for 'The Obedience of Joshua' for the "Guards Chapel" reliefs, 1879

Pen and ink with white highlights over pencil on green wove paper

Henry Hugh Armstead RA

Design for 'The Obedience of Joshua' for the "Guards Chapel" reliefs, 1879

Pen and ink with white highlights over pencil on green wove paper

Henry Hugh Armstead RA

Study for 'The Courage of David', 1879

Pen and ink with white highlights over pencil on green wove paper

Henry Hugh Armstead RA

Design for 'The Courage of David', a relief for the "Guards' Chapel", 1879

Pen and ink with white highlights over pencil on green wove paper

Henry Hugh Armstead RA

Study of a male nude for a silver centrepiece designed by Armstead for presentation to the Royal Academy, c. 1872

Pencil with white highlights on green wove paper

Henry Hugh Armstead RA

Study of a male nude, in profile, for a silver centrepiece designed by Armstead for presentation to the Royal Academy, c. 1872

Pencil with white highlights on green wove paper

Henry Hugh Armstead RA

Study of a male nude, in profile, for a silver centrepiece designed by Armstead for presentation to the Royal Academy, c. 1872

Pencil with white highlights on green wove paper

Henry Hugh Armstead RA

Study of a male nude for a silver centrepiece designed by Armstead for presentation to the Royal Academy, c. 1872

Pencil with white highlights on green wove paper

Henry Hugh Armstead RA

Study of a male nude for a silver centrepiece designed by Armstead for presentation to the Royal Academy, c. 1872

Pencil with white highlights on green wove paper

Henry Hugh Armstead RA

Two seated figures for the King's College Fountain, Cambridge (not used), ca. 1874

Pen and ink over pencil on light brown wove paper

Henry Hugh Armstead RA

An Egyptian horse

Pen and ink over pencil on light brown wove paper

Henry Hugh Armstead RA

Humorous sketches of crocodiles and bats

Pen and ink on blue/grey wove paper

Henry Hugh Armstead RA

Designs for coins, for a competition, ca. 1891

Pencil on cream wove paper

Henry Hugh Armstead RA

Nude study of a male figure for a "Coinage competition", ca. 1891

Pen and ink with white highlights over pencil on blue/grey wove paper

Henry Hugh Armstead RA

A female figure holding a ball, for a "Coinage competition", ca. 1891

Pen and ink with white highlights over pencil on blue/grey wove paper

Henry Hugh Armstead RA

Nude study of a male figure with a sword for a "Coinage competition", ca. 1891

Pen and ink with white highlights over pencil on blue/grey wove paper

Henry Hugh Armstead RA

Nude study of a male figure on horseback for a "Coinage competition", ca. 1891

Pen and ink with white highlights over pencil on blue/grey wove paper

Henry Hugh Armstead RA

Two drawings of a seated male figure for a "Coinage competition", ca. 1891

Pen and ink with white highlights over pencil on blue/grey wove paper

Henry Hugh Armstead RA

Study of a seated female figure for a "Coinage competition", ca. 1891

Pen and ink with white highlights over pencil on blue/grey wove paper

Henry Hugh Armstead RA

Two studies of male nudes for a "Coinage competition", ca. 1891

Pen and ink with white highlights over pencil on blue/grey wove paper

Henry Hugh Armstead RA

Nude study of a male figure for a "Coinage competition", ca. 1891

Pen and ink with white highlights over pencil on blue/grey wove paper

Henry Hugh Armstead RA

Draped study of a female figure for a "Coinage competition", ca. 1891

Pencil, pen and black ink with white highlights over pen and blue ink (?) on blue/grey wove paper

Henry Hugh Armstead RA

Nude study of a female figure for a "Coinage competition", ca. 1891

Pen and ink with white highlights over pencil on blue/grey wove paper

Henry Hugh Armstead RA

Study of a draped female figure for a "Coinage competition", ca. 1891

Pencil, pen and ink (?) with white highlights on blue/grey wove paper

Henry Hugh Armstead RA

Nude study of a female figure for a "Coinage competition", ca. 1891

Pen and ink with white highlights over pencil on blue/grey wove paper

Henry Hugh Armstead RA

Study of a male nude for a "Coinage competition"

Pen and ink with white highlights over pencil on blue/grey wove paper

Henry Hugh Armstead RA

Study of two female figures for a "Coinage competition", ca. 1891?

Pen and ink with white highlights over pencil on blue/grey wove paper

Henry Hugh Armstead RA

Two studies of a seated female figure for a "Coinage competition", ca. 1891

Pen and ink with white highlights over pencil and blue chalk on blue/grey wove paper

Henry Hugh Armstead RA

Study of a seated female nude for a "Coinage competition", ca. 1891

Pen and ink with white highlights over pencil on blue/grey wove paper

Henry Hugh Armstead RA

Two studies of a male nude for a "Coinage competition", ca. 1891

Pen and ink with white highlights over pencil on blue wove paper

Henry Hugh Armstead RA

Study of a seated female nude for a "Coinage competition", ca. 1891

Pen and ink with white highlights over pencil on blue-grey wove paper

Henry Hugh Armstead RA

A floating female figure

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

A floating figure

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Male nude lying on the ground

Pen and ink on cream wove paper

Henry Hugh Armstead RA

Nude studies of male figures possibly for the 'Doncaster Cup', 1850s?

Pen and ink over pencil on white laid paper

Henry Hugh Armstead RA

Seated male figure, for the 'History of the Shirleys' reliefs, ca. 1858-62

Pencil on cream wove paper

Henry Hugh Armstead RA

Nude study of a male figure for the 'History of the Shirleys' reliefs, ca.1858-62

Pencil on cream wove paper

Henry Hugh Armstead RA

Two nude studies of male figures, for the 'History of the Shirleys' reliefs, ca.1858-62

Pencil on cream wove paper

Henry Hugh Armstead RA

Figure studies for a monument to Henry Thomas in Llandaff Cathedral, ca. 1863

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a standing figure for the Westminster Reredos, by 1867

Pencil on cream wove paper

Henry Hugh Armstead RA

Reclining male nude

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Two figure studies for the 'History of the Shirleys' reliefs, ca.1858-62

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

An outline drawing of a half-length female nude

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Design for 'The Origin of Music in Greece', 1853 or before

Pen and brown ink on light brown wove paper

Henry Hugh Armstead RA

Studies for 'The Dead Man of Bethany', 1862 or before

Pen and black and brown ink over pencil on cream wove paper

Henry Hugh Armstead RA

Two outline drawings of female nudes

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Figure study and a compositional sketch for the 'History of the Shirleys' reliefs, ca. 1858-62

Pen and ink and pencil on cream wove paper

Henry Hugh Armstead RA

Nude study of a standing male figure, for the 'History of the Shirleys' reliefs, ca. 1858-62

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Nude study of an archer, for the 'History of the Shirleys' reliefs, ca. 1858-62

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a standing man, for the 'History of the Shirleys' reliefs, ca. 1858-1862

Cream wove paper

Henry Hugh Armstead RA

Two studies of a male figure on horseback, for the 'History of the Shirleys' reliefs, ca. 1858 - 1862

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a floating female figure

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a floating figure

Pencil on cream wove paper

Henry Hugh Armstead RA

Study of a kneeling male figure

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Half-length drawing of a woman

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a female figure at prayer, 1860s ?

Pencil on wove paper

Henry Hugh Armstead RA

Study of a standing figure holding a staff

Pencil on cream wove paper

Henry Hugh Armstead RA

Sketches of an infant

Pencil on cream wove paper

Henry Hugh Armstead RA

Nude studies of a male and a female figure, 1860 or before

Pencil on cream wove paper

Henry Hugh Armstead RA

Study of a fallen figure for the Outram Shield, 1862 or before

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a figure holding a cross, for the 'History of the Shirleys' reliefs, 1862

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a standing male figure, for the 'History of the Shirleys' reliefs, 1862

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a figure lying on the ground, for the Outram Shield, 1862 or before

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a standing figure for the 'History of the Shirleys' reliefs, 1862

Pen and ink on cream wove paper

Henry Hugh Armstead RA

Study of a standing figure, for the 'History of the Shirleys' reliefs, 1862

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Figure studies for 'Evening Hymn', 1862 or before

Pencil on cream wove paper

Henry Hugh Armstead RA

Study of a man on horseback

Pencil on cream wove paper

Henry Hugh Armstead RA

A standing woman

Pencil on light blue wove paper

Henry Hugh Armstead RA

Standing male figure in profile, for the 'History of the Shirleys' reliefs, ca. 1858 - 62

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Five standing figures in long robes, for Llandaff Cathedral carvings

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Nude study of a standing male figure, for the 'History of the Shirleys' reliefs, ca. 1858 - 62

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a standing male figure, for the 'History of the Shirleys' reliefs, ca. 1858 - 62

Pencil on cream wove paper

Henry Hugh Armstead RA

Nude study of a standing male figure, for the 'History of the Shirleys' reliefs

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a standing male figure, for the reredos at St. Mary's, Cambridge, after 1862

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study for 'A Dream', 1862 or before

Pencil on cream wove paper

Henry Hugh Armstead RA

Drapery and figure studies for the 'History of the Shirleys' reliefs, ca. 1858 - 62

Pencil on cream wove paper

Henry Hugh Armstead RA

Studies of a male figure playing a trumpet, for the 'History of the Shirleys' reliefs, ca. 1858 - 62

Pencil on cream wove paper

Henry Hugh Armstead RA

Study of a kneeling figure, for the Packington Shield, 1860 or before

Pencil on cream wove paper

Henry Hugh Armstead RA

Two studies of a male figure, for the Packington Shield, 1860 or before

Pencil on cream wove paper

Henry Hugh Armstead RA

A standing woman holding an infant, for the 'History of the Shirleys' reliefs, ca. 1858 - 62

Pencil on cream wove paper

Henry Hugh Armstead RA

Study of a reclining female figure

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Two sketches of a woman and child

Pencil on white laid paper

Henry Hugh Armstead RA

Study of a seated woman, for the Packington Shield, by 1860

Pencil on cream wove paper

Henry Hugh Armstead RA

A woman carrying a baby

Pen and ink over pencil on white laid paper

Henry Hugh Armstead RA

Studies for a sculpture of a standing male figure, possibly for "Vauxhall Bridge Church"

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Nude study of a standing male figure

Pen and ink and pencil on cream wove paper

Henry Hugh Armstead RA

Compositional sketch for a scene with a seated woman and an angel

Pencil on wove paper

Henry Hugh Armstead RA

Study for the figure representing 'Applied Mechanics' for the Albert Hall Frieze, by 1871

Pen and ink on thick wove paper

Henry Hugh Armstead RA

Studies of a standing figure, for the 'History of the Shirleys' reliefs, ca. 1858 - 62

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

A compositional sketch for three sections of the 'History of the Shirleys' reliefs, ca. 1858 - 62

Pencil on cream wove paper

Henry Hugh Armstead RA

Outline drawing of a seated female nude

Pen and ink on cream wove paper

Henry Hugh Armstead RA

Design for a silver figure of Egypt, by 1884

Pen and ink and wash on wove paper

Henry Hugh Armstead RA

Studies of one nude and one draped male figure, for the 'History of the Shirleys' reliefs, ca. 1858 - 1862

Pencil on cream wove paper

Henry Hugh Armstead RA

Sketch of a seated man supporting a kneeling child

Pencil, pen and ink on cream wove paper

Henry Hugh Armstead RA

Nude study of a seated male figure, for the 'History of the Shirleys' reliefs, ca. 1858 - 62

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Nude study of a male figure on horseback, for the 'History of the Shirleys' reliefs, ca. 1858 - 62

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a standing male nude

Pen and ink over pencil on wove paper

Henry Hugh Armstead RA

Six studies of standing male figures

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Five studies of nude and partially draped female figures, after 1850

Pen and ink over pencil on wove paper

Henry Hugh Armstead RA

A seated female nude

Pen and ink with pencil on cream wove paper

Henry Hugh Armstead RA

Design for a coin

Pencil on cream wove paper

Henry Hugh Armstead RA

Design for a coin

Pencil on cream wove paper

Henry Hugh Armstead RA

Male nude in a frontal pose, for the 'History of the Shirleys' reliefs

Pencil on cream wove paper

Henry Hugh Armstead RA

Two studies of male nudes, for the 'History of the Shirleys' reliefs, ca. 1858 - 62

Pencil on cream wove paper

Henry Hugh Armstead RA

Head of a bearded man

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study for 'The Dead Man of Bethany', 1862 or before

Pen and ink and wash, over pencil on cream wove paper

Henry Hugh Armstead RA

A scene with three figures and horse by a cloister

Pen and ink and wash over pencil on light blue laid paper

Henry Hugh Armstead RA

Study for 'Evening Hymn', 1862 or before

Pencil on cream wove paper

Henry Hugh Armstead RA

A standing woman with a child at her side, for the 'History of the Shirleys' reliefs, ca. 1858 - 62

Pencil and pen and ink on cream wove paper

Henry Hugh Armstead RA

Two nude studies of a male figure, for the 'History of the Shirleys' reliefs, ca. 1858 - 62

Pencil on cream wove paper

Henry Hugh Armstead RA

Nude study of a standing male figure, probably for the 'History of the Shirleys' reliefs, ca. 1858 - 62

Pencil on cream wove paper

Henry Hugh Armstead RA

A seated man wearing a headdress, for 'Samuel and his Mother', 1860s

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Half-length drawing of a woman leaning forwards

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Study of a male figure in Eastern dress, for the 'History of the Shirleys' reliefs, ca. 1858 - 62

Pen and ink over pencil on wove paper

Henry Hugh Armstead RA

St. George and the Dragon

Pencil with pen and ink on cream wove paper

Henry Hugh Armstead RA

Nude study of a male figure on horseback

Pencil on wove paper

Henry Hugh Armstead RA

Half-length study of a reclining male nude

Pencil on wove paper

Henry Hugh Armstead RA

Nude studies of a male figure

Pencil on cream wove paper

Henry Hugh Armstead RA

A seated man with a book, for the Packington Shield, 1860 or before

Pencil on cream wove paper

Henry Hugh Armstead RA

Half-length study of a man with his head bowed, for the 'History of the Shirleys' reliefs

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Sketches of children at play

Pen and ink on cream wove paper

Henry Hugh Armstead RA

A seated girl

Pencil over pen and ink on white laid paper

Henry Hugh Armstead RA

Study for 'The Dead Man of Bethany', 1862 or before

Pencil on wove paper

Henry Hugh Armstead RA

Study for 'In Prison!', 1862 or before

Pen and ink on white laid paper

Henry Hugh Armstead RA

Study of a partially draped, twisting male figure

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

A standing male figure for the 'Vauxhall Bridge Church' designs

Pen and ink over pencil on wove paper

Henry Hugh Armstead RA

Study for an illustration, 1860s ?

Pen and ink on white laid paper (check - the paper has a printed black border, is it mourning paper?)

Henry Hugh Armstead RA

Study of a kneeling female figure, for an illustration, 1860s ?

Pen and ink over pencil on wove paper

Henry Hugh Armstead RA

Figure studies for 'The Fall of the Walls of Jericho', ca. 1862

Pen and ink over pencil on white laid paper

Henry Hugh Armstead RA

Study of a kneeling woman, for an illustration, 1860s ?

Pen and ink on laid paper

Henry Hugh Armstead RA

Study for 'In Prison!', 1862 or before

Pen and ink on white laid paper

Henry Hugh Armstead RA

Two nude studies of a standing male figure for the 'History of the Shirleys' reliefs, ca. 1858 - 62

Pencil on wove paper

Henry Hugh Armstead RA

Two nude studies of a male figure for the 'History of the Shirleys' reliefs, ca. 1858 - 1862

Pencil on cream wove paper

Henry Hugh Armstead RA

Studies of children and a standing woman, for an illustration, 1860s ?

Pen and ink with white paint and wash over pencil on cream wove paper

Henry Hugh Armstead RA

Scene with knights on horseback followed by a crowd, 1860s

Pencil on wove paper

Henry Hugh Armstead RA

Study of a mirror, 1860s ?

Pencil on cream wove paper

Henry Hugh Armstead RA

Study of the head and shoulders of a woman with her head bowed, by 1862

Pencil on cream wove paper

Henry Hugh Armstead RA

Study of an open book, 1862 or before

Pencil on cream wove paper

Henry Hugh Armstead RA

Fragment of a drawing of a standing man with a child

Pencil on wove paper

Henry Hugh Armstead RA

Standing male figure with his hands clasped, for the 'History of the Shirleys' reliefs, ca. 1858 - 62

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Two scenes with figures on horseback, 1860s?

Pen and ink on white laid paper

Henry Hugh Armstead RA

Studies of a boy and a man for 'Samuel and Eli', 1860s

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

An angel holding drapery

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

An angel holding drapery

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Studies of standing female figures for the 'History of the Shirleys' reliefs, ca. 1858-1862

Pencil on cream wove paper

Henry Hugh Armstead RA

Study for 'Evening Hymn', 1862 or before

Pen and ink over pencil on white laid paper

Henry Hugh Armstead RA

Head of a man

Pen and ink on cream wove paper

Henry Hugh Armstead RA

Design for a standing figure for Vauxhall Bridge Church

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Two studies of a crouching figure and other details, 1860s?

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Two half-length studies of a male figure, 1860s?

Pencil on wove paper

Henry Hugh Armstead RA

Studies of male figures for an illustration, 1860s?

Pen and ink over pencil on wove paper

Henry Hugh Armstead RA

Studies of a standing man wearing a turban, 1860s?

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Figure studies for 'Samuel and his Mother', 1860s

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Nude study of a male figure for an illustration, 1860s?

Pen and ink over pencil on wove paper

Henry Hugh Armstead RA

Three studies of male figures, possibly for the Doncaster Cup, 1850s?

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Two sketches of a standing child reading a book

Pencil on blue, lined writing paper (wove)

Henry Hugh Armstead RA

Sketches of a standing child

Pencil on blue, lined writing paper (wove )

Henry Hugh Armstead RA

Studies of men fighting for the 'History of the Shirleys' reliefs, ca. 1858 - 1862

Pencil on wove paper

Henry Hugh Armstead RA

Study of a kneeling woman for an illustration, 1860s?

Pen and ink and wash over pencil on cream wove paper

Henry Hugh Armstead RA

A standing woman with a young child, for the 'History of the Shirleys' reliefs, ca. 1858 - 62

Pen and ink over pencil on wove paper

Henry Hugh Armstead RA

Queen Elizabeth I on horseback

Pen and ink on tracing paper

Henry Hugh Armstead RA

A seated figure reading a scroll with a group of figures around him, after 1862

Pen and ink on tracing paper

Henry Hugh Armstead RA

A saint preaching to a crowd, after 1862

Pen and ink on tracing paper

Henry Hugh Armstead RA

Crucifixion scene flanked by two saints, after 1862

Pen and ink on tracing paper

Henry Hugh Armstead RA

Crucifixion scene flanked by 'Science and 'Literature', after 1862

Pen and ink on tracing paper

Henry Hugh Armstead RA

Study of a kneeling figure, 1860 or before

Pencil on wove paper

Henry Hugh Armstead RA

Study of a kneeling figure for 'Evening Hymn', by 1862

Pencil on wove paper

Henry Hugh Armstead RA

A standing male nude holding a cross

Pen and ink over pencil on white laid paper

Henry Hugh Armstead RA

Studies of a child for the 'History of the Shirleys' reliefs, ca. 1858 - 1862

Pencil on wove paper

Henry Hugh Armstead RA

Studies of kneeling figures for the 'History of the Shirleys' reliefs, ca. 1858 - 62

Pencil on wove paper

Henry Hugh Armstead RA

Nude study of a male figure for the Pakington Shield, 1859

Pencil on wove paper

Henry Hugh Armstead RA

Nude study of a seated female figure for the Pakington Shield design, 1859 or before

Pencil on wove paper

Henry Hugh Armstead RA

Studies for 'The Dead Man of Bethany', 1862

Pencil, pen and ink and wash on wove paper

Henry Hugh Armstead RA

Sheet of figure studies

Pencil on cream wove paper

Henry Hugh Armstead RA

Nude study of a standing male, for the 'History of the Shirleys' relief, ca. 1858 - 62

Pencil, with pen and ink, on cream wove paper

Henry Hugh Armstead RA

Studies of a kneeling figure seen from the back

Pencil and pen and ink on wove paper

Henry Hugh Armstead RA

Three nude studies of a female figure

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

A monk holding a scroll, for the 'History of the Shirleys' reliefs, ca. 1858 -1862

Pencil on wove paper

Henry Hugh Armstead RA

Nude studies of a standing child for the 'History of the Shirleys' reliefs

Pencil on cream wove paper

Henry Hugh Armstead RA

A seated man with his arm around a child, 1850s?

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Nude study of a figure group for the 'History of the Shirleys' reliefs, ca. 1858-1862

Pencil on cream wove paper

Henry Hugh Armstead RA

A kneeling man and other studies, 1860s?

Pencil, pen and ink on thick wove paper

Henry Hugh Armstead RA

Nude studies of two male figures, for the 'History of the Shirleys' reliefs, ca. 1858-62

Pen and ink over pencil on wove paper

Henry Hugh Armstead RA

Study for 'Evening Hymn', 1862

Pencil on wove paper

Henry Hugh Armstead RA

A woman lying in a bed, 1860s?

Pencil on wove paper

Henry Hugh Armstead RA

Head and shoulders portrait of a woman with long hair

Pencil on thick wove paper

Henry Hugh Armstead RA

Study of a man wearing ecclesiastical vestments

Pen and ink over pencil on wove paper

Henry Hugh Armstead RA

Study of the head of a man wearing a turban for 'The Dead Man of Bethany', 1860s?

Pen and ink on thick wove paper

Henry Hugh Armstead RA

Design for the Sampson Vase

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

A seated man embracing a child

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

A standing man holding a trowel, possibly for the 'History of the Shirleys' reliefs

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Nude studies of two male figures on horseback for the 'History of the Shirleys' reliefs, ca. 1858-62

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Studies of a standing figure, probably for the 'History of the Shirleys' reliefs, ca. 1858-62

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Sketch of the upper torso of a nude female figure, ca. 1863

Pencil on cream wove paper

Henry Hugh Armstead RA

Study of a male figure seated at a desk

Pencil on cream wove paper

Henry Hugh Armstead RA

Study of a male nude, 1855

Pen and ink over pencil on cream wove paper

Henry Hugh Armstead RA

Studies for 'The Fall of the Walls of Jericho', ca. 1862

Pencil, pen and ink, on cream wove paper

Henry Hugh Armstead RA

Study of a male saint for the cornice of the Westminster Abbey reredos, ca. 1867

Pencil on cream wove paper

Henry Hugh Armstead RA

Studies of figures for the 'Webb Monument' in St. Paul's Cathedral, After 1885

Pencil on cream laid paper

Henry Hugh Armstead RA

A standing male figure for the 'History of the Shirleys' reliefs, ca. 1858 - 62

Pen and ink over pencil on wove paper

W. Robert Colton RA

Bust of Henry Hugh Armstead, R.A., 1902

Bronze

Henry Hugh Armstead RA

A seated male figure in profile, for carvings at Llandaff Cathedral

Pencil on cream wove paper