Thomas Banks RA, The Falling Titan, c. 1795.
Etching. 260 mm x 357 mm. © Photo: Prudence Cuming Associates Limited.
This image is not available to download. To licence this image for commercial purposes, contact our Picture Library at picturelibrary@royalacademy.org.uk
The Falling Titan, c. 1795
Thomas Banks RA (1735 - 1805)
RA Collection: Art
260 mm x 357 mm
Etchings, by & from the most esteem'd English artists - [s.l.]: c.1875]
Associated works of art
2 results
Start exploring the RA Collection
- Explore art works, paint-smeared palettes, scribbled letters and more...
- Artists and architects have run the RA for 250 years.
Our Collection is a record of them.
Related articles
-
![Tom Kerridge]()
Our Collection
> 1 year ago
Top picks from the Collection: Tom Kerridge
Top chef Tom Kerridge has a longstanding love of art; his wife is a sculptor and he was a good friend of the late Sir Anthony Caro. Against the bustling backdrop of his two Michelin-starred pub, he tells us about some favourite works in the RA Collection – starting with the gruesome tale of James Legg, a 19th-century murderer whose corpse was skinned, crucified and cast in plaster as a teaching aid for the RA Schools.
-
![Stephen Farthing RA at Ham House]()
Our Collection
> 1 year ago
Top picks from the Collection: Stephen Farthing RA
“I’ve set out a little curriculum from which you could teach someone to draw,” says artist and teacher Stephen Farthing, as he gives an audio tour of the online collection.
-
![Mali Morris RA in her studio, 2018]()
Our Collection
28 days ago
Mali Morris RA Top picks from the Collection
Currently on show in the RA’s Collections Gallery cabinet is a selection of works from our collection, curated by Mali Morris RA. Here, the abstract painter and Royal Academician talks us through some of the works she’s chosen for the display.
-
![Giampietrino and Giovanni Antonio Boltraffio, The Last Supper]()
Our Collection
2 months ago
How to read it: our copy of Leonardo’s Last Supper
Within the RA’s Collection Gallery is a full-size copy of Leonardo da Vinci’s ‘Last Supper’, painted by one or more of his pupils. What can it tell us about the original masterpiece?
