| 001 | $ 12/4227 | ||
| 003 | $ UK-LoRAA | ||
| 005 | $ 20220113144202.8 | ||
| 041 | 0 | # | $a eng $a ger |
| 044 | # | # | $a uk |
| 100 | 1 | # | $a Goethe, Johann Wolfgang von |
| 245 | 1 | 0 | $a Goethe's theory of colours : translated from the German / $c with notes by Charles Lock Eastlake, R.A., F.R.S. |
| 260 | # | # | $a London $b John Murray, Albermarle Street $c 1840 |
| 300 | # | # | $a xlviii, 423 p. : $b ill. ; $c 23 cm. |
| 500 | # | # | $a Publisher's advertisements: 14 p. at end. |
| 500 | # | # | $a English translation of Goethe's Zur Farbenlehre (Tübingen, 1810) |
| 500 | # | # | $a Front pastedown carries the ticket of Bain, Booksellers, Haymarket. |
| 520 | 2 | # | $a This work by Johann Wolfgang von Goethe (1749-1832) was translated into English in 1840 by Sir Charles Eastlake (1793-1865), painter, President of the Royal Academy of Arts, keeper, then Director of the National Gallery. Goethe's 1810 work was rejected by many contemporary scientists because it appeared to contradict the physical laws laid down by Isaac Newton. However, its focus on the human perception of the colour spectrum, as opposed to the observable optical phenomenon, was attractive to, and influential upon, artists and philosophers. As Eastlake says in his preface, the work's dismissal on scientific grounds had caused 'a well-arranged mass of observations and experiments, many of which are important and interesting', to be overlooked. Eastlake also puts Goethe's work into its aesthetic and scientific context and describes its original reception. |
| 562 | # | # | $a Inscribed in black ink on half-title page "Royal Academy from C.L. Eastlake R.A." |
| 653 | # | # | $a Colour theory |
| 700 | 1 | # | $a Eastlake, Charles Lock $e translator $e donor |
| 700 | 1 | # | $a Harman, Jeremiah $e dedicatee |
| 710 | 2 | # | $a John Murray (London) $e publisher |
| 710 | 2 | # | $a William Clowes and Sons $e printer |
| 710 | 2 | # | $a James Bain Ltd. $e bookseller |