Friends and Academicians’ Room members life drawing: gesture drawing
Evening session
Monday 10 July 2017 6.15 - 9.15pm
The Sir Hugh Casson Room for Friends, The Keeper's House, Royal Academy of Arts, Piccadilly
£50. Includes a drinks reception and all practical materials. Friends and Academicians’ Room members only.
Friends of the RA book first
An exclusive opportunity to enjoy monthly life-drawing sessions for Friends and Academicians' Room members in the Sir Hugh Casson Room, designed to be both rewarding and fun. These practical sessions provide expert-led tuition in a social and welcoming environment. This month's session concentrates on gesture drawing.
This session will begin with short poses, using a limited number of marks to capture the essence of the pose. Participants will then progress to more sustained poses, where a gestural approach to rendering tone, and the consideration of positive and negative space will be encouraged.
Our courses and classes programme
Our varied programme of short courses and classes provides an opportunity to explore subjects ranging from life drawing to the history of exhibitions and arts management, led by expert tutors and practising artists. These courses introduce traditional art-making processes, as well as perspectives on art history, theory, business and trade. Read more about courses and classes
About the Tutor
Mick Kirkbride
Painter and teacher Mick Kirkbride is a graduate of the Royal Academy Schools. For many years he was Senior Lecturer in Visual Studies at the London College of Fashion, University of the Arts. In 2004 he was elected a member of The New English Art Club, becoming the curator of its education programme in 2014. Mick has taught drawing at all levels, more recently as drawing tutor on a range of post-graduate specialisms at the Royal Academy of Dramatic Art (RADA). Over the past two years he has tutored a series of life drawing sessions for friends of the RA based in the Keeper's House. Mick's paintings are essentially suppositions, they seek to make visible narratives that exist in the mind's eye. The idiosyncrasy of invention underpinned with observational drawing is the primary tool, with the human figure as the dominant structural motif.
Our courses and classes programme
Our programme of short courses and classes offers the opportunity to explore a range of subjects, led by expert tutors and practising artists.