Articles
Renaissance Impressions

RA Exhibitions
< 8 years ago
Curator’s picks: Renaissance Impressions
As the exhibition comes to an end this weekend, curator Arturo Galansino selects his favourite works in the show.

RA Exhibitions
< 8 years ago
Looking good on paper
How does the RA ensure the works of art it borrows remain in exemplary condition? Eleanor Mills charts the conservation challenges of bringing the woodcut prints in ‘Renaissance Impressions’ to the UK.

RA Exhibitions
< 8 years ago
Experimentations in Chiaroscuro: Beccafumi’s Prints, Oil Sketches and Marble Intarsia
National Gallery curator, Dr. Jennifer Sliwka, discusses the works of Domenico Beccafumi.

Inside the Academy
8 years ago
Printmaking with Anne Desmet RA
Royal Academician and printmaker Anne Desmet led a workshop for attRAct students, taking inspiration from our current exhibition, ‘Renaissance Impressions’.

Artists
8 years ago
Ancient and modern
From traditional engravings to cutting edge digital techniques: the RA Schools is a hive of creative approaches to printmaking.

RA Exhibitions
8 years ago
Renaissance Impressions: An Introduction
Exhibition curator Arturo Galansino introduces ‘Renaissance Impressions’.

Artists
8 years ago
Making a mark: #PrintMonth at the RA
Welcome to Print Month. This April we’re celebrating the versatile art of printmaking, with a packed programme of exhibitions, events and online activity.

RA Exhibitions
8 years ago
Out of the shadows
As exceptional examples go on display in ‘Renaissance Impressions’, printmaker Anne Desmet RA reveals the story behind this pivotal development and discusses why these rare prints continue to dazzle us today.
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Artists
8 years ago
Learning by making
Inspired by our ‘Renaissance Impressions’ exhibition, Stephen Chambers RA decided to create his own chiaroscuro woodcut. Here he shares his discoveries and includes his step-by-step guide.