Frederick Christian Lewis Jnr., Wooded landscape, probably in Derbyshire

Wooded landscape, probably in Derbyshire, 1832?

Attributed to Frederick Christian Lewis Jnr. (1813 - 1875)

RA Collection: Art

This album comprises a collection of 210 sketches by J. F. Lewis and other members of his family, originally held together in a leather binding probably dating from the later nineteenth century. On the cover is the title in gilt: SKETCHES / BY / JOHN FREDERICK LEWIS R.A. / BORN JULY 14TH 1804 – DIED AUGUST 15TH 1876. / BEGINNING WITH HIS BOYHOOD. / COLLECTED BY HIS BROTHER / CHAS. G. LEWIS. This much is known, but the rest of the album’s history remains a mystery. The title tells us that this collection of sketches was assembled by John Frederick’s younger brother, Charles George (1808-1880), who, like their father, Frederick Christian (1779-1856), was an engraver. Charles continued to work in the family studio after his father's retirement in 1855, and as his brother was by then a famous artist, he would have wished to keep sketches relating to his boyhood and early career. However, precisely when and by whom the album was collated is not clear. The detailed inscriptions on the album leaves imply first-hand knowledge of the Lewis family and it seems most likely that the album was bound by or for Charles George and passed down in the family.

The drawings themselves are hugely diverse and are pasted into the album in scrapbook fashion, entirely randomly, in no chronological or thematic order. Few are dated, but the evidence of other similar drawings places them roughly between 1814 and 1830. They cover a wide assortment of subjects: portraits and semi-caricature sketches of Lewis, members of his family and others; sketches relating to his early oil and watercolour paintings; landscape and architectural sketches, particularly at Kempston Hardwick in Bedfordshire and Windsor Great Park; domestic animals, particularly cows, horses and dogs; and wild animals, especially the lions that Lewis saw and drew at the Exeter Exchange Menagerie in London. The drawings are equally varied in style and, despite the inscription on the cover of the album, it has become clear that several are by other members of the Lewis family. Very few are actually signed by the young Lewis, though many are inscribed with a later J. F. Lewis, and with further inscriptions in a formal hand on the album cards.

Artists’ juvenilia are notoriously difficult to judge and here the process of determining authorship is complicated by Lewis’s prodigiously artistic family environment. Not only was his father Frederick Christian Sr one of the most successful engravers of his day as well as a draughtsman, but two of his brothers, Charles George and Frederick Christian Jr, and at least one of his sisters, Mary Exton, were also artists. In addition, there were his two uncles, George Robert, a landscape and portrait painter, and Charles, a bookbinder. His grandfather, Johann Ludwig, variously described as a portrait miniaturist and a bookbinder, was one of many German immigrants who came to Britain in the wake of the Hanoverian monarchy. In such a fertile environment in which father taught son, and brothers and sisters learned by copying one another, distinguishing one hand from another is almost impossible. As the album was made up and bound at least half a century after the drawings were made, it is not surprising that some of the later inscriptions should be incorrect or that misattributions should have occurred.



Related objects:

Similar smaller albums and sketchbooks by J. F. Lewis's father, Frederick Christian Lewis Snr. and other members of the family survive in private collections. There are also further drawings by the Lewis family in the V&A collection.

All objects in this group

These seven drawings of Derbyshire landscapes are probably the work of Frederick Christian Lewis Jnr. rather than his brother J. F. Lewis despite the fact that some of them are inscribed with the latter's name and / or initials. They resemble drawings by F.C. Lewis in a sketchbook in a private collection. Furthermore, there is evidence that this artist was in Derbyshire in December 1831 staying with relatives while there is no record of his brother visiting the area at this time.

Like his siblings, Frederick Christian Lewis Jnr. (1813 - 1875) was taught to draw and engrave by his father, Frederick Christian Lewis Snr. He exhibited his paintings, mainly portraits, from an early age and in 1835 began to travel in Europe and the East. In 1839 he went to India where he spent much of his working life and became known as 'Indian Lewis'.

All objects in this group

Object details

Title
Wooded landscape, probably in Derbyshire
Artist/designer
Attributed to Frederick Christian Lewis Jnr. (1813 - 1875)
Date
1832?
Object type
Drawing
Medium
Pencil and white chalk on buff wove paper
Dimensions

108 mm x 141 mm

Collection
Royal Academy of Arts
Object number
07/3589
Acquisition
Purchased from A. J. Featherstone in 10th December 1935
return to start
back

Start exploring the RA Collection

read more
  • Explore art works, paint-smeared palettes, scribbled letters and more...
  • Artists and architects have run the RA for 250 years.
    Our Collection is a record of them.
Start exploring