Richard Westmacott the Younger RA, Tracing of a sculpted lion from the Fontana dell'Acqua Felice (also known as the Fontana di Termini), c. 1820 - 1826.
Pencil on tracing paper. 128 mm x 205 mm.
This image is not available to download. To licence this image for commercial purposes, contact our Picture Library at picturelibrary@royalacademy.org.uk
Tracing of a sculpted lion from the Fontana dell'Acqua Felice (also known as the Fontana di Termini), c. 1820 - 1826
Richard Westmacott the Younger RA (1799 - 1872)
RA Collection: Art
128 mm x 205 mm
Associated works of art
1 results
Start exploring the RA Collection
- Explore art works, paint-smeared palettes, scribbled letters and more...
- Artists and architects have run the RA for 250 years.
Our Collection is a record of them.
Related articles
-
![Gabriella Boyd, Sunhead]()
Our Collection
1 month ago
How to read it: Gabriella Boyd’s “Sunhead”
In Gabriella Boyd’s “Sunhead”, familiar shapes are given a surreal twist. The painting floats on the edge of reality where nothing is certain. But what does it mean? Where did the head go? And why is this painting in the RA’s Collection anyway?
-
![Sir Frank Brangwyn RA, Sunflowers]()
Our Collection
3 months ago
How to read it: Frank Brangwyn’s ‘Sunflowers’
Frank Brangwyn’s ‘Sunflowers’ is an explosion of colour that captures the vibrancy of a much-loved plant. But did Brangwyn copy Van Gogh? And why sunflowers, anyway?
-
![Mali Morris RA in her studio, 2018]()
Our Collection
5 months ago
Mali Morris RA Top picks from the Collection
Currently on show in the RA’s Collections Gallery cabinet is a selection of works from our collection, curated by Mali Morris RA. Here, the abstract painter and Royal Academician talks us through some of the works she’s chosen for the display.
-
![Giampietrino and Giovanni Antonio Boltraffio, The Last Supper]()
Our Collection
6 months ago
How to read it: our copy of Leonardo’s Last Supper
Within the RA’s Collection Gallery is a full-size copy of Leonardo da Vinci’s ‘Last Supper’, painted by one or more of his pupils. What can it tell us about the original masterpiece?
