James E. Doyle, Richard II stops the duel between Hereford and Norfolk.
Wood-engraving. 107 mm x 105 mm. © Photo: Royal Academy of Arts, London.
This image is released under Creative Commons CC-BY-NC-ND
To licence this image for commercial purposes, contact our Picture Library at picturelibrary@royalacademy.org.uk
Richard II stops the duel between Hereford and Norfolk
After James E. Doyle (1822 - 1892)
RA Collection: Art
107 mm x 105 mm
A chronicle of England, B.C. 55-A.D. 1485 / written and illustrated by James E. Doyle ; the designs engraved and printed in colours by Edmund Evans. - London :: 1864.
Start exploring the RA Collection
- Explore art works, paint-smeared palettes, scribbled letters and more...
- Artists and architects have run the RA for 250 years.
Our Collection is a record of them.
Related articles
-
![Sir Michael Craig-Martin RA, Self-Portrait (Aqua)]()
Our Collection
2 days ago
The RA Collection in 250 Objects: Self-Portraits
Inspired by our exhibition ‘Lucian Freud: The Self-Portraits’, we looked through the RA Collection to find self-portraits by our own Academicians. From conventional portrayals of the artist at work to some more unusual manifestations of the self – here are the 10 top self-portraits from the RA Collection.
-
![Dame Laura Knight RA, Ella Naper in the Apple Orchard at Trewoolfe]()
Our Collection
19 days ago
How to read it: Dame Laura Knight RA’s ‘Ella Naper in the Apple Orchard at Trewoolfe’
Dame Laura Knight RA was denied access to nude models throughout her studies. In Cornwall, she found the freedom and the friends to make up for lost time.
-
![Alice Wilding RA and Cathie Pilkington RA with their installation 'The Ancestors']()
Our Collection
3 months ago
Artists Cathie Pilkington and Alison Wilding on ‘The Ancestors’
Fiona Maddocks meets the former teacher and pupil duo about their co-curated project on their Academy forebears.
-
![John Flaxman RA, Scylla]()
Our Collection
4 months ago
How to read it: Flaxman’s ‘The Iliad’ and ‘The Odyssey’
The 18th-century British artist John Flaxman was an established sculptor, but it was his drawn illustrations of ‘The Iliad’ and ‘The Odyssey’ that made him a sensation across Europe.
