Pieter de Bailliu, Portrait of Honoré d'Urfé.
Engraving. 238 mm x 185 mm.
This image is not available to download. To licence this image for commercial purposes, contact our Picture Library at picturelibrary@royalacademy.org.uk
Portrait of Honoré d'Urfé
Pieter de Bailliu (1613 - after July 1665)
RA Collection: Art
238 mm x 185 mm
Start exploring the RA Collection
- Explore art works, paint-smeared palettes, scribbled letters and more...
- Artists and architects have run the RA for 250 years.
Our Collection is a record of them.
Related articles
-
![, Model of a World War I Dazzle Camouflage Ship]()
Our Collection
4 months ago
The RA in 250 objects: War
As the RA turns 250 years old, we’re exploring 250 beautiful, odd and inspiring objects from the RA Collection in 25 themes. In this edition, we mark 100 years since the Armistice, looking at how artists have experienced war and conflict over the centuries.
-
![Will Alsop RA, Fog is an Urban Experience]()
Our Collection
4 months ago
The RA Collection in 250 objects: Architecture
To celebrate our 250th birthday, we’re exploring 250 beautiful, odd and inspiring objects from the RA Collection in 25 themes. With an exhibition of the architect Renzo Piano currently taking place at the RA, in this online exhibition we look at the some of the architectural works in the RA collection, from models to poems.
-
![Tamara Rojo]()
Our Collection
6 months ago
Top picks from the RA Collection: Tamara Rojo
As the dancer and Artistic Director of English National Ballet speaks at the RA’s first Festival of Ideas, we caught up with Tamara Rojo to hear about the art that has inspired and intrigued her – from the work she used to prepare for dancing Swan Lake, to the painting she dreams of owning.
-
![Richard Earlom, The Exhibition at the Royal Academy in Pall Mall in 1771]()
Our Collection
7 months ago
How to read it: The Exhibition of the Royal Academy in Pall Mall, 1771
How much has the Summer Exhibition changed in 250 years? As the Great Spectacle exhibition looks back at the masterpieces from its history, we head back to 1771 to explore a work that documented the exhibition itself.
