Pope Julius in a Rage for Want of his Cold Peacock, by 1828
William Marshall Craig (before 1787 - 1827)
RA Collection: Art
This scene, depicting an enraged Pontiff dining outdoors with a cardinal and a group of clerics, is taken from Holinshed's description of Pope Julius III. According to the chronicler, the Pope was:
'sitting at dinner, pointing to a peacocke upon his table, which he had not touched; Keepe (said he) this cold peacocke for me against supper, and let me sup in the garden, for I shall have ghests. So when supper came, and amongst other hot peacockes, he saw not his cold peacocke brought to his table; the pope after his wonted manner, most horriblie blaspheming God, fell into an extreame rage, &c. Whereupon one of his cardinals sitting by, desired him saieng: Let not your holinesse, I praie you, be so mooved with a matter of so small weight. Then this Julius the pope answeringe againe: What (saith he) if God was so angrie for one apple, that he cast our first parents out of paradise for the same, whie maie not I being his vicar, be angrie then for a peacocke, sithens a peacocke is a greater matter than an apple.'
This work comes from one of sixteen volumes of Royal Academy Annual Exhibition catalogues that were collected and extra-illustrated by the lawyer and antiquarian Edward Basil Jupp F.S.A. (1812 - 1877). The catalogues span the period from the first annual exhibition in 1769 up to 1875. Jupp added drawings, prints, letters and autographs by, or referring to, Academicians and other exhibitors at the Academy's annual exhibition.
E.B. Jupp was a solicitor who married Eliza Kay, daughter of the architect William Porden Kay. He was a Fellow of the Society of Antiquaries and a clerk of the Carpenters' Company, of which he published a history. Jupp amassed a large collection of paintings by British and Dutch artists, drawings, prints, books and porcelain most of which was sold after his death, at Christie's in February 1878.
Many of the drawings in Jupp's Royal Academy extra-illustrated volumes were bought from art sales during the 1860s. He was also acquainted with a number of contemporary artists and several drawings in the later volumes (along with many of the letters and autographs) were sent from the artists themselves.
195 mm x 147 mm
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