Sir Christopher Le Brun PPRA, No. 30, 2004-2005.
Etching. 186 mm x 167 mm. © The Artist. © Photo: Royal Academy of Arts, London.
This image is not available to download. To licence this image for commercial purposes, contact our Picture Library at picturelibrary@royalacademy.org.uk
No. 30, 2004-2005
Sir Christopher Le Brun PPRA (b. 1951)
RA Collection: Art
186 mm x 167 mm
Start exploring the RA Collection
- Explore art works, paint-smeared palettes, scribbled letters and more...
- Artists and architects have run the RA for 250 years.
Our Collection is a record of them.
Related articles
-
![Christopher Le Brun PRA in his London studio]()
Artists
5 years ago
Exploring watercolour with Christopher Le Brun PPRA
Think you know watercolour? Think again. Join Christopher Le Brun PPRA in his London studio as he debunks some of the myths about this versatile medium and its possibilities.
-
![Installation view of the ‘Michelangelo & Sebastiano’ exhibition at the National Gallery, London, featuring the tondo]()
RA Recommends
5 years ago
The RA’s Michelangelo Tondo takes centre stage at the National Gallery
It may be only a short step from the RA to the National Gallery, but the loan of the Academy’s rarest treasure to the Michelangelo and Sebastiano show is a triumph of technical skill.
-
![Designer Adrien Gardère and the RA’s President Christopher Le Brun don hard hats to visit the site of the new Collections Gallery in the RA’s Burlington Gardens]()
Inside the Academy
> 5 years ago
Behind the scenes: a new home for the RA Collections
While it’s business as usual in the galleries, elsewhere at the RA major building work is transforming the Academy for 2018. Exhibition designer Adrien Gardère and RA President Christopher Le Brun explore how the plans will reveal the historic RA Collections to the public.
-
![Clyfford Still, PH-4]()
RA Exhibitions
< 6 years ago
Six Academicians on the Abstract Expressionists
The power and complexity of Abstract Expressionist art lies in the diverse sensibilities of its artists. Here six Royal Academicians respond to some of the movement’s greatest painters.
