Sir John Everett Millais Bt. PRA, Napoleon Bonaparte lying in state, ca. 1837.
Pencil on cream wove paper. 116 mm x 122 mm. © Photo: Royal Academy of Arts, London. Photographer: John Hammond.
This image is not available to download. To licence this image for commercial purposes, contact our Picture Library at picturelibrary@royalacademy.org.uk
Napoleon Bonaparte lying in state, ca. 1837
Sir John Everett Millais Bt. PRA (1829 - 1896)
RA Collection: Art
116 mm x 122 mm
recto
verso
Start exploring the RA Collection
- Explore art works, paint-smeared palettes, scribbled letters and more...
- Artists and architects have run the RA for 250 years.
Our Collection is a record of them.
Related articles
-
![Rebecca Salter PRA]()
Inside the Academy
< 2 years ago
Rebecca Salter PRA: the first female President of the Royal Academy of Arts
In an historic vote, the leading painter and printmaker, Rebecca Salter, has been elected the RA’s 27th – and first female – President.
-
![Thomas Rowlandson and Augustus Charles Pugin, Drawing from Life at the Royal Academy, Somerset House]()
Our Collection
> 3 years ago
The RA Collection in 250 objects: How artists learned to draw
For our 250th birthday, we highlighted 250 beautiful, odd and inspiring objects from the RA Collection in 25 themes. With a free display exploring how artists have traditionally learnt to draw, in this edition we head into the Royal Academy’s historic schools…
-
![Installation view of The Great Spectacle exhibition at the Royal Academy of Arts, London (12 June — 19 August 2018)]()
RA Exhibitions
> 3 years ago
Inside the show: The Great Spectacle
From the work of “friendly rivals” Reynolds and Gainsborough to the rebellious Pre-Raphaelites, our exhibition The Great Spectacle brings together some of the highlights of 250 years of the Royal Academy’s Summer Exhibition. Take a look inside in these videos.
-
![The Great Spectacle]()
RA Exhibitions
> 3 years ago
Tracing British art through 250 years of the Summer Exhibition
The Summer Exhibition has filled the RA’s galleries every year since 1769 – it’s been a witness (and a player) in many of British art history’s biggest moments. Jenny Uglow takes a look at the art that’s caused drama, changes, protests and celebration over the past quarter millennium.
