Anne-Katrin Purkiss, Mary Fedden RA, May 2006.
Camera: hasselblad 500 c/m (scanned from negative ilford delta 400asa). printed on hahnemühle fine art paper (pearl).. 241 mm x 304 mm. © Anne-Katrin Purkiss. © Photo: Royal Academy of Arts, London.
This image is not available to download. To licence this image for commercial purposes, contact our Picture Library at picturelibrary@royalacademy.org.uk
Mary Fedden RA, May 2006
Anne-Katrin Purkiss (b. 1959)
RA Collection: Art
241 mm x 304 mm
Start exploring the RA Collection
- Explore art works, paint-smeared palettes, scribbled letters and more...
- Artists and architects have run the RA for 250 years.
Our Collection is a record of them.
Related articles
-
![Tom Kerridge]()
Our Collection
< 2 years ago
Top picks from the Collection: Tom Kerridge
Top chef Tom Kerridge has a longstanding love of art; his wife is a sculptor and he was a good friend of the late Sir Anthony Caro. Against the bustling backdrop of his two Michelin-starred pub, he tells us about some favourite works in the RA Collection – starting with the gruesome tale of James Legg, a 19th-century murderer whose corpse was skinned, crucified and cast in plaster as a teaching aid for the RA Schools.
-
![Alice Wilding RA and Cathie Pilkington RA with their installation 'The Ancestors']()
Our Collection
1 month ago
Artists Cathie Pilkington and Alison Wilding on ‘The Ancestors’
Fiona Maddocks meets the former teacher and pupil duo about their co-curated project on their Academy forebears.
-
![John Flaxman RA, Scylla]()
Our Collection
3 months ago
How to read it: Flaxman’s ‘The Iliad’ and ‘The Odyssey’
The 18th-century British artist John Flaxman was an established sculptor, but it was his drawn illustrations of ‘The Iliad’ and ‘The Odyssey’ that made him a sensation across Europe.
-
![Gabriella Boyd, Sunhead]()
Our Collection
4 months ago
How to read it: Gabriella Boyd’s “Sunhead”
In Gabriella Boyd’s “Sunhead”, familiar shapes are given a surreal twist. The painting floats on the edge of reality where nothing is certain. But what does it mean? Where did the head go? And why is this painting in the RA’s Collection anyway?
