Fabrini Giuseppe Antonio Fabbrini, Frontispiece to L'Etruria Pittrice, 1791 [-1795].
Etching and aquatint in brown on blue laid paper. 395 mm x 288 mm. © Photo: Royal Academy of Arts, London. Photographer: Royal Academy of Arts.
This image is not available to download. To licence this image for commercial purposes, contact our Picture Library at picturelibrary@royalacademy.org.uk
Frontispiece to L'Etruria Pittrice, 1791 [-1795]
Fabrini Giuseppe Antonio Fabbrini (1740 - 1795)
RA Collection: Art
395 mm x 288 mm
L'Etruria Pittrice Ovvero Storia Della Pittura Toscana Dedotta Dai Suoi Monumenti Che Si Esibiscono In Stampa Dal Secolo X. Fino Al Presente. Tom. I (II.) - in Firenze: 1791 (-1795)
Start exploring the RA Collection
- Explore art works, paint-smeared palettes, scribbled letters and more...
- Artists and architects have run the RA for 250 years.
Our Collection is a record of them.
Related articles
-
![Dame Laura Knight RA, Ella Naper in the Apple Orchard at Trewoolfe]()
Our Collection
12 days ago
How to read it: Dame Laura Knight RA’s ‘Ella Naper in the Apple Orchard at Trewoolfe’
Dame Laura Knight RA was denied access to nude models throughout her studies. In Cornwall, she found the freedom and the friends to make up for lost time.
-
![Alice Wilding RA and Cathie Pilkington RA with their installation 'The Ancestors']()
Our Collection
2 months ago
Artists Cathie Pilkington and Alison Wilding on ‘The Ancestors’
Fiona Maddocks meets the former teacher and pupil duo about their co-curated project on their Academy forebears.
-
![John Flaxman RA, Scylla]()
Our Collection
4 months ago
How to read it: Flaxman’s ‘The Iliad’ and ‘The Odyssey’
The 18th-century British artist John Flaxman was an established sculptor, but it was his drawn illustrations of ‘The Iliad’ and ‘The Odyssey’ that made him a sensation across Europe.
-
![Gabriella Boyd, Sunhead]()
Our Collection
5 months ago
How to read it: Gabriella Boyd’s “Sunhead”
In Gabriella Boyd’s “Sunhead”, familiar shapes are given a surreal twist. The painting floats on the edge of reality where nothing is certain. But what does it mean? Where did the head go? And why is this painting in the RA’s Collection anyway?
