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Francis Barlow
The Cat and Mice, 17th century
Etching
Colen Campbell
The great Gate at Burlington House in Pickadilly (1718)
Line-engraving
Sir George Clausen RA
Landscape with water and gate
Watercolour on wove paper
Study of a haystack with gate
Pastel on wove paper
Compositional study for 'Sunrise in September', 7 September 1923
Pencil on laid paper
Edward William Cooke RA
Het Sasse Poort, Zwolle, September 12th 1876
Pencil on white wove paper
Thomas Daniell RA
Eastern Gate of the Jummah Musjid at Delhi, March 1795
Hand-coloured aquatint
Thomas Hearne
A Village Church, 4 April 1774
Etching and engraving
Paul Hogarth RA
Calle de Versalles, Porto Pi, Palma de Mallorca, 1984
Pencil and watercolour on paper
Philippe Jacques de Loutherbourg RA
Dudley Castle Gate, ca. 1824
Etching, aquatint and colour washes
Chris Orr RA
Tanby, 1998
Offset lithograph, silkscreen
Eric Ravilious
The Tortoise at Ringmer, Sussex
Wood-engraving
Charles Robinson
Preparing for the Snow-Ball Fight
Colour halftone
Michael Angelo Rooker ARA
A horseman riding in a wooded landscape, by 1801
Pencil and watercolour on wove paper
Attributed to Paul Sandby RA
Cowbridge Town Wall and Church Tower, Glamorganshire
Pencil, black chalk and grey wash on laid paper (card)
Gilbert Spencer RA
From My Studio, ca. 1959
Oil on canvas
Thomas Richard Underwood
The Gatehouse of Battle Abbey, Sussex, 1793
Unidentified photographer
The Amitabha Buddha in the Central Hall: view from the Vestibule (Royal Academy of Arts, International Exhibition of Chinese Art, 1935-36), 1935
Black and white silver gelatin print
Unidentified wood-engraver
The Colonnade, Burlington House
Samuel Ware
Design, unexecuted, for shops along Piccadilly wall, Burlington House, Piccadilly, Westminster, London: plan, elevation and sketch elevation of shop, c.1817
Pencil, pen with black ink and coloured washes
John Burges Watson
The National Provincial Bank of England, c. 1840
Tinted lithograph
James Wyatt PRA
Design for mausoleum, Brocklesby Park, Lincolnshire: perspective, c.1795
Pen with red-brown ink, brown and grey washes with a red-brown line border
John Yenn RA
Design for pedimented Doric entrance gate with lodges and urns: elevation, 1770
Pen with black ink, coloured washes and gouache with double border of grey and black washes
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