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Henry Hugh Armstead RA
Compositional study for an illustration to Tennyson's Godiva
Pen and ink with wash over pencil on cream wove paper
Stephen Ayling
Burlington House, Piccadilly: gateway & east colonnade., ca.1860s
Albumen print mounted on card
Burlington House, Piccadilly: east offices with portion of house & colonnade., ca.1860s
Burlington House, Piccadilly: east offices, colonnade & gateway., ca.1860s
Francis Barlow
The Cat and Mice, 17th century
Etching
Thomas Bellamy
Design for King's College Hospital Staircase
Lithograph
Henry Bishop RA
Entry into Fez, 1930s
Oil on canvas
Giuseppe Cades
The Judicial Virtues, Late 18th century
Expulsion of Heliodorus, Late 18th century
Mass at Bolsena, Late 18th century
The Burning of the Borgo, Late 18th century
Parnassus, Late 18th century
School of Athens, Late 18th century
The Liberation of St Peter, Late 18th century
Sir D.Y. Cameron RA
Interior of Durham Cathedral, By 1920
Sir Hugh Casson PRA
Architectural Facade, c.1940-1944
Pen and ink
St Genesis Reform Chuch, Portland, 1943
Pen and ink and watercolour
After J.J. Chalon RA
A Ruined Fountain, November 1836
Line-engraving on steel
Sir William Chambers RA
Alternative design for window wall with thin piers, Queen Charlotte's Drawing Room, Windsor Castle, Berkshire: elevation, c.1795
Pen with black and green ink and coloured washes in a grey wash border
Design for window wall, Queen Charlotte's Music Room, Windsor Castle, Berkshire: elevation, 1794
Pen with black and green ink and coloured washes in a grey wash and black ink border
Edward William Cooke RA
Santa Maria della Navicella, March 17th 1846
Pencil on wove paper
Cloister of the Cathedral, Tortosa, Probably November 4th 1860
The Moorish Aqueduct in the Alhambra, Feb 1861
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