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Henry Hugh Armstead RA
Design for the 1856 Goodwood Cup, 1856
Pen and ink and brown wash over pencil on cream wove paper
Study of a standing male figurefor the cornice of the Westminster Abbey reredos, ca. 1867
Pencil on cream wove paper
Figure studies for the carving on the Bishop's Throne, Llandaff Cathedral, probably 1863
Pen and brown ink over pencil on cream wove paper
Study of a stooping male figure for 'The Sun and Moon Stand Still', 1860s?
Pencil and white gouache on cream wove paper
Design for the base of a bust of Edward III, ca. 1884 ?
Pencil on cream laid paper
Study of a female nude for the 'Adam and Eve' silver vase, 1850s
Pen and ink over pencil on cream wove paper
Study of a male nude for the 'Adam and Eve' silver vase
Male nude lying on the ground
Studies of female figures for the 'Milton Fountain'
A kneeling figure seen from the side
A kneeling figure seen from the back
Study of a kneeling female figure holding a scroll for the 'Engineers Vase', ca. 1862
Study of a female figure holding a scroll for the 'Engineers Vase', ca. 1862
Nude study of an old man for a doorway design, c. 1883
Pencil and white gouache on blue/green wove paper
Marie-Josèphe de Saxe, Dauphine de France, 1747?
Etching and engraving
The Repulse of Attila
Louis-Maurice Boutet de Monvel
Fais Dodo, Colas
J.B. Burgess RA
The Freedom of the Press, 1889
Oil on canvas
The Burning of the Borgo, Late 18th century
The great Gate at Burlington House in Pickadilly (1718)
P.C. Canot ARA
A Moderate Gale, 1 February 1766
Etching with engraving
After A.E. Chalon RA
Infancy, 7 August 1814
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