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Henry Hugh Armstead RA
Two male figures, for the Albert Hall frieze, by 1871
Pen and ink with pencil on cream wove paper
Study of the torso of a male figure and a detail of the right hand
Pen and ink on cream wove paper
Two studies of male nudes for the "Milton Fountain"
Pen and ink over pencil on cream wove paper
Two studies of a male nude for the "Milton Fountain"
Studies of female figures for the 'Milton Fountain'
Study for 'Hero and Leander'
Pencil with white highlights on brown wove paper
Studies of a male and a female nude for the 'Fall of Adam' or 'Adam and Eve' vase, c. 1856?
Pencil on cream wove paper
A "Turcoman" horse
Pen and ink over pencil on cream wove (?) paper
Studies of children for 'The Ever Reigning Queen', by November 1880
Pencil with pen and ink and white highlights on green wove paper
Study of a male nude for a silver centrepiece designed by Armstead for presentation to the Royal Academy, c. 1872
Pencil with white highlights on green wove paper
Study of a male nude, in profile, for a silver centrepiece designed by Armstead for presentation to the Royal Academy, c. 1872
An Egyptian horse
Pen and ink over pencil on light brown wove paper
Humorous sketches of crocodiles and bats
Pen and ink on blue/grey wove paper
Cosmo Armstrong
Eagle, a celebrated stallion, 1809-10?
Etching and engraving
Thomas Banks RA
Anatomical Crucifixion (James Legg), 1801
Plaster cast, early 19th century
Attributed to Gaspar Becerra
Details of anatomy of the eye and anatomical instruments, 1556
A flayed man holding his own skin, 1556
Posterior view of male skeleton, 1556
Lateral view of male skeleton, 1556
From: D. Brucciani & Co (London)
Écorché à la Colonne, Mid 19th century
Plaster cast
John Gibson RA
Standing horse in profile
Pencil on wove paper
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