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John Gibson RA
Sappho, ca. 1831
Plaster
Sir John Gilbert RA
Standing female figure in medieval costume, August 1888
Pencil on cream wove paper
Profile of a woman wearing a hat, 1870
Pen and ink over pencil on cream wove paper
Attributed to Paolo Guglielmi
Study after Gibson's statue of Queen Victoria, by 1861
Pencil on wove paper
Wenceslaus Hollar
Self-portrait of Wenceslaus Hollar, ca. 1735-39
Etching
John Jackson RA
A Jewish Rabbi, ca. 1817
Oil on canvas
Bryan Kneale RA
Sitting, 1996
Conté crayon on paper
Lord Leighton PRA
Half-length drawing of a boy, 1850s?
Black chalk and white lead paint (slightly oxidised) on blue/grey wove paper
Eadweard Muybridge
Jumping; standing broad jump, 1872-1885
Collotype on white wove paper
Jacobus Neeffs
Portrait of Maria Margaret of Barlemont, Countess of Egmont
Engraving
Pietro Peiroleri
Portrait of a young man, ca. 1770?
Etching and engraving
From: Photo Studios
Visitors, queues and installation photography of the exhibition Turner 1775-1851., 1974-1975
Silver gelatin prints
Lucien Pissarro
La Ronde, 1893
Woodcut
Howard Pyle
'But Lancelot mused a little space; / He said, 'She has a lovely face; / God in his mercy lend her grace, / The Lady of Shalott.'
Colour lithograph
Philip Reinagle RA
Head and shoulders of a young woman
Pencil on cream laid paper
David Remfry RA
Dancers, 1989
Watercolour on paper
Mick Rooney RA
T.V. Oaxaca, 1991
Oil on board
After Dante Gabriel Rossetti
Illustration to 'The Palace of Art' : St Cecilia / wood engraving by Dalziel after a design by D. G. Rossetti ; published in Moxon's Poems of Alfred Tennyson , London 1857.
Wood-engraving
Illustration to 'The Palace of Art': The Weeping Queens / wood engraving by Dalziel after a design by D. G. Rossetti ; published in Moxon's edition of the Poems of Alfred Tennyson, London, 1857.
Aegidius II Sadeler
Study for the Head of Christ in 'Christ among the Doctors', 1598
From: Stephen White
Colour slides of the exhibition installation Andrea Mantegna, 1992
Charles W. Stewart
'The figure of Uncle Silas rose up, with a death-like scowl', illustration to chapter 44 of Uncle Silas, 1946-7
Pen and ink with gouache highlights on artists' board
Sir Robert Strange
Belisarius, 1757
Sir James Thornhill
Christ's Charge to St Peter, 1729-31
When should this exhibition be published?