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Giovanni Battista Piranesi
The Gothic Arch, early 1770s
Etching with engraving
The Lion Bas-Reliefs, early 1770s
Eric Ravilious
The Tortoise at Ringmer, Sussex
Wood-engraving
John Inigo Richards RA
The Bridge at Ivybridge, Devon, 1760s?
Pencil and watercolour on laid paper
Sir Albert Richardson PRA
The Starecase at the Royal Academy, preliminary study, 1962
Pencil and watercolour on wove paper laid on card
Michael Angelo Rooker ARA
Winchelsea Churchyard, by 1801
Pencil and watercolour on wove paper
The Gatehouse of Battle Abbey, Sussex, 1792
Leonard Rosoman RA
Portrait of Sir Hugh Casson PRA in the Library Print Room of the Royal Academy, May 1992
Pencil and watercolour on paper
Thomas Rowlandson
The Doctor's Dream, 1 May 1812
Hand-coloured etching with aquatint
Attributed to Paul Sandby RA
Cowbridge Town Wall and Church Tower, Glamorganshire
Pencil, black chalk and grey wash on laid paper (card)
Paul Sandby RA
Ruins in a landscape
Pencil and watercolour on laid paper (card)
A ruined archway with a round building
Pencil, watercolour and pen and ink on laid paper (card)
The Ponte Salario or Ponte Salaro
Pencil, blue and grey wash on laid paper
The Ponte Lucano, Rome
Pencil, blue, pink and grey wash on laid paper
The Plautian family tomb in Rome, partially based on a print of the Ponte Lucano, Rome
Pencil and blue and grey wash on laid paper
Sir James Thornhill
The Blinding of Elymas, 1729-31
Oil on canvas
J.M.W. Turner RA
Durham Cathedral, 1798-99
Pencil, watercolour and scratching out on wove paper
Thomas Richard Underwood
The Gatehouse of Battle Abbey, Sussex, 1793
After Unidentified designer
Architectural cast: acanthus leaf bracket
Plaster cast, 19th century?
Unidentified photographer
The Piccadilly front of Burlington House, 1968 or later, 1968 or later
The Royal Academy Library
Black and white silver gelatine photograph
The Central Hall, The International Exhibition of Persian Art, at the Royal Academy of Arts, 1931., 1931
The Amitabha Buddha in the Central Hall: view from the Vestibule (Royal Academy of Arts, International Exhibition of Chinese Art, 1935-36), 1935
Black and white silver gelatin print
When should this exhibition be published?