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Attributed to Paul Sandby RA
The Ponte Salario or Ponte Salaro
Pencil, blue and grey wash on laid paper
The Ponte Lucano, Rome
Pencil, blue, pink and grey wash on laid paper
The Plautian family tomb in Rome, partially based on a print of the Ponte Lucano, Rome
Pencil and blue and grey wash on laid paper
Sir James Thornhill
The Blinding of Elymas, 1729-31
Oil on canvas
J.M.W. Turner RA
Durham Cathedral, 1798-99
Pencil, watercolour and scratching out on wove paper
Thomas Richard Underwood
The Gatehouse of Battle Abbey, Sussex, 1793
Pencil and watercolour on wove paper
Unidentified photographer
The Piccadilly front of Burlington House, 1968 or later, 1968 or later
The Central Hall, The International Exhibition of Persian Art, at the Royal Academy of Arts, 1931., 1931
The Amitabha Buddha in the Central Hall: view from the Vestibule (Royal Academy of Arts, International Exhibition of Chinese Art, 1935-36), 1935
Black and white silver gelatin print
From: Unknown photographer
The 38th Middlesex (Artists') Rifle Volunteers in the courtyard at Burlington House, 1939, April 1939
Silver gelatin print
Unsigned
Racing of gondolas and rowing boats in Venice by women., c. 1610
Engraving
Carl Wilhelm Weisbrod
An imaginary antique port, 1771
Etching and engraving
Russell Westwood
A member of the cleaning staff at work in the entrance hall of Burlington House, 1953., March 1953
Burlington House, Main Vaults, 1953., March 1953
John Yenn RA
Design for a villa with Doric portico: elevation, 1777
Pen with brown and black ink and grey, black, blue and green washes in a black wash border
Topographical or design drawing for a gothic ruin: perspective, 1770
Pen with black ink and coloured washes in a grey wash border
Design for a Palladian bridge: elevation, 1775
Pencil, pen with brown ink, coloured washes in a ruled and gouache border
Design for a garden obelisk: elevation, c. 1795
Pen with black and brown inks and coloured washes in a double light brown and black border
Design for Doric entrance gate with balustrade and urns and with lodges: elevation, c.1785
Pen with brown ink and brown, green, blue and grey washes in a double border of brown and black washes
Alternative design for a Doric gateway, Blenheim Palace, Oxfordshire: elevation in landscape, c.1780
Pencil, pen with black ink and coloured washes within ruled and wash border
When should this exhibition be published?