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John Yenn RA
Design for a garden casino with Corinthian portico: elevation, 1782
Pen with black ink and coloured washes with a black and brown wash border
Design for a garden casino with central portico: elevation, 1782
Pen with black ink and coloured washes with a black and pink wash border
Design for a lakeside pavilion: elevation, 1774
Pen with black, brown and blue ink and coloured washes in a border of black and pink wash
Topographical or design drawing for a gothic ruin: perspective, 1770
Pen with black ink and coloured washes in a grey wash border
Design for a Palladian bridge: elevation, 1775
Pencil, pen with brown ink, coloured washes in a ruled and gouache border
Design for a garden obelisk: elevation, c. 1795
Pen with black and brown inks and coloured washes in a double light brown and black border
Design for pedimented Doric entrance gate with lodges and urns: elevation, 1770
Pen with black ink, coloured washes and gouache with double border of grey and black washes
Design for Doric entrance gate with balustrade and urns and with lodges: elevation, c.1785
Pen with brown ink and brown, green, blue and grey washes in a double border of brown and black washes
Design for painted pavement in mosaic design, Guard Chamber, Windsor Castle, Berkshire: plan, 5 August 1792
Pen with black and brown ink and brown wash
Design for a Doric garden seat pavilion in Surrey: elevation, 1775
Pen with black ink, guoache and coloured washes in black and red borders
Design for greenhouse, Blenheim Palace, Oxfordshire: front elevation, 1787
Pencil, pen with black and brown ink and coloured washes within ruled and wash border
Design for Rosamund's Well, Blenheim Palace, Oxfordshire: elevation, c.1786
Pen with black and brown ink and coloured washes within ruled and wash border
Alternative design for a Doric gateway, Blenheim Palace, Oxfordshire: elevation in landscape, c.1780
Pencil, pen with black ink and coloured washes within ruled and wash border
Design for greenhouse, Blenheim Palace, Oxfordshire: end elevation, 1787
Pen and black and brown ink and coloured washes within ruled and wash border
Photographs relating to the Summer Exhibition 1931.
Installation photography of the Exhibition of French Art 1200-1900 at the Royal Academy of Arts, 1932.
When should this exhibition be published?