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Henry Hugh Armstead RA
Studies for the effigy of Archdeacon Moore, for Lichfield Cathedral, ca. 1879
Pen and ink over pencil on cream wove paper
Figure studies for carvings on the Bishop's Throne, Llandaff Cathedral, 1863
Study of a male nude for a "medal for Engineers"
Pencil on cream wove paper
Studies of a woman and child for the relief sculpture in the Julius Beer mausoleum, ca. 1880s
Study of a woman and child for the relief sculpture in the Julius Beer mausoleum, ca. 1880s
Pencil with touches of red chalk on cream wove paper
Studies of an old man
A seated female nude
Pen and ink with some wash, over pencil on cream wove paper
Studies of a standing female figure for an illustration to Tennyson's Dora, 1860s?
Studies of a cat for 'Playmates', ca. 1897
Two studies of a fish for the 'Wisbech fountain'
Pen and ink over pencil on green wove paper
Studies of a kneeling female figure for the reredos of Great St. Mary's, Cambridge, after 1862
Pencil with pen and ink on cream wove paper
Two studies of a female head for a mosaic design for "St. Michael's Church, Torquay", ca. 1877
Two studies of a woman for a mosaic design for "St. Michael's Church, Torquay", ca. 1877
Three studies of a woman's head for a mosaic design for "St. Michael's Church, Torquay", ca. 1877
Figure studies for a mosaic design for St. Michael's Church, Torquay, ca. 1877
Two studies of male nudes for the "Milton Fountain"
Two studies of a male nude for the "Milton Fountain"
Studies of female figures for the 'Milton Fountain'
Studies of a woman for the reredos of Hythe Church, Kent
Pen and ink with wash and white highlights over pencil on green wove paper
Study of two standing girls holding shields for Llandaff Cathedral carvings
Pen and ink with white highlights over pencil on green wove paper
Three studies of girls playing musical instruments, for Llandaff Cathedral carvings
Pen and ink with white gouache over pencil on green wove paper
Studies of the Doctors of the Church, for carving designs at Llandaff Cathedral
Two drawings of a standing male figure
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