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Attributed to Paolo Guglielmi
Nymph at the bath, by 1861
Black chalk, with smudged pencil with areas of highlight produced by erasing
Study after Gibson's second statue of William Huskisson, M. P., by 1861
Pencil on wove paper
Study after Gibson's first statue of William Huskisson, M.P., by 1861
Study after Gibson's statue of Sir Robert Peel, by 1861
Study after Gibson's statue of Queen Victoria, by 1861
Study after Gibson's statue of Hon. Mrs. Henry Murray (later Lady Beauchamp), by 1861
Angelica Kauffman RA
Design, 1778-80
Oil on canvas
Marcus Leith
From Russia: French and Russian Master Paintings 1870-1925 from Moscow and St. Petersburg Installation photograph of the exhibition, 6/3/2008
Henry Stacy Marks RA
Science is Measurement, 1879
Antoine-Chrysostome Quatremère de Quincy
Le Jupiter Olympien vu dans son trône
Etching and watercolour
From: Royal Academy of Arts (London)
RA diploma (Sydney Smirke), 28 December 1859
Etching and engraving
G. Roy
André Hercules Cardinal de Fleury, ca. 1743-50?
Sir James Thornhill
The Blinding of Elymas, 1729-31
Giandomenico Tiepolo
St. Patrick cures a cripple, 1750s
Etching
After Unidentified artist
Portrait of Joseph Nollekens RA, Published c. 1823-25?
Line engraving
Unidentified photographer
Maurice Lambert R.A. in his studio probably Logan Place, London W.8., ca 1930s
Silver gelatin print
Unidentified wood-engraver
The Central Hall of the Royal Academy, 10 July 1869
Wood-engraving
Arthur George Walker RA
Cedar Studios, ca. 1932
Grief, 1915
Marble
After Benjamin West PRA
Alderman John Sawbridge, 1 November 1772
Mezzotint
When should this exhibition be published?