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Henry Hugh Armstead RA
Two male figures, for the Albert Hall frieze, by 1871
Pen and ink with pencil on cream wove paper
Study of the torso of a male figure and a detail of the right hand
Pen and ink on cream wove paper
Study of a male nude for a silver centrepiece designed by Armstead for presentation to the Royal Academy, c. 1872
Pencil with white highlights on green wove paper
Study of a male nude, in profile, for a silver centrepiece designed by Armstead for presentation to the Royal Academy, c. 1872
Cosmo Armstrong
Eagle, a celebrated stallion, 1809-10?
Etching and engraving
Thomas Banks RA
Anatomical Crucifixion (James Legg), 1801
Plaster cast, early 19th century
Attributed to Gaspar Becerra
Details of anatomy of the eye and anatomical instruments, 1556
A flayed man holding his own skin, 1556
Posterior view of male skeleton, 1556
Lateral view of male skeleton, 1556
From: D. Brucciani & Co (London)
Écorché à la Colonne, Mid 19th century
Plaster cast
John Gibson RA
Standing horse in profile
Pencil on wove paper
A horse in profile
Drawing of a horse with scale measurements
Pencil, pen and ink on wove paper
B. Waterhouse Hawkins
Man, and the Elephant., 1860
Tinted lithograph
Rider, and Horse, 1860
Benjamin Robert Haydon
Musculature and bones of the lumbar spine, pelvis and thighs, 28 June 1805
Red and black ink with grey, brown and red washes on off-white paper
Richard Lane ARA
Life mask portrait of Sir Thomas Lawrence aged 34, April 1830
Lithograph
William Home Lizars
Blood vessels and nerves of the back of the hand
Hand-coloured etching
The interior of the knee-joint, with a view of some of the muscles of the leg
Lateral View of the Cerebrum, Cerebellum, and cervical portion of the Spinal Marrow
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