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Agasias of Ephesus
Cast of the Borghese Gladiator, ?late 19th century
Plaster cast
Henry Hugh Armstead RA
Study of a cavalryman for the 'Outram Shield', 1860
Pen and ink over pencil on cream wove paper
Study of the torso of a male figure and a detail of the right hand
Pen and ink on cream wove paper
Study of a man in a shroud for the reredos of Hythe Church, Kent
Pen and ink with white highlights over pencil on green wove paper
Study of a standing male figure for the reredos of St. Mary's, Cambridge, after 1862
Study of a female figure holding a scroll for the 'Engineers Vase', ca. 1862
Nude study of a seated female figure for the "Metropole" doorway design
Pencil and white paint on blue/green wove paper
Nude study of a female figure for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue/grey wove paper
Study of a seated female nude for a "Coinage competition", ca. 1891
Pen and ink with white highlights over pencil on blue-grey wove paper
From: British Museum
Cast of slab of riders from North frieze of Parthenon (figures 118-121, Slab XLIII =Michaelis XXXVIII)
Plaster cast, 19th century
Cast of lunging Lapith and rearing centaur from Parthenon (South Metope, VII)
Plaster cast, early 19th century
Giuseppe Cades
Justice, Late 18th century
Oil on canvas
Sir George Clausen RA
Half-length portrait study of a woman with her right arm behind her head
Chalk on wove paper
Study of costume and left arm for the portrait of Mervyn, son of Sir J. Herbert Roberts Bt., ca. 1912
Sketch after 'Boy Trimming a Hedge', ca. 1890
Ink and pastel on wove paper
Figure sketch for 'Evening Song', ca. 1893
Study of a sleeve for 'Evening Song', ca. 1893
Pastel on wove paper
Figure study for 'Evening Song', ca. 1893
Sketches of an arm for 'Evening Song', ca. 1893
Study of an old man with a beard and hat for 'The Haymakers', ca. 1903
Study of an arm, relating to 'Harvest', probably ca. 1895
Black pastel on wove paper
Study of the female figure for 'Allotment Gardens', ca. 1899
Pastel on wove paper. some of the heavier lines may have also been reinforced with black chalk.
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