John McCreery (1768 - 1832)
John McCreery (1768 - 1832)
RA Collection: People and Organisations
Printer and publisher, originally financed by William Roscoe. Active in Liverpool from 1792 and moved to London in 1805, subsequently working for the publishers Cadell & Davies, and Longman’s & Payne. Trade card in Banks Collection (Banks,99.28+) advertises “J. McCreery, Printer, (Late of Liverpool) Black-Horse Court… Specimens of Fine Printing may be seen at the Office. 1805.” [Source: BM biographical entry].
Profile
Born: 1768
Died: 1832
Gender: Male
Works associated with John McCreery in the RA Collection
72 results
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![James Birch Sharpe, Elements Of Anatomy; Designed For The Use Of Students In The Fine Arts. By James Birch Sharpe, Member Of The Royal College Of Surgeons, And Student In The Royal Academy Of Arts.]()
James Birch Sharpe
Title-page
Letterpress with vignette printed from a copperplate that is larger than the size of the leaf
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![George Robert Lewis, 'Study of a tree' after a drawing attributed to Salvator Rosa]()
George Robert Lewis
'Study of a tree' after a drawing attributed to Salvator Rosa, 1823
Etching and aquatint in colour on j. whatman wove paper
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![George Robert Lewis, 'A design for a landscape' after a drawing attributed to Claude Lorrain]()
George Robert Lewis
'A design for a landscape' after a drawing attributed to Claude Lorrain, 1823
Etching and aquatint in colour on j. whatman wove paper
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![Frederick Christian Lewis Snr., A study of 'a Group of Trees from Nature' after a drawing attributed to Claude Lorrain]()
Frederick Christian Lewis Snr.
A study of 'a Group of Trees from Nature' after a drawing attributed to Claude Lorrain, 1823
Etching and aquatint in colour on j. whatman wove paper
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![George Robert Lewis, 'A design for a Landscape' after a drawing attributed to Gasparo Poussin]()
George Robert Lewis
'A design for a Landscape' after a drawing attributed to Gasparo Poussin , 1823
Etching and aquatint in colour on j. whatman wove paper
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![Frederick Christian Lewis Snr., 'The death of Hippolytus' after a drawing attributed to Nicolas Poussin]()
Frederick Christian Lewis Snr.
'The death of Hippolytus' after a drawing attributed to Nicolas Poussin, 1823
Etching and aquatint in colour on j. whatman wove paper
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![Frederick Christian Lewis Snr., 'Mars and Venus with Cupids' after a drawing attributed to Nicolas Poussin]()
Frederick Christian Lewis Snr.
'Mars and Venus with Cupids' after a drawing attributed to Nicolas Poussin , 1823
Etching and aquatint in colour on j. whatman wove paper
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![Frederick Christian Lewis Snr., 'The finding of the true cross' after a drawing attributed to Gregorio Pagani]()
Frederick Christian Lewis Snr.
'The finding of the true cross' after a drawing attributed to Gregorio Pagani, 1823
Etching and aquatint in colour on j. whatman wove paper
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![Ignace Joseph de Claussen, 'A sheet of caricatures, and amongst them his own portrait' after a drawing attributed to Annibale Carracci]()
Ignace Joseph de Claussen
'A sheet of caricatures, and amongst them his own portrait' after a drawing attributed to Annibale Carracci , 1823
Etching and aquatint in colour on j. whatman wove paper
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![Gaetano Stefano Bartolozzi, 'A study of the back view of a naked female' after a drawing attributed to Antonio Carracci]()
Gaetano Stefano Bartolozzi
'A study of the back view of a naked female' after a drawing attributed to Antonio Carracci , 1823
Etching and aquatint in colour on j. whatman wove paper
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![Frederick Christian Lewis Snr., 'The holy family' after a drawing attributed to Ludovico Carracci]()
Frederick Christian Lewis Snr.
'The holy family' after a drawing attributed to Ludovico Carracci, 1823
Etching and aquatint in colour on j. whatman wove paper
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![Thomas Vivares, 'The Madonna and Child' after a drawing attributed to Ludovico Carracci]()
Thomas Vivares
'The Madonna and Child' after a drawing attributed to Ludovico Carracci, 1823
Etching and aquatint in colour on j. whatman wove paper
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![Ignace Joseph de Claussen, 'Group of three half-length apostolic figures']()
Ignace Joseph de Claussen
'Group of three half-length apostolic figures', 1823
Etching and aquatint in colour on j. whatman wove paper
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![Frederick Christian Lewis Snr., 'A female winding thread, and a group of infants' after a drawing attributed to Parmigianino]()
Frederick Christian Lewis Snr.
'A female winding thread, and a group of infants' after a drawing attributed to Parmigianino, 1823
Etching and aquatint in colour on j. whatman wove paper
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![William Young Ottley, 'A female winding thread, and a group of infants' after a drawing attributed to Parmigianino]()
William Young Ottley
'A female winding thread, and a group of infants' after a drawing attributed to Parmigianino, 1823
Etching and aquatint in colour on j. whatman wove paper
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![Luigi Schiavonetti, 'Study for part of the Celebrated picture called 'La madonna del S. Giorgio', in the Gallery at Dresden' after a drawing attributed to Antonio da Coreggio]()
Luigi Schiavonetti
'Study for part of the Celebrated picture called 'La madonna del S. Giorgio', in the Gallery at Dresden' after a drawing attributed to Antonio da Coreggio, 1823
Etching and aquatint in colour on j. whatman wove paper
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![Frederick Christian Lewis Snr., 'Unknown subject' after a drawing attributed to Giorgione da Castelfranco]()
Frederick Christian Lewis Snr.
'Unknown subject' after a drawing attributed to Giorgione da Castelfranco , 1823
Etching and aquatint in colour on j. whatman wove paper
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![George Robert Lewis, 'A design for part of another frieze' after a drawing attributed to Polidoro da Caravaggio]()
George Robert Lewis
'A design for part of another frieze' after a drawing attributed to Polidoro da Caravaggio, 1823
Etching and aquatint in colour on j. whatman wove paper
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![Frederick Christian Lewis Snr., 'A study for part of the celebrated frieze representing the story of Niobe on the Facade of a Palace at Rome' after a drawing attributed to Polidoro da Caravaggio]()
Frederick Christian Lewis Snr.
'A study for part of the celebrated frieze representing the story of Niobe on the Facade of a Palace at Rome' after a drawing attributed to Polidoro da Caravaggio, 1823
Etching and aquatint in colour on j. whatman wove paper
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![Frederick Christian Lewis Snr., 'The Death of Semele' after a drawing attributed to Giulio Romano]()
Frederick Christian Lewis Snr.
'The Death of Semele' after a drawing attributed to Giulio Romano, 1823
Etching and aquatint in colour on j. whatman wove paper
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![Frederick Christian Lewis Snr., 'A naked female with attendant infant' after a drawing attributed to Giulio Romano]()
Frederick Christian Lewis Snr.
'A naked female with attendant infant' after a drawing attributed to Giulio Romano , 1823
Etching and aquatint in colour on j. whatman wove paper
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![William Long, 'A female figure standing' after a drawing attributed to Raffaello Sanzio]()
William Long
'A female figure standing' after a drawing attributed to Raffaello Sanzio, 1823
Etching and aquatint in colour on j. whatman wove paper
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![Frederick Christian Lewis Snr., 'A group of children at play' after a drawing attributed to Raffaello Sanzio]()
Frederick Christian Lewis Snr.
'A group of children at play' after a drawing attributed to Raffaello Sanzio, 1823
Etching and aquatint in colour on j. whatman wove paper
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![William Long, 'Sports of Sea Nymphs & Tritons' after a drawing attributed to Raffaello Sanzio]()
William Long
'Sports of Sea Nymphs & Tritons' after a drawing attributed to Raffaello Sanzio, 1823
Etching and aquatint in colour on j. whatman wove paper
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![William Long, 'The Death of Adonis' after a drawing attributed to Raffaello Sanzio]()
William Long
'The Death of Adonis' after a drawing attributed to Raffaello Sanzio, 1823
Etching and aquatint in colour on j. whatman wove paper
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![William Long, 'Study for the figure of ADAM in the celebrated print of ADAM & EVE, engraved by Marc'Antonio' after a drawing attributed to Raffaello Sanzio]()
William Long
'Study for the figure of ADAM in the celebrated print of ADAM & EVE, engraved by Marc'Antonio' after a drawing attributed to Raffaello Sanzio , 1823
Etching and aquatint in colour on j. whatman wove paper
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![William Long, 'The Adoration of the Shepherds' after a drawing attributed to Raffaello Sanzio]()
William Long
'The Adoration of the Shepherds' after a drawing attributed to Raffaello Sanzio , 1823
Etching and aquatint in colour on j. whatman wove paper
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![William Long, 'Study for part of one of the Ceilings of the Vatican' after a drawing attributed to Raffaello Sanziolong]()
William Long
'Study for part of one of the Ceilings of the Vatican' after a drawing attributed to Raffaello Sanziolong, 1823
Etching and aquatint in colour on j. whatman wove paper
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![Frederick Christian Lewis Snr., Other 'Study for part of the Celebrated Fresco entitled the Heliodorus in the Vatican' after a drawing attributed to Raffaello Sanzio]()
Frederick Christian Lewis Snr.
Other 'Study for part of the Celebrated Fresco entitled the Heliodorus in the Vatican' after a drawing attributed to Raffaello Sanzio, 1823
Etching and aquatint in colour on j. whatman wove paper
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![Frederick Christian Lewis Snr., 'Study for part of the Celebrated Fresco entitled the Heliodorus in the Vatican' after a drawing attributed to Raffaello Sanzio]()
Frederick Christian Lewis Snr.
'Study for part of the Celebrated Fresco entitled the Heliodorus in the Vatican' after a drawing attributed to Raffaello Sanzio, 1823
Etching and aquatint in colour on j. whatman wove paper
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![George Robert Lewis, 'A Study for the Muse Melpomene in the Fresco of Mount Parnissus in the Vatican'' after a drawing attributed to Raffaello Sanzio]()
George Robert Lewis
'A Study for the Muse Melpomene in the Fresco of Mount Parnissus in the Vatican'' after a drawing attributed to Raffaello Sanzio, 1823
Etching and aquatint in colour on j. whatman wove paper
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![J. Vivares, 'A Study for the Bass-relievo on the pedestal of the Statue of Apollo, in the celebrated Frescoe of the School of Athens' after a drawing attributed to Raffaello Sanzio]()
J. Vivares
'A Study for the Bass-relievo on the pedestal of the Statue of Apollo, in the celebrated Frescoe of the School of Athens' after a drawing attributed to Raffaello Sanzio, 1823
Etching and aquatint in colour on j. whatman wove paper
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![William Long, 'Study for the figure of Diogenes in the School of Athens' after a drawing attributed to Raffaello Sanzio]()
William Long
'Study for the figure of Diogenes in the School of Athens' after a drawing attributed to Raffaello Sanzio, 1823
Etching and aquatint in colour on j. whatman wove paper
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![Frederick Christian Lewis Snr., 'A study for the group of Archimedes & his disciples in the School of Athens' after a drawing attributed to Raffaello Sanzio]()
Frederick Christian Lewis Snr.
'A study for the group of Archimedes & his disciples in the School of Athens' after a drawing attributed to Raffaello Sanzio , 1823
Etching and aquatint in colour on j. whatman wove paper
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![Frederick Christian Lewis Snr., 'A study for the school of Athens' after a drawing attributed to Raffaello Sanzio]()
Frederick Christian Lewis Snr.
'A study for the school of Athens' after a drawing attributed to Raffaello Sanzio, 1823
Etching and aquatint in colour on j. whatman wove paper
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![Frederick Christian Lewis Snr., 'Head of an Angel' after a drawing attributed to Raffaello Sanzio]()
Frederick Christian Lewis Snr.
'Head of an Angel' after a drawing attributed to Raffaello Sanzio, 1823
Etching and aquatint in colour on j. whatman wove paper
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![William Young Ottley, 'Battle for the Standard' after a drawing attributed to Raffaello Sanzio]()
William Young Ottley
'Battle for the Standard' after a drawing attributed to Raffaello Sanzio , 1823
Etching and aquatint in colour on j. whatman wove paper
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![William Long, 'A Concert' after a drawing attributed to Raffaello Sanzio]()
William Long
'A Concert' after a drawing attributed to Raffaello Sanzio, 1823
Etching and aquatint in colour on j. whatman wove paper
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![William Long, 'A Youth at his Devotions' after a drawing attributed to Raffaello Sanzio]()
William Long
'A Youth at his Devotions' after a drawing attributed to Raffaello Sanzio , 1823
Etching and aquatint in colour on j. whatman wove paper
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![Frederick Christian Lewis Snr., 'The Madonna ' after a drawing attributed to Raffaello Sanzio]()
Frederick Christian Lewis Snr.
'The Madonna ' after a drawing attributed to Raffaello Sanzio, 1823
Etching and aquatint in colour on j. whatman wove paper
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![George Robert Lewis, 'Study for pat of one of the frescoses painted by PINTURICCHIO in the Library of the Duomo di Siena ' after a drawing attributed to Raffaello Sanzio]()
George Robert Lewis
'Study for pat of one of the frescoses painted by PINTURICCHIO in the Library of the Duomo di Siena ' after a drawing attributed to Raffaello Sanzio, 1823
Etching and aquatint in colour on j. whatman wove paper
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![William Long, 'The Nativity' after a drawing attributed to Raffaello Sanzio]()
William Long
'The Nativity' after a drawing attributed to Raffaello Sanzio, 1823
Etching and aquatint in colour on j. whatman wove paper
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![Frederick Christian Lewis Snr., 'The portrait of himself when a youth' after a drawing attributed to Raffaello Sanzio]()
Frederick Christian Lewis Snr.
'The portrait of himself when a youth' after a drawing attributed to Raffaello Sanzio, 1823
Etching and aquatint in colour on j. whatman wove paper
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![John Romney, 'Charity' after a drawing by Carlo Cencione from a painting by Raffaello Sanzio]()
John Romney
'Charity' after a drawing by Carlo Cencione from a painting by Raffaello Sanzio, 1823
Engraving on thin japanese paper pasted on wove paper album's leaf
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![J. Vivares, 'The death of Hercules' after a drawing attributed to Baccio Bandinelli]()
J. Vivares
'The death of Hercules' after a drawing attributed to Baccio Bandinelli, 1823
Etching and aquatint in colour on j. whatman wove paper
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![Frederick Christian Lewis Snr., 'Two figures of prophets' after a drawing attributed to Domenico Beccafumi]()
Frederick Christian Lewis Snr.
'Two figures of prophets' after a drawing attributed to Domenico Beccafumi , 1823
Etching and aquatint in colour on j. whatman wove paper
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![J. Vivares, 'An Old man's head' and 'A Study for the figure of Joseph, in the celebrated fresco called the Madonna del sacco' after two drawing attributed to Andrea del Sarto]()
J. Vivares
'An Old man's head' and 'A Study for the figure of Joseph, in the celebrated fresco called the Madonna del sacco' after two drawing attributed to Andrea del Sarto, 1823
Etching and aquatint in colour on j. whatman wove paper
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![J. Perry, 'Cleopatra' after a drawing attributed to Michelangelo Buonarroti]()
J. Perry
'Cleopatra' after a drawing attributed to Michelangelo Buonarroti , 1823
Etching and aquatint in colour on j. whatman wove paper
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![Frederick Christian Lewis Snr., 'Study for the head of St. Bartholomew, in the painting of the last judgment' after a drawing attributed to Michelangelo Buonarroti]()
Frederick Christian Lewis Snr.
'Study for the head of St. Bartholomew, in the painting of the last judgment' after a drawing attributed to Michelangelo Buonarroti , 1823
Etching and aquatint in colour on j. whatman wove paper
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![Frederick Christian Lewis Snr., 'Design for part of the last Jugment' after a drawing attributed to Michelangelo Buonarroti]()
Frederick Christian Lewis Snr.
'Design for part of the last Jugment' after a drawing attributed to Michelangelo Buonarroti , 1823
Etching and aquatint in colour on j. whatman wove paper
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![Thomas Vivares, 'A man's head's profile' after a drawing attributed to Michelangelo Buonarroti]()
Thomas Vivares
'A man's head's profile' after a drawing attributed to Michelangelo Buonarroti , 1823
Etching and aquatint in colour on j. whatman wove paper
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![William Long, 'Three figures in conversation' after a drawing attributed to Michelangelo Buonarroti]()
William Long
'Three figures in conversation' after a drawing attributed to Michelangelo Buonarroti , 1823
Etching and aquatint in colour on j. whatman wove paper
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![Thomas Vivares, 'A man seated in profile, reading' after a drawing attributed to Michelangelo Buonarroti]()
Thomas Vivares
'A man seated in profile, reading' after a drawing attributed to Michelangelo Buonarroti, 1823
Etching and aquatint in colour on j. whatman wove paper
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![Frederick Christian Lewis Snr., 'A head' after a drawing attributed to Michelangelo Buonarroti]()
Frederick Christian Lewis Snr.
'A head' after a drawing attributed to Michelangelo Buonarroti , 1823
Etching and aquatint in colour on j. whatman wove paper
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![George Robert Lewis, 'A study for the figure of Adam in the compartment representing his creation' after a drawing attributed to Michelangelo Buonarroti]()
George Robert Lewis
'A study for the figure of Adam in the compartment representing his creation' after a drawing attributed to Michelangelo Buonarroti , 1823
Etching and aquatint in colour on j. whatman wove paper
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![George Robert Lewis, 'A man seated in profile reading' after a drawing attributed to Michelangelo Buonarroti]()
George Robert Lewis
'A man seated in profile reading' after a drawing attributed to Michelangelo Buonarroti , 1823
Etching and aquatint in colour on j. whatman wove paper
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![George Robert Lewis, 'A woman dancing a child on her knee' after a drawing attributed to Michelangelo]()
George Robert Lewis
'A woman dancing a child on her knee' after a drawing attributed to Michelangelo, 1823
Etching and aquatint in colour on j. whatman wove paper
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![George Robert Lewis, 'Head in profile' and 'Herculed & Antaeus' after two drawings attributed to Michelangelo Buonarroti]()
George Robert Lewis
'Head in profile' and 'Herculed & Antaeus' after two drawings attributed to Michelangelo Buonarroti , 1823
Etching and aquatint in colour on j. whatman wove paper
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![William Young Ottley, 'Two draped figures standing' after a drawing attributed to Michelangelo]()
William Young Ottley
'Two draped figures standing' after a drawing attributed to Michelangelo, 1823
Etching and aquatint in colour on j. whatman wove paper
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![Frederick Christian Lewis Snr., 'The madonna and Child' after a drawing attributed to Fra Bartolomeo]()
Frederick Christian Lewis Snr.
'The madonna and Child' after a drawing attributed to Fra Bartolomeo , 1823
Etching and aquatint in colour on j. whatman wove paper
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![George Robert Lewis, 'The Holy family' after a drawing attributed to Fra Bartolomeo]()
George Robert Lewis
'The Holy family' after a drawing attributed to Fra Bartolomeo, 1823
Etching and aquatint in colour on j. whatman wove paper
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![Giovanni Vendramini, 'Leda' after a drawing attributed to Leonardo da Vinci]()
Giovanni Vendramini
'Leda' after a drawing attributed to Leonardo da Vinci, 1823
Etching and aquatint in colour on j. whatman wove paper
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![William Young Ottley, 'Christ bearing his Cross' after a drawing attributed to Leonardo da Vinci]()
William Young Ottley
'Christ bearing his Cross' after a drawing attributed to Leonardo da Vinci, 1823
Etching and aquatint in colour on j. whatman wove paper
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![Frederick Christian Lewis Snr., 'A group of armed men on horseback' after a drawing attributed to Luca Signorelli]()
Frederick Christian Lewis Snr.
'A group of armed men on horseback' after a drawing attributed to Luca Signorelli , 1823
Etching and aquatint in colour on j. whatman wove paper
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![Thomas Vivares, 'A man expiring' after a drawing attributed to Andrea Mantegna]()
Thomas Vivares
'A man expiring' after a drawing attributed to Andrea Mantegna , 1823
Etching and aquatint in colour on j. whatman wove paper
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![Frederick Christian Lewis Snr., A study for part of the picture of the Adoration of the Magi after a drawing attributed to Fra Filippo Lippi]()
Frederick Christian Lewis Snr.
A study for part of the picture of the Adoration of the Magi after a drawing attributed to Fra Filippo Lippi , 1823
Etchingand aquatint in colour on j. whatman wove paper
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![Giovanni Vendramini, 'Christ taken from the cross', after a drawing attributed to Donatello]()
Giovanni Vendramini
'Christ taken from the cross', after a drawing attributed to Donatello, 1823
Etching in colour on j. whatman wove paper
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![J. Vivares, 'Studies for two apostolic figures', after a drawing attributed to Donatello]()
J. Vivares
'Studies for two apostolic figures', after a drawing attributed to Donatello, 1823
Etching in colour on j. whatman wove paper
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![George Robert Lewis, 'The Madonna and other figures', after a drawing attributed to Giotto di Bondone]()
George Robert Lewis
'The Madonna and other figures', after a drawing attributed to Giotto di Bondone, 1823
Etching in colour on j. whatman wove paper
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![J. Vivares, 'A first thought for the celebrated Mosiac (sic) called the bark of St. Peter at Rome' , after a drawing attributed to Giotto di Bondone]()
J. Vivares
'A first thought for the celebrated Mosiac (sic) called the bark of St. Peter at Rome' , after a drawing attributed to Giotto di Bondone, 1823
Etching in colour on j. whatman wove paper
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![Ignace Joseph de Claussen, 'Studies for the martyrdom of a Saint' , after a drawing attributed to Giovanni Cimabue]()
Ignace Joseph de Claussen
'Studies for the martyrdom of a Saint' , after a drawing attributed to Giovanni Cimabue , 1823
Etching and acquatint in colour on j. whatman wove paper
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![Thomas Vivares, 'St. Luke painting the Virgin', after a Byzantine drawing (?)]()
Thomas Vivares
'St. Luke painting the Virgin', after a Byzantine drawing (?), 1823
Etching and acquatint in colour on wove paper (j. whatman watermark)
Associated books
14 results
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Charles Alfred Stothard
The monumental effigies of Great Britain : selected from our cathedrals and churches for the purpose of bringing together, and preserving correct representations of the best historical illustrations extant, from the Norman conquest to the reign of Henry the Eighth / / By C. A. Stothard - London: 1817 [-1832]
13/2328
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William Young Ottley
An Inquiry Into The Origin And Early History Of Engraving, Upon Copper and in Wood, With An Account Of Engravers And Their Works, From The Invention Of Chalcography By Maso Finiguerra, To The Time Of Marc' Antonio Raimondi. - By William Young Ottley, F.S.A. - Vol. I. (II.) - - London:: 1816.
07/2561
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John Landseer ARA
Lectures On The Art Of Engraving, Delivered At The Royal Institution Of Great Britain, - By John Landseer, Engraver To The King, And F.S.A. - - London:: 1807.
07/2559
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Luigi Lanzi abate
The History Of Painting In Italy, From The Period Of The Revival of The Fine Arts To The End Of The Eighteenth Century: Translated From the Original Italian Of The Abate Luigi Lanzi. - By Thomas Roscoe. - In Six Volumes. Vol. I. Containing The Schools Of Florence And Siena. (- Vol. VI. Containing The Indexes.) - - London:: 1828.
06/5273