| 001 |
|
|
$ 16/3180
|
| 003 |
|
|
$ UK-LoRAA
|
| 041 |
0 |
# |
$a eng
|
| 044 |
# |
# |
$a uk
|
| 110 |
2 |
# |
$a Royal Academy of Arts (London)
|
| 245 |
1 |
4 |
$a The exhibition of the Royal Academy. MDCCCXXXIII. The sixty-fifth.
|
| 260 |
# |
# |
$a London
$b Printed by W. Clowes, 14 Charing Cross, printer to the Royal Academy
$c MDCCCXXXIII
$c [1833]
|
| 300 |
# |
# |
$a 64 p. ;
$c 25 cm.
|
| 490 |
0 |
# |
$a Exhibition of the Royal Academy
|
| 500 |
# |
# |
$a "When a critic examines the work of any of the masters in poetry or painting, he may sometimes examine it by an idea of perfection, in his own mind, which neither that nor any other human work will ever come up to; and as long as he compares it with this standard, he can see nothing in it but faults and imperfections. But when he comes to consider the rank which it ought to hold among other works of the same kind, he necessarily compares it with a very different standard, the common degree of excellence which is usually attained in this particular art; and when he judges of it by this new measure, it may often appear to deserve the highest applause." Dr. Adam Smith, Theory of Moral Sentiments. - t.p.
|
| 533 |
# |
# |
$a View a digitised version of this exhibition catalogue here: https://www.royalacademy.org.uk/art-artists/exhibition-catalogue/ra-sec-vol65-1833
|
| 563 |
# |
# |
$a [First copy:] Catalogues for the exhibitions: 1825-1836 bound in one volume. Bound in 20th-century light brown buckram; black morocco spine-labels lettered in gold 'Exhibitions of the Royal Academy' and 'MDCCCXV to MDCCCXXXVI'
|
| 610 |
2 |
4 |
$a Royal Academy of Arts (London)
|
| 710 |
2 |
# |
$a Royal Academy of Arts (London)
$e publisher
|
| 710 |
2 |
# |
$a William Clowes
$e printer
|