MARC Record view

001 $ 07/190
003 $ UK-LoRAA
005 $ 20220520151313.5
041 0 # $a eng
044 # # $a uk
245 0 0 $a Rubens a Sculptor.
260 # # $a (London:) $b For Private Circulation. $c June, 1862.
300 # # $a 24 p., [4] pl.; $c 242 mm.
505 0 # $a [Half-t., t.p.] - [Text and pl.].
508 # # $a The printer is named on the title-page verso: 'London: D.F. Oakey, Printer, Cannon Row, Westminster, S.W.'
520 2 # $a The author is not named. Perhaps he is Henry F. Holt, owner of two bas-reliefs on which the argument of the text is based.

The plates show two bas-reliefs and two paintings, of the Adoration of the Magi. All are photographs.

According to the catalogue of the National Art Library, London, this essay was also published in the Gentleman's magazine, IV, p.27.
561 # # $a The verso of the front loose endpaper is inscribed in ink, 'R.N. Wornum' and in pencil 'S.A.H.', i.e. S.A. Hart, librarian of the Royal Aacdemy 1864-81.
563 # # $a 19th-century purple cloth, upper cover decorated in blind and in gilt and lettered 'Rubens A Sculptor', lower cover decorated in blind; spine unlettered.
600 1 4 $a Rubens
600 1 4 $a Holt
653 # # $a Sculptors - Artists - Painters - Sculpture - Paintings - Belgium - History - 17th century
655 # 0 $a Art history - Essays - Great Britain - 19th century
655 # 0 $a Pictorial works - Photographs - Photomechanical prints - Great Britain - 19th century
700 1 # $a Rubens $e source artist
700 1 # $a Holt $e author?
700 1 # $a Oakey $e printer
700 1 # $a Wornum $e previous owner