| 001 | $ 03/2197 | ||
| 003 | $ UK-LoRAA | ||
| 041 | 0 | # | $a fre |
| 044 | # | # | $a fr |
| 245 | 0 | 0 | $a Recueil D'Estampes D'Aprés Les Plus Beaux Tableaux Et D'Aprés Les Plus Beaux Desseins Qui Sont En France $b Dans le Cabinet du Roy, dans celuy de Monseigneur le Duc d'Orleans, & dans d'autres Cabinets. Divisé Suivant Les Differentes E'coles; Avec Un abbregé de la Vie des Peintres, & une Description Historique de chaque Tableau. Tome Premier. Contenant L'E'cole Romaine. |
| 260 | # | # | $a A Paris, $b De L'Imprimerie Royale. $c M. DCCXXIX. $c [1729] |
| 300 | # | # | $a 3 vols.; $c 635 mm. (Folio). |
| 500 | # | # | $a Vol. 1: [2], viii, 54 p., 64 pl. (9 dble.). There are ter pl.3. The pairs of plates, 52 and 53, 54 and 55, 56 and 57 are printed on one double sheet for each pair. - Vol. II: 65-137 pl. (6 dble.). There is a bis pl. 90. Plates 88, 110-112, 122, 123 are dble. - Vol. III: [42] pl. (4 dble.). |
| 505 | 0 | # | $a Vol. I ('Tome Premier'): p. i-viii. 'Preface'. - p.1-54. 'Abbregé ... Description De Leurs Tableaux Et Desseins ...' [Description of plates 1-137]. - [Plates] 1-64. - Vol. II ('Tome Premier. Seconde Partie'): [Plates] 65-137. - Vol. III: Plates [1-42]. |
| 508 | # | # | $a All plates are signed by engravers: G.G. Frezza, C. du Flos, le Comte de C., N. Le Sueur, N. de Larmessin, I. Frey, J. Chereau, L. Surugue, N. Edelinck, S. Valée, F. de Poilly, C. Simonneau, F. Chereau, J. C. Flipart, J. Raymond, A. Larcher, C. N. Cochin (the elder), V. Le Sueur, P.P.A. Robert, N. Le Sueur, L. Desplaces, B. Lépicié, P. Simonneau, N. Tardieu, J. Haussart, J.B. de Poilly; F. Hortemels, N. Château, B. Audran, H. S. Thomassin, N. Dupuy, G.J.B. Scotin, S.F. Ravenet, J.P. le Bas, E. Jaurat, C. Dupuis, J. Audran, N. Dauphin de Beauvais, Mle. Basseporte, N. Pigné; L. Jacob, J. Moyreau, G.E. Petit, M. Aubert, F. Joullain, N. Dupuis, G. Duchange and B. Baron. |
| 510 | 0 | # | $a C. H. von Heinecken, Idée générale d'une collection complète d'estampes (Leipzig and Vienna: 1771); W.M. Johnson, 'From Verrue to Vence: systematic engraving of private painting collections in France to 1760', in Gazette des beaux-arts, 117 (1991), p.77-92; F. Haskell, The painful birth of the art book (1987); S. Lambert, The image multiplied: five centuries of printed reproductions (1987); C. H. Lloyd, Art and its images: an exhibition of printed books containing engraved illustrations ... held in the Bodleian Library (1975); B. Scott, 'Pierre Crozat, a Maecenas of the Regency', in Apollo, 97 (1973), p.11-19; M. Stuffman, 'Les tableaux de la collection de Pierre Crozat', in Gazette des beaux arts, 72 (1968 Juillet-Septembre), p.11-14. |
| 520 | 2 | # |
$a The second volume carries the same title as the first, with the addition of the words, 'Seconde Partie'. There is no statement of the authorship of the text in 'Tome Premier [Premiere Partie]'. The plates of 'Tome Premier [Premiere Partie]' show 66 paintings or drawings (two ancient paintings, two by Perugino, one by Pinturicchio, forty-five by Raphael and sixteen by Giulio Romano). Those of 'Tome Premier Seconde Partie' show 73 paintings or drawings (by forty-six artists: nine by D. Feti, four by Caravaggio and C. Maratte, three by Parin del Vago, J. F. Romanelle, P.F. Mola and A. Sacchi, two by Timothée della Vite, B. Garofalo, Jean da Udine, G. Ferrari, Balthazar Peruzzi de Siene, J. Mutien, B. Manfredi and J.B. Gaulli, one each by Giulio Romano, Polidore de Caravage, Andre Luigi d'Assise, J.F. Penni, Raphael del Colle, B. Ramenghi, J. Genga, Mathurin, Siciolante, T. Zuccaro, F. Zuccari, J. Cesari, J. Baglione, P. Testa, Bernini [sculpture], M. Caffa, H. Brandi, J. Bonnnatti, B. Luti, L. Giminiani, D. Saiter, J.B. Leonardi, J. Passari, J.M. Morandi, L. Garzi, S. Conca, P. de Pietri, F. Trevisani and A.A. Orazi). The plates of the third part show 30 paintings or drawings (twenty-one by Veronese, four by Titian, two by Paul Farinali, one by Tintoretto and one by Ann. Carracci). As stated in the title, most of the works shown are from the collections of the King of France and the Duke of Orleans, but many are from that of M. Crozat, and few are from other French collections - those of the Prince de Carignan, the Queen of France, Rheims cathedral, Bibron de Cormeri, Comte de Morville - with a small number from collections outside France (the Barberini, the King of Spain, the Duke of Grafton and Roi Henry). The Crozat collection was eventually bought by the Empress Catherine II of Russia for the Hermitage, St. Petersburg. |
| 561 | # | # | $a Acquired by 1802. Recorded in A Catalogue Of The Library In The Royal Academy, London (1802). |
| 562 | # | # | $a Imperfect; lacks plates 12 plates from the third part. In the Academy's set the second and third volumes are bound together. In the third part the first six plates are bound in upside down. |
| 563 | # | # | $a 18th-century diced calf; gilt-tooled borders on upper and lower covers; gilt-decorated spine, lettered 'Le Cabinet Du Roy De France Tom. I (II)'. |
| 600 | 0 | 4 | $a Giulio Romano |
| 600 | 0 | 4 | $a Louis XV |
| 600 | 1 | 4 | $a Crozat, Pierre |
| 600 | 1 | 4 | $a Fetti, Domenico |
| 600 | 0 | 4 | $a Raphael |
| 600 | 1 | 4 | $a Veronese, Paolo |
| 653 | # | # | $a Paintings, European - Drawings, European |
| 653 | # | # | $a Collections - France - 18th century |
| 655 | # | 4 | $a Pictorial works - France - 18th century |
| 700 | 0 | # | $a Raphael |
| 700 | 0 | # | $a Giulio Romano |
| 700 | 1 | # | $a Fetti, Domenico |
| 700 | 1 | # | $a Veronese, Paolo |
| 710 | 1 | # | $a France. Imprimerie Nationale $e printer |
| 852 | 8 | # | $d 1802: 18-0-05; 1821: 18-0-05. |