The printer is named on the half-title versos and in the colophons: 'Paris - Imprimerie De J. Claye Rue Saint-Benoit, 7'.
References
Studies of the interest of Raphael and his contemporaries in ancient art include M. Gregori, In the light of Apollo: Italian Renaissance and Greece [exhibition catalogue] (2003); K. Oberhuber, Raphael und der klassischer Stil im Rom 1515-1527 [exhibition catalogue] (1999); A. Nesselrath, 'Raphael's archaeological method', in Raffaello e Roma (1986); P.P. Bober and R.O. Rubinstein, Renaissance artists and antique sculpture: a handbook of sources (1986); S. Settis, ed., Memoria del'antico nell'arte italiana (3 v., 1984-5); Raphael and the ruins of Rome [exhibition catalogue] (1983); R. Weiss, The Renaissance discovery of classical antiquity (1969; 2/1988).
Binding Note
19th-century half brown morocco, marbled-papered boards, spines lettered 'Raphael Et L'Antiquité Gruyer - I (II)' and and 'R.A.'
Artists - Antiquaries - Scholars - Antiquarianism - Antiquities - Italy - Rome - History - 16th century - Renaissance
Art history - France - 19th century