| 001 | $ 05/877 | ||
| 003 | $ UK-LoRAA | ||
| 041 | 0 | # | $a lat |
| 044 | # | # | $a it |
| 245 | 0 | 0 | $a Opera Selectiora Quæ Titianus Vercellius Cadubriensis, Et Paulus Calliari Veronensis Inventarunt Ac Pinxerunt, Quæ Que Valentinus Le Febre Bruxellensis Delineavit, Et Sculpsit: Christianissimo Ludovico magno Franciæ, Et Navarræ Regi Invictissimo. Sacrat, Vovet Iacobus Van Campen. |
| 260 | # | # | $c MDCLXXXII. $c [1682] $b Cum privil. S.C. Maiestatis, et Regis Christianissimi. (J. Van Campen Formis) $a (Venetiis) |
| 300 | # | # | $a Title-plate, [42] leaves carrying [52] pl.; $c 571 mm. |
| 500 | # | # | $a Eight leaves carry two prints each (viz. nos. [22, 23, 27, 28, 30, 31, 32, 39]), and one (no. [29]) carries three prints. Plates [18] and [19] are two parts of one image, as are pl. [20] and [21]. Plates [18] and [19] have been bound in in inverse order. |
| 508 | # | # |
$a The title-plate is unsigned. All others give the name of the source artist (Titian or Veronese, but in one case (pl. [13]) Tintoretto) and are signed as drawn and engraved by V. Lefevre. Each carries the imprint of the publisher/printer, 'J. Van Campen Formis Venetijs', apart from pl. [39a, b, 40]. |
| 510 | 0 | # | $a U. Ruggeri, Valentin Lefèvre (2001), p.210-26. |
| 563 | # | # | $a 19th-century half calf, marbled-paper-covered boards, rebacked in 20th century, retaining earlier black morocco spine label lettered 'Opera Selectiora Titianus Vecellius'. |
| 600 | 0 | 4 | $a Titian |
| 600 | 1 | 4 | $a Veronese |
| 653 | # | # | $a Paintings, Italian - History - 16th century |
| 655 | # | 0 | $a Pictorial works - Italy - 17th century |
| 700 | 0 | # | $a Titian $e source artist |
| 700 | 1 | # | $a Veronese $e source artist |
| 700 | 1 | # | $a Lefebvre $e draughtsman $e engraver |
| 700 | 1 | # | $a campen $e printer |
| 700 | 0 | # | $a Louis XIV $e dedicatee |