| 001 | $ 08/4508 | ||
| 005 | $ 20210618105420.0 | ||
| 041 | 0 | # | $a eng |
| 044 | # | # | $a uk |
| 100 | 1 | # | $a Ackroyd, Norman |
| 245 | 1 | 0 | $a North South East West: fourteen etchings |
| 246 | 3 | 3 | $a N. S. E. W. : fourteen etchings |
| 260 | # | # | $a London $b Penny Press $c 1992 |
| 300 | # | # | $a 1 v. : $b chiefly ill., 1 map ; $c 34 cm. |
| 500 | # | # | $a “Printed throughout on 250 gsm acid free rag paper from St Cuthbert’s Mill, Somerset. The typography and letterpress are by Penelope Hughes-Stanton. The etchings are printed by Neil Woodward and the Solander box is by Francis Brown of Dorchester. Designed and published by the Penny Press, London. © Penny Press, 1992.” [colophon]. |
| 505 | 0 | # | $a The Plates: 1. The Sound of Raasay -- 2. Castle Urquhart -- 3. The Great Glen -- 4. Dulsie Bridge -- 5. Duffus Castle -- 6. Linton in Craven -- 7. Harlech -- 8. Near Welshpool -- 9. Wenlock Edge -- 10. St. David’s -- 11. Near Trelleck -- 12. Chalk Hill Covert - Asthall -- 13. The Stour at Mistley -- 14. Romney Marsh |
| 562 | # | # | $a The fourteen etchings are published in editions of 60 with one printer’s proof, three artist’s proofs and two exhibition copies. Number 1 – 40 of each edition are only available in boxed sets. Copy 1 of 40. Numbered and signed by the artist on the obverse of the Contents page. Each plate is also titled, numbered and singed by the artist. |
| 563 | # | # | $a Housed in a black solander box lettered in gilt on the spine: "North South East West. Norman Ackroyd. 1992." Deckle-edged paper. |
| 700 | 1 | # | $a Ackroyd, Norman $e binding designer $e etcher |
| 700 | 1 | # | $a Brown, Francis $e binder |
| 700 | 1 | # | $a Hughes-Stanton, Penelope $e typographer $e letterpress printer |
| 700 | 1 | # | $a Woodall, Neil $e printer |
| 710 | 2 | # | $a Penny Press (London) $e publisher |
| 710 | 2 | # | $a St Cuthberts Mill $e paper manufacturer |