Museum Worsleyanum Or A Collection Of Antique Basso Rilievos, Bustos, Statues And Gems With Views Of Places In The Levant Taken On The Spot In The Years MDCCLXXXV VI and VII ... Vol: I. (II.)
RA Collection: Book
Most plates are signed as drawn by V. Dolcibene; some as drawn by others (Pars, T. Tresham, C.R. Ryley, N. Marchant, G. Reveley, 'G.M.'). They are signed by various engravers: A. Mochetti, Carru. Tiriti, G. Petrini, W. Skelton, A. Fiori, J. Hall, G. Carattoni, A. Capellan, Perini, F. Pozzi, Iac. Bossi, Aloy. Cunego, Pievillano, L. Schiavonetti, Pars, Dolcibene, D. Pronti, C. Antonini and Fittler.
The text printer is named in both colophons, 'From the Shakespeare Press, by W. Bulmer & Co.'
J. Scott, The pleasures of antiquity: British collectors of Greece and Rome (2003); G.B. Waywell, 'Influences on the formation of English collections of ancient sculpture in the eighteenth century', in Antikensammlungen des europäischen Adels in 18. Jahrhundert [colloquium, Dusselsdorf, 1996] (2001); K. Pomian, Collectors and curiosities (1990); L. Boynton, Appuldurcombe House (1986); Antikensammlungen im 18. Jahrhundert, ed. H. Beck et al. (1981); C.C. Vermeule, 'Notes on a new edition of Michaelis', in American Journal of Archaeology, 59 (1955), p.131, 60 (1956), p.324-5; A. Michaelis, Ancient marbles in Great Britain (1882), p.115-7; A. H. Smith, A Catalogue of the Antiquities in the Collection of the Earl of Yarborough at Brocklesby Park (1897); A Catalogue Raisonee of the Principal Paintings, Sculptures, and Drawings &c. &c. at Appeldurcombe House ... taken June 1 1804.
On the printer Bulmer see P. Isaac, William Bulmer The Fine Printer in Context 1757-1830 (1993).
Sir Richard Worsley's collection of antiquities was unique in 18th-century Britain in being composed mainly of original Greek works. The collector had bought in what are now Greece and Turkey from 1785 to 1787, accompanied by Willey Reveley as draughtsman. In Rome in 1787-1788 he had made supplementary purchases, and commissioned Vincenzo Dolcibeni to make drawings to be engraved and E.Q. Visconti to help with the text. In the resulting publication, as J. Scott writes, 'for the first time a collection of mainly Greek antiquities ... was set out in the context of the buildings of Greece and in particular of the Parthenon frieze'.
The plates and accompanying texts are grouped in six 'classes': (Volume I) 1. Basso Relievos collected in Athens and Greece; 2. Bustos and Hermae, from Athens (the Prytaneum?); 3. Egyptian and Greek statues; (Volume II) 4. Gems, collected at Rome, Athens, Egypt and Constantinople (but the last gem shows the death of General Wolfe); 5. Metopes and frieze of the Parthenon, Athens; 6. Views of the Levant and Lesser Tartary (i.e. Crimea) and their ruins.
Worsley's collections passed to the Earls of Yarborough; and remain at Brocklesby Park.
Name as Subject
Private collections - Great Britain - Isle of Wight - Appuldurcombe House (Isle of Wight) - Lincolnshire - Brocklesby Park (Lincolnshire) - 18th century
Views - Great Britain - 18th century
Pictorial works - Great Britain - 18th century
Vincenzo Dolcibeni, draughtsman, engraver
Ennio Quirino Visconti
William Bulmer, printer
T. Tresham, draughtsman
William Pars ARA, draughtsman, engraver
Alessandro Mochetti, engraver
Carru. Tiriti, engraver
Giovanni Petrini, engraver
William Skelton, engraver
A. Fiori, engraver
John Hall, engraver
Girolamo Carattoni, engraver
Antonio Capellan, engraver
Giuseppe Perini, engraver
Francesco Pozzi, engraver
Antoine Cardon, engraver
Arthur William Devis, draughtsman
James Fittler ARA, engraver
Charles Reuben Ryley, draughtsman
Nathaniel Marchant RA, draughtsman
Giacomo Bossi, engraver
Aloisio Cunego, engraver
Luigi Schiavonetti, engraver
Domenico Pronti, engraver
Carlo Antonini, engraver
Shakespeare Press (London), printer