MARC Record view

001 $ 05/3268
003 $ UK-LoRAA
041 0 # $a eng
044 # # $a uk
100 1 # $a Roscoe
245 1 0 $a Illustrations, Historical And Critical, Of The Life Of Lorenzo De' Medici, called The Magnificent; With An Appendix Of Original And Other Documents. By William Roscoe.
260 # # $a London: $b Printed For T. Cadell, Strand; And W. Blackwood, Edinburgh. $c 1822.
300 # # $a [12], 223, [1], 168 p., frontis. (port.), 3 pl.: $b [2] illus.; $c 287 mm. (Quarto.)
500 # # $a The three plates are unnumbered, but each carries the number of the page next to which it is to be bound in: p. 90, 131, 200. The in-text illustrations are on pp. 96, 120.
505 0 # $a [Half-title, frontis., t.p.] - Canzone Di T.J. Mathias A Guglielmo Roscoe - Prefatory Observations - [Text] - Appendix; [colophon].
508 # # $a The frontispiece portrait is captioned as 'Lorenzo De Medici. From a Bust by Michaelagnolo, presented by the Marquis Capponi of Florence to the Author', and signed as 'Drawn & Engraved by Edw. Smith.' The first plate (p.90) is captioned as 'Cosmo de' Medici ... from a Picture by Francesco Peselli'. The other two plates, and the two in-text illustrations, are unsigned.

The printer is named on the title-page verso and in the colophon: 'J. M'Creery, Tooks Court, Chancery-Lane, London.'
510 0 # $a D.A. MacNaughton, Roscoe of Liverpool: his life, writings and treasure (1996); G. Murphy, William Roscoe, his early ideals and influence (1981); C.P. Darcy, The encouragement of the fine arts in Lancashire 1760-1860 (1976); M. Compton, 'William Roscoe and early collectors of Italian primitives', in Liverpool bulletin, 9 (1960-1), p.26-51; G. Chandler, William Roscoe of Liverpool (1953).

On the printer and publishers see J. R. Barker, 'John McCreery, a radical printer, 1768-1832', in The Library, 5th ser. 16 (1961), p.81-103; J. R. Barker, 'Cadell and Davies and the Liverpool booksellers', in The Library, 5th ser. 14 (1959), p.274-80.
520 2 # $a The work was first published, in two volumes, in 1796 (also printed by McCreery), after ten years of research. It won immediate acclaim in Britain - 'Roscoe', declared Horace Walpole, 'is by far the best of our historians, both for beauty, style, and deep reflections' - and established Roscoe's international reputation. It is the study of a ruler who was also a scholar, and who promoted the arts both for their own sake and as a means of extending his political influence; and Roscoe probably took Lorenzo as a model for his own encouragement of the arts in Liverpool.

Most plates are captioned, and show: [frontis.] 'Lorenzo De Medici ...'; [1](p.90) 'Cosmo de' Medici with his Son Piero and his grandsons Lorenzo and Giuliano ...'; [2](p.131) 'The Fable of Ambra, as carved on an Amber Fiaschetto ... formerly belonging to Lorenzo de Medici'; [3] (p.200) tomb design by Michelangelo. The two in-text illustrations (pp. 96, 120) show medallions representing Lorenzo de' Medici.

The work is finely printed by McCreery - possibly using types cast by William Martin, who designed type for Boydell's Shakespeare printed by William Bulmer.
561 # # $a The half-title is inscribed in ink, 'Sir Thomas Lawrence P.R.A. with the Author's sincere respects', and in pencil, 'Arabella Fletcher'. The title page is inscribed in ink, 'Archer [?] December 1868'. Presented by Anthony Blunt, May 1944.
563 # # $a 20th-century grey-brown cloth, three-quarters covered with white paper; black morocco spine-label lettered 'Life Of Lorenzo De' Medici - Roscoe'.
600 1 4 $a Lorenzo de' Medici
653 # # $a Rulers - Arts - Patronage - Italy - Tuscany - Florence - History - 15th century
655 # 0 $a Art history - Biography - Great Britain - 18th century - 19th century
700 1 # $a cadell $e publisher
700 1 # $a Blackwood $e publisher
700 1 # $a McCreery $e printer
700 1 # $a Roscoe $e previous owner
700 1 # $a Lawrence $e previous owner
700 1 # $a mathias
700 0 # $a Michelangelo $e source artist
700 1 # $a Smith $e draughtsman $e engraver
700 1 # $a Pesellino $e source artist
700 1 # $a Blunt, Anthony $e Donor