Dr. Brook Taylor's Method of Perspective Made Easy, Both in Theory and Practice. In Two Books. Being An Attempt to make the Art of Perspective easy and familiar; To Adapt it intirely to the Arts of Design; And To make it an entertaining Study to any Gentleman who shall chuse so polite an Amusement. By Joshua Kirby, Painter. Illustrated with Fifty Copper Plates; most of which are Engrav'd by the Author. ... Book I.
RA Collection: Book
Record number
03/2826
Author
Variant Title
Practice Of Perspective
Imprint
Ipswich:: Printed by W. Craighton, for the Author; and Sold by him in Ipswich: And in London, by J. Swan, near Northumberland-House, in the Strand; F. Noble, in King's-Street, Covent-Garden; and J. Noble, in St. Martin's Court., MDCCLIV.
Physical Description
2 vols. in 1; 255 mm. (Quarto).
General Note
Book I: [4], xvi, iv, [2], 78 p., frontis., 22 pl. - Book II: [2], 84 p., 27 pl.
Contents
Book I: [Frontis., t.-p., dedic.] - Preface - Contents [of Book I and Book II] - A List of Subscribers - Directions for placing the Plates - Errata [in Books I and II] - [Text and plates of Book I]. - Book II: [T.p., dedic.] - Preface - [Text and plates of Book II].
Responsibility Note
The frontispiece (showing various perspectival absurdities) is signed as designed and drawn by W. Hogarth and engraved by L. Sullivan. Most plates are unsigned, but in Book II plate 17 is signed as [drawn] by JK and engraved by J.S. Müller; plate 18a is signed as [drawn] by JK and engraved by J. Wood; plate 18b is signed as etched ('fec. aqua forte') by T. Gainsborough and finished ('perfecit') by J. Wood.
The first Book is dedicated by the author to Mr Hogarth; the second, to the Academy Of Painting, Sculpture, Architecture, &c. in London.
The first Book is dedicated by the author to Mr Hogarth; the second, to the Academy Of Painting, Sculpture, Architecture, &c. in London.
References
Royal Institute Of British Architects, Early printed books, 5 (2003), no. 3950; J. Archer, Literature of British domestic architecture (1985), 167.1.
On Brook Taylor and Kirby in the history of perspective see M. Kemp, The science of art: optical themes in western art (1992); K. Anderson, Brook Taylor's role in the history of linear perspective (1989); P. Descargues, Perspective: history, evolution, techniques (1982).
ESTC, T133414
On Brook Taylor and Kirby in the history of perspective see M. Kemp, The science of art: optical themes in western art (1992); K. Anderson, Brook Taylor's role in the history of linear perspective (1989); P. Descargues, Perspective: history, evolution, techniques (1982).
ESTC, T133414
Summary Note
The title page of Book II reads, 'The Practice Of Perspective: Being The Second Book Of Dr. Brook Taylor's Perspective made Easy, &c. By Joshua Kirby, Painter ... Ipswich: Printed by W. Craighton. MDCCLIV.'
Kirby's book is based on Brook Taylor's Linear perspective (1715) and New principles of linear perspective (1719), which established the 'measure point' method at the centre of British theory. Kirby also acknowledges his debt to John Taylor's Stereography (1738). (J.M.W. Turner, who became Professor of Perspective at the Royal Academy in 1807, is probably the best-known artist in this succession.) As well as dedicating his book to Hogarth, Kirby includes an etching of a landscape by Thomas Gainsborough (pl. 18).
The book was reprinted in 1755. A second edition appeared in 1765; a third, in 1768.
Kirby's book is based on Brook Taylor's Linear perspective (1715) and New principles of linear perspective (1719), which established the 'measure point' method at the centre of British theory. Kirby also acknowledges his debt to John Taylor's Stereography (1738). (J.M.W. Turner, who became Professor of Perspective at the Royal Academy in 1807, is probably the best-known artist in this succession.) As well as dedicating his book to Hogarth, Kirby includes an etching of a landscape by Thomas Gainsborough (pl. 18).
The book was reprinted in 1755. A second edition appeared in 1765; a third, in 1768.
Reproductions
An electronic reproduction was published in 2003 (Farmington Hills, Mich.: Thomson Gale). A microfilm version was published in 1986 (Woodbridge, CT: Research Publications).
Provenance
Acquired between 1769 and 1802. Recorded in A Catalogue Of The Library In The Royal Academy, London (1802).
Binding Note
18th-century mottled calf, upper and lower covers having gilt-tooled borders; rebacked in 20th century, red morocco spine-label lettered 'Kirby's Perspective'.
Name as Subject
Subject
Perspective - History
Manuals - Instructional materials - Great Britain - 18th century
Pictorial works - Great Britain - 18th century
Manuals - Instructional materials - Great Britain - 18th century
Pictorial works - Great Britain - 18th century
Contributors
Brook Taylor
William Craighton, printer
Francis Noble, bookseller
John Noble, bookseller
James Swan, bookseller
William Hogarth, draughtsman, dedicatee
Luke Sullivan, engraver
Johann Sebastian Müller, engraver
Joseph Wood, engraver
Thomas Gainsborough RA, engraver
Academy of Painting, Sculpture, Architecture, &c. (London)
William Craighton, printer
Francis Noble, bookseller
John Noble, bookseller
James Swan, bookseller
William Hogarth, draughtsman, dedicatee
Luke Sullivan, engraver
Johann Sebastian Müller, engraver
Joseph Wood, engraver
Thomas Gainsborough RA, engraver
Academy of Painting, Sculpture, Architecture, &c. (London)
Images from this book
4 results
-
Thomas Gainsborough RA
Wooded Landscape with Church, Cow and Figure, 1753-54
Etching
-
William Hogarth
Frontispiece showing incorrect perspective, 1754
Etching
-
Joshua Kirby
Landscape demonstrating correct perspective, 1754
Etching
-
Joshua Kirby
Views of Framlingham Castle, Suffolk, and a rural landscape
Etching