Skip to navigation

The Body Politic: Anatomical Drawings by Benjamin Robert Haydon

Until 21 Oct 2007

In The Tennant Room, a John Madejski Fine Room

Benjamin Robert Haydon (1786-1848), Anatomical drawing of the hand, 1805.
Benjamin Robert Haydon (1786-1848), Anatomical drawing of the hand, 1805. Black and red ink with grey, red, brown and blue washes.
Benjamin Robert Haydon (1786-1846) was the most controversial artist of his day. A self-styled ‘genius’ and the scourge of the Royal Academy, he was determined to revive the flagging fortunes of British history painting. Anatomy was the lynchpin of all Haydon’s art and theory. The Body Politic brings together a selection of his dramatic drawings from the Academy collection, charting his progress from anatomical textbooks to dissections. Haydon prized these studies, using them to teach his pupils and as the basis for his lectures on art.

Today, Haydon is remembered for his engaging diaries and as a friend of Wordsworth and Keats. In his lifetime, his grandiose paintings incited considerable interest. However, Haydon’s passionate, uncompromising temperament alienated supporters and every unsold painting plunged him further into debt. Eventually, worn down by decades of struggle, he committed suicide on 22nd June 1846 in front of an unfinished canvas.

Fine Rooms Logo 1The Tennant Room is one of the John Madejski Fine Rooms
Opening times
1pm-4.30pm Tuesday to Friday
10am-6pm Saturday and Sunday
Closed Monday

Academy Shop

Show photo credits

Joan Miró, The Birth of Day 1 (Naissance du jour 1), 1964. Oil on canvas, 146 x 113.5 cm. Fondation Marguerite et Aimé Maeght, Saint-Paul. Photo © Galerie Maeght.
© Succession Miró/ADAGP, Paris and DACS, London 2008.

 

The Antioch Chalice, Byzantine, from Syria, possibly Kaper Koraon or Antioch, first half of the sixth century. Silver cup set in footed silver-gilt shell, Height 19. 7 cm. Lent by the Metropolitan Museum of Art, New York. The Cloisters Collection, 1950 (50.4). Photo © The Metropolitan Museum of Art