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George Bellows, 'Stag at Sharkey’s' (detail), 1909. Oil on canvas, 92 x 112.6 cm. The Cleveland Museum of Art. Hinman B. Hurlbut Collection. Photo © The Cleveland Museum of Art.
Sidney Nolan, 'Ned Kelly' (detail), 1946. Enamel paint on composition board. 90.8 x 121.5 cm. National Gallery of Australia, Canberra. Gift of Sunday Reed, 1977.
Sir Hugh Casson PRA, 'Elephant and Rhinoceros Pavilion, London Zoo'(detail), c.1971. © Royal Academy of Arts, London.
Sydney Lee, 'The Sleeping Square' (detail), 1928. Aquatint, mezzotint and roulette. Private collection. © estate of the artist.
30 October 2009
In the Reynolds Room, a John Madejski Fine Room
In May 2009, over 80,000 people visited the six Anish Kapoor works that were displayed throughout Brighton during his Artistic Directorship of its annual arts festival. Andrew Comben, Chief Executive of the Brighton Festival, and Andrea Rose, British Council, reflect upon Kapoor’s Artistic Directorship of the 2009 Brighton Festival, his site-specific works, and the ways in which the sculptures negotiated Brighton's histories, meanings and culture.
6.30–7.30pm; £14/£6 reductions (includes exhibition entry and a drink), £10 (includes a drink)
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Events and Lectures, Royal Academy of Arts
Burlington House, Piccadilly
London W1J 0BD
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