Spring 2007
Issue Number: 94
Editorial: Creating an impression
Monet was not the first artist to claim that he never drew. Giorgione, Titian, Caravaggio and countless other ‘painter’s painters’ have said the same, although art historians have subsequently found...
Creating an impression
Preview
Divine inspiration
Fair trade
The mouse that roared
Enduring visions
Jewels in the crown
Last laugh
New horizons
Features
Monet
Debra Mancoff finds that Monet turned adversity to advantage, when he used pastels to capture the subtle colour of the London fog
Drawing the line
Scott Reyburn looks at the original print revival in 1890s Paris, discovering how Monet and his contemporaries applied its creative potential
From Rousseau to Romantic
Desmond Shawe-Taylor contrasts portraits before and after the French revolution, to give us a snapshot of changing lifestyles and fashions
Face facts
Martin Gayford interviews Humphrey Ocean RA, and discovers that portraits can reveal truths about the artist as much as the sitter
Tour de force
Rod Mengham discusses Anselm Kiefer's towers in the RA Courtyard and his paintings at the White Cube, noting the rich layers of symbolism
Books and comment
Academy
Home is where the art is
Charmed life: John Craxton RA
Spring 2007 Gallery Listings from RA Magazine (0.8 MB)
Contributors
Information and contact details
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