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All comments on this post - (4 comment)
Thank you very much for posting these videos. I am familiar with the work of some of Lee's contemporaries, but not with that of Lee himself. Robert Meyrick's brief talks, and the examples shown, encourage us (as is perhaps the intention) to make the effort to see this exhibition
Posted on: April 27, 2013 10:55 AM by Malcolm Hay
WOW! Sydney Lee's exciting colour wood block prints, based on the Japanese techniques, uniquely depict beautiful St. Ives and other British scenes. It's long past time to discover and celebrate the genius of this masterful artist. Thank you RA for organising this exhibit!
Posted on: April 26, 2013 10:22 PM by Carol Humphreys
I too like these very much. They have something of the pictorial values that I have seen in the watercolours of George Horton, the Tyneside artist whose dates are similar to Lee's. To achieve these results from engraved boxwood is astonishing. The Staithes image so like the Japanese that Van Gogh was also influenced by is very satisfying. I know Staithes quite well. Clearly not as well as he did. What a far cry these quiet technical miracles with their reclusive poetry are from the blether of Ego Ego Ego that claims to be the centre ground today. Long live Sydney, long perish all gobby egos.
Posted on: April 26, 2013 8:15 PM by John Devereux
This is an excellent exhibition - an eye opener in terms of the quality of Lee's print work. It was especially interesting for me since I've owned a large Sydney Lee oil painting (Welsh Cottages) for many years and knew very little about him.
Posted on: April 26, 2013 5:19 PM by Dave Davies