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Monet's Gardens in Art

1 Jun 2007

In the Reynolds Room, a John Madejski Fine Room

Reynolds Room; 6.30-7.30pm; £14/£6* (includes lecture, exhibition entry and a drink), £10 (includes lecture and a drink)

For information or to book:
Telephone 020 7300 5839
Fax booking form to 020 7300 8013
Post booking form to:
Events & Lectures, Royal Academy of Arts
Burlington House, Piccadilly
London W1J 0BD

Download an events booking form (39 KB)
Download an events booking form in Word format (43 KB)

*Reductions are available for students, jobseekers and disabled persons with recognised proof of status.

Claude Monet cultivated his gardens as a continual source of renewal and inspiration, choosing plantings as carefully as he chose the colours of his palette. Dr Debra N. Mancoff, Adjunct Professor of Art History, Theory, and Criticism, School of the Art Institute of Chicago, will explore Monet's dual identity as gardener and as painter and how these two roles intertwined in his pursuit of his artistic vision: a life-long reverie on the integral relationship of nature and art.

Academy Shop

Show photo credits

Joan Miró, The Birth of Day 1 (Naissance du jour 1), 1964. Oil on canvas, 146 x 113.5 cm. Fondation Marguerite et Aimé Maeght, Saint-Paul. Photo © Galerie Maeght.
© Succession Miró/ADAGP, Paris and DACS, London 2008.

 

The Antioch Chalice, Byzantine, from Syria, possibly Kaper Koraon or Antioch, first half of the sixth century. Silver cup set in footed silver-gilt shell, Height 19. 7 cm. Lent by the Metropolitan Museum of Art, New York. The Cloisters Collection, 1950 (50.4). Photo © The Metropolitan Museum of Art