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Luce Annual Lecture

Dislocating Tradition: Women Artists and the Body, from Cassatt to Whiteread

17 Jan 2008
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Sam Taylor-Wood, 'Bram Stoker's Chair VII', 2005, C-print, Image size: 48 x 38 in. (121.9 x 96.5 cm)
Sam Taylor-Wood, 'Bram Stoker's Chair VII', 2005, C-print, Image size: 48 x 38 in. (121.9 x 96.5 cm)

Women artists have invented new ways of representing the body, going against the grain of accepted representational standards in taking on the human figure. Professor Linda Nochlin, New York University Institute of Fine Arts, examines certain women painters, photographers, sculptors, performers and video artists who have worked with the body and made it new, and critically analyses their revisions of a long, male-dominated tradition.

Geological Society Lecture Theatre, Piccadilly, W1; 6.30–7.30pm

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Show photo credits

Joan Miró, The Birth of Day 1 (Naissance du jour 1), 1964. Oil on canvas, 146 x 113.5 cm. Fondation Marguerite et Aimé Maeght, Saint-Paul. Photo © Galerie Maeght.
© Succession Miró/ADAGP, Paris and DACS, London 2008.

 

The Antioch Chalice, Byzantine, from Syria, possibly Kaper Koraon or Antioch, first half of the sixth century. Silver cup set in footed silver-gilt shell, Height 19. 7 cm. Lent by the Metropolitan Museum of Art, New York. The Cloisters Collection, 1950 (50.4). Photo © The Metropolitan Museum of Art