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John Nash: The Architects Who Made London

Supported by SMC Group Plc.

2 Apr 2007
Sold Out

Geological Society, Piccadilly, W1; 6.30–7.30pm; £10/£5 students (incl. drink) or £50/£25 (students) for the series of six lectures

For information or to book:
Telephone 020 7300 5839
Fax booking form to 020 7300 8013
Post booking form to:
Events and Lectures, Royal Academy of Arts
Burlington House, Piccadilly
London W1J 0BD

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*Reductions are available for students, jobseekers and disabled persons with recognised proof of status.

Drawing on the concept of the picturesque, and in emulation of Napoleonic Paris, Nash devised a fabulous scenography which connected two royal parks - St James’s and the newly created Regent’s - via the processional route of Regent Street. With the patronage of the Prince Regent, Nash’s elegant backdrops, which attempted to replace the dirt, danger, and squalor of eighteenth-century London, can still be seen today. The impact of Nash’s architecture and of his lively personality is discussed by the Head of the Department of History of Art at Cambridge University, David Watkin.

Supported by SMC Group Plc.

Academy Shop

Show photo credits

Joan Miró, The Birth of Day 1 (Naissance du jour 1), 1964. Oil on canvas, 146 x 113.5 cm. Fondation Marguerite et Aimé Maeght, Saint-Paul. Photo © Galerie Maeght.
© Succession Miró/ADAGP, Paris and DACS, London 2008.

 

The Antioch Chalice, Byzantine, from Syria, possibly Kaper Koraon or Antioch, first half of the sixth century. Silver cup set in footed silver-gilt shell, Height 19. 7 cm. Lent by the Metropolitan Museum of Art, New York. The Cloisters Collection, 1950 (50.4). Photo © The Metropolitan Museum of Art