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Architecture after Communism

Bart Goldhoorn

17 Mar 2008

Pavilion for Vodka Ceremonies, Klazminskoye Reservoir rest area, Moscow region, 2005, by Bureau Alexander Brodsky
Pavilion for Vodka Ceremonies, Klazminskoye Reservoir rest area, Moscow region, 2005, by Bureau Alexander Brodsky Photo Yuri Palmin

Although Russia’s current construction boom is fueled by ‘Wild East’ capitalism, its nature is still largely determined by its Communist past. Often this is a handicap, as the use of standard designs is common practice, and, in general, the quality of construction is low. Bart Goldhoorn, architect, founder and editorial director of Project Russia, discusses how in some instances the confrontation of the Soviet heritage with the new possibilities offered by the free market lead to interesting and unique architectural phenomena.

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Show photo credits

Joan Miró, The Birth of Day 1 (Naissance du jour 1), 1964. Oil on canvas, 146 x 113.5 cm. Fondation Marguerite et Aimé Maeght, Saint-Paul. Photo © Galerie Maeght.
© Succession Miró/ADAGP, Paris and DACS, London 2008.

 

The Antioch Chalice, Byzantine, from Syria, possibly Kaper Koraon or Antioch, first half of the sixth century. Silver cup set in footed silver-gilt shell, Height 19. 7 cm. Lent by the Metropolitan Museum of Art, New York. The Cloisters Collection, 1950 (50.4). Photo © The Metropolitan Museum of Art