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Architecture and Music

Sound and Object

3 Mar 2008

Song for the North by Bruce McLean, David Ward, Gavin Bryars at Albert Dock,
Song for the North by Bruce McLean, David Ward, Gavin Bryars at Albert Dock, Tate Liverpool 1986

This forum looks at how the interaction between music – both composition and performance – and architecture, can open new areas for imaginative response. Composer and performer Gavin Bryars converses with musician, writer and sound curator David Toop, exploring the overlap between form and space in audible and visible terms.

Large Weston Room; 6.30–8pm; £7/£4 concessions (includes a drink)

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Show photo credits

Joan Miró, The Birth of Day 1 (Naissance du jour 1), 1964. Oil on canvas, 146 x 113.5 cm. Fondation Marguerite et Aimé Maeght, Saint-Paul. Photo © Galerie Maeght.
© Succession Miró/ADAGP, Paris and DACS, London 2008.

 

The Antioch Chalice, Byzantine, from Syria, possibly Kaper Koraon or Antioch, first half of the sixth century. Silver cup set in footed silver-gilt shell, Height 19. 7 cm. Lent by the Metropolitan Museum of Art, New York. The Cloisters Collection, 1950 (50.4). Photo © The Metropolitan Museum of Art